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Drum Dream Girl

how Millo transformed gender roles in Cuban music.

By Maroof razaPublished 11 months ago 3 min read
6
Drum Dream Girl
Photo by Gabriel Gurrola on Unsplash

On an island of music

in a city of drumbeats

the drum dream girl

dreamed

of pounding tall conga drums

tapping small bongó drums

and boom boom booming

with long, loud sticks

on big, round, silvery

moon-bright timbales.

But everyone

on the island of music

in the city of drumbeats

believed that only boys

should play drums

so the drum dream girl

had to keep dreaming

quiet

secret

drumbeat

dreams.

At outdoor cafés that looked like gardens

she heard drums played by men

but when she closed her eyes

she could also hear

her own imaginary

music.

When she walked under

wind-wavy palm trees

in a flower-bright park

she heard the whir of parrot wings

the clack of woodpecker beaks

the dancing tap

of her own footsteps

and the comforting pat

of her own

heartbeat.

At carnivals, she listened

to the rattling beat

of towering

dancers

on stilts

and the dragon clang

of costumed drummers

wearing huge masks.

At home, her fingertips

rolled out their own

dreamy drum rhythm

on tables and chairs…

and even though everyone

kept reminding her that girls

on the island of music

have never played drums

the brave drum dream girl

dared to play

tall conga drums

small bongó drums

and big, round, silvery

moon-bright timbales.

Her hands seemed to fly

as they rippled

rapped

and pounded

all the rhythms

of her drum dreams.

Her big sisters were so excited

that they invited her to join

their new all-girl dance band

but their father said only boys

should play drums.

So the drum dream girl

had to keep dreaming

and drumming

alone

until finally

her father offered

to find a music teacher

who could decide if her drums

deserved

to be heard.

The drum dream girl’s

teacher was amazed.

The girl knew so much

but he taught her more

and more

and more

and she practiced

and she practiced

and she practiced

until the teacher agreed

that she was ready

to play her small bongó drums

outdoors at a starlit café

that looked like a garden

where everyone who heard

her dream-bright music

sang

and danced

and decided

that girls should always

be allowed to play

drums

and both girls and boys

should feel free

to dream.

Notes:

This poem was inspired by the childhood of a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers. In 1932, at the age of ten, Millo Castro Zaldarriaga performed with her older sisters as Anacaona, Cuba's first "all-girl dance band." Millo became a world-famous musician, playing alongside all the American jazz greats of the era. At age fifteen, she played her bongó drums at a New York birthday celebration for U.S. president Franklin Delano Roosevelt, where she was enthusiastically cheered by First Lady Eleanor Roosevelt. There are now many female drummers in Cuba. Thanks to Millo's courage, becoming a drummer is no longer an unattainable dream for girls on the island. [note from the author]

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About the Creator

Maroof raza

Writes

Reader insights

Outstanding

Excellent work. Looking forward to reading more!

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