After the Fires Were Put Out
Nothing has collapsed.
The rafters hold.
The kettle remembers
its familiar hymn
each morning,
the gate still lifts
with the same reluctant hinge,
and the maples,
having outlived
every certainty I've ever kept,
continue their annual bargain
with the wind.
If grief required
visible evidence,
I should have none to offer.
No broken glass.
No black crepe
hung from the door.
No physician
standing at the foot
of the bed
with his hat folded
between tired hands.
Only the peculiar absence
of anticipation.
As though someone
had quietly dismantled
the fairgrounds
during the night,
leaving the field
perfectly untouched,
except that every road
now leads
to an empty meadow.
There was a time
when every sunrise
arrived
like a messenger,
breathless,
mud upon its boots,
bearing news
that something
might yet happen.
Now morning
enters politely,
removes its coat,
and sits without speaking.
I have become suspicious
of quiet.
It resembles peace
only at a distance.
Within it,
another country
conducts its business.
A thought begins.
Before it has learned
its own shape,
three others
rush in
to finish it.
The room acquires
too many corners.
Every clock
speaks at once.
A sleeve brushes my arm,
and I rehearse
six possible meanings
before the moment
has had time
to become itself.
They say,
"It isn't so difficult."
No.
The difficulty
has never belonged
to the doing.
It belongs
to the translating.
To discovering,
each hour,
which expression
belongs with which sentence.
How long
one must hold
another's eyes
before warmth
becomes intrusion.
Why laughter
arrives
half a breath
too late,
or too soon.
How everyone else
received a blueprint
I was somehow expected
to remember,
though I was never
present
when it was drawn.
The mind
does not walk.
It startles.
Like a flock
lifting all at once,
casting a hundred shadows
before settling
on a single branch.
By evening
I have lived
through conversations
that never occurred,
answered accusations
never spoken,
rebuilt bridges
no one noticed
had remained standing.
And still,
the house is whole.
The roof does not leak.
The pantry is full.
The dog sleeps soundly
against the threshold,
certain
the world
is exactly
as it ought to be.
Perhaps that is
the loneliest architecture.
When every visible beam
appears sound,
while somewhere
beneath the floorboards,
one small fastening
turns,
and turns,
and turns,
never quite loosening,
never quite holding,
until the entire structure
begins to hum
with the unbearable effort
of remaining
indistinguishable
from all the others.
There are nights
I think of the old wagons,
drawn into their circle,
fires breathing
against the dark,
not because danger
had arrived,
but because everyone knew
it could.
There was comfort
in that expectation.
The watch was shared.
Someone else
was listening
to the woods.
Now the wagons
have been taken apart.
The horses graze.
The fire has gone cold.
Everyone says,
"You're safe now."
And perhaps I am.
But safety,
I have learned,
is not the same thing
as being gathered.
There are wolves
that never touch the tree line.
They learn instead
the architecture
of the mind.
About the Creator
Taylor Ward
From a small town, I find joy and grace in my trauma and difficulties. My life, shaped by loss and adversity, fuels my creativity. Each piece written over period in my life, one unlike the last. These words sometimes my only emotion.
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