It’s October in south Louisiana,
though you’d never know it from the
thickness in the air.
We’re sixteen, and this park
isn’t the kind of place
we should be after dark,
but you’re here,
and for the first time, it’s just us.
You help me down the crumbling bank
above some sad excuse for a stream,
black water holding wrappers, bottle caps,
the small wreckage
of other people’s evenings.
Shadows move at the edge of the park,
shapes slipping between the trees,
less frightening
than the heat between our sweating palms.
The mosquitoes find us.
I’m wearing that Nirvana shirt
that gave us something to say to each other.
The night closes around us without cooling.
Nothing here knows
how to become autumn.
Already the world seems to be thinning
into images, single lines,
proof that something happened.
But this belongs only to us—
this small, unrecorded moment.
It’s October again in south Louisiana
and I still look for you crossing campus
on that stupid bike.
The live oaks lean lower each year,
their limbs nearly touching the ground.
I text the college radio station
where you work
and request songs I hope you’ll understand,
knowing you won’t know they’re from me.
I was the one who ended
something that had never quite begun.
I wanted the clean mercy of a decision—
something with edges.
But it doesn’t quite kill a thing bent on
existing.
Soon I will move across the country,
trusting distance to make something final.
We don’t talk anymore, so I never tell you,
and so perhaps some part of me
will still catch your eye across a sidewalk,
wearing my shape after I am gone.
A decade settles quietly into our skin.
A radio room burning late.
Black water beneath a footbridge.
A song with less of a destination.
It’s late October
and I find myself in south Louisiana again.
I wouldn’t normally cross the country,
leave him and her behind
for some dumb reunion,
but the air is still thick when I step outside,
and you are here.
Older in all the ordinary ways.
So am I.
I don’t listen to Nirvana anymore,
but for the first time in years
we are alone together,
and something in the dark
rearranges itself around us.
Somewhere, the bank is still whole.
The park keeps its heat.
Windows burn and go dim.
October moves through all of it
like a room left open.
The place holds more of us than it should.
Two shadows haunt a park sidewalk
broken up by the roots of live oaks,
strange figures surrounded by the air
of something that will never quite arrive.
A residual melody of a song
that once meant more than its lyrics
reaches someone’s head.
A light occasionally flickers
in a seemingly empty room.
Nothing stays long enough
to become anyone,
but the land here
is too saturated with memory
to let them leave.
Sometimes I wonder if the shape of you
that still lingers within me,
despite the years and how little of it
ever became anything at all,
belongs to some version of us
holding each other somewhere out here
in ever-suspended autumn—
one version of us
amidst all these little half lives,
where a different ending is still beginning.
About the Creator
Sara Elise MacDougall
Southern Gothic writer and poet of the thin places between memory, landscape, spirit, and what remains unknown.
Where the metaphysical meets the mundane. Both the head and tail of the ouroboros;
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