Elegy for the Unkept Room
What remains does not stay still

The room is still here.
That is the first mistake -
to believe loss requires disappearance.
The walls hold.
The window opens the same fraction each morning.
The light arrives at the same angle,
touches the same part of the floor,
then withdraws without hesitation.
Nothing has been removed.
And yet -
there is a space that does not align.
A chair where no one sits,
not empty, but unused in a way
that feels deliberate.
The air carries a memory of shape.
Not scent -
something quieter,
like the outline of a gesture
that was repeated often enough
to remain after the body has gone.
I move through it carefully.
Not out of respect.
Out of habit.
There are objects that still belong to a system
that no longer functions.
A cup placed where it was always placed.
A book left open at a page
that will not be finished.
Dust gathers differently now.
It does not settle evenly.
It collects in places that suggest interruption -
edges, corners, the space beside things
rather than on them.
I do not clean it.
It feels like a record.
At certain hours,
there is a shift I cannot name.
Not a sound,
not a movement,
but a correction in the room’s posture,
as if something has remembered itself
for a moment
and then stopped.
I do not look up when it happens.
Looking would require
believing there is something to see.
Instead, I wait.
The room returns to its current arrangement
with the same quiet consistency
it has maintained since the absence began.
There is no event I can point to.
No moment when the loss declared itself.
Only the slow accumulation
of things that no longer answer
to the same conditions.
Time continues.
It passes through the room
without resistance.
It touches the walls,
the objects,
the dust,
and leaves everything in place.
Only one thing fails to follow.
I remain.
Not as I was,
but as something that has adjusted
to the absence
so completely
that it has begun to resemble structure.
The room is still here.
That is the second mistake -
to think that what remains
has stayed.
About the Creator
Alain SUPPINI
I’m Alain — a French critical care anesthesiologist who writes to keep memory alive. Between past and present, medicine and words, I search for what endures.
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