What the Toy Story told me

The Toy Story is a family-friendly movie on the surface, but somehow the two episodes I watched recently turned out to be a bit sore. Just after watching episode 4, the feeling of worry is even stronger, unknowingly it will be substituted into Hu Di’s inner world. He is like a middle-aged man who has gone through vicissitudes of life, witnessing the glitz and flourishing age, and he is extremely favored. A field left in the cold by the new owner, but his decision makes many Hong Kong people feel deeply at this moment. It turns out that watching anime will also throw a lot of political imagination into it.

(The following may be spoiler. Don't watch the movie if you haven't watched it.)

As always, there are children, adults, some with only two adults entering the theater, and some with a large family. The new theater in Chaiwan comfortably provides cushions so that children can watch movies comfortably. When I watched the third episode, it was already a bit heavy. It was obviously a joyous animation, with lots of laughter and a tendency to be funny. With the familiar Cantonese dubbing, it would make a person in his thirties a little bit of tears.

In the fourth episode, Hu Di is the protagonist, and he is like an old courtier. The owner changed from Anzai to Bonnie. He also insisted on the original intention of toys to make children happy, which can also be regarded as a certain degree. She’s loyal, trying her best to make her happy, even if she has put him in the closet for the third time.

Hu Di is a classic cowboy, and also a high-quality drawstring sounding toy. There are very few now, and my little daughter does not have it. They all sound through the buttons, and the sounds of the dolls are very mechanical and unkind. Hu Di's voice is still beautiful, and of course his story is very moving. In my opinion, it has a different taste.

She is a treasure. I believe that many men have a treasure in their hearts, or call their favorite woman a treasure. The baby is a shepherdess by the lamp, with a long shepherd's stick. On a rainy night nine years ago, after she was sent away by her master, she disappeared. Hu Di has always been unforgettable, and even for her not to fall in love with other toys (that is my imaginary), and this situation, and " Lippier in "Cherry" is very similar, he and she met again under unexpected circumstances.

Hu Di is a loyal toy. Even if the dynasty is changed, he still has the inheritance. He knows that Bonnie needs company, and she is lonely and she made a small fork. That was a big laugh in the story, but I watched it for a long time, but I couldn’t. Laugh, it's all good because toys become garbage or garbage becomes toys. I have experienced it, but I can't keep it well whether it's toys or garbage.

I still remember my childhood favorite four-wheel drive, which has been sealed in the depths of a wooden cabinet in the old house for more than ten years. Although it has not been abandoned, I can see the feeling of toys from the movie. If the owner does not accompany them, they would rather run away and stray. Don't be in a cold second-hand store or be hidden in a corner.

The reason for this deep feeling is that in addition to activating toys, the movie also brings out the message that parents should spend more time with and doting on their children. The relationship between toys and children is a substitute for parents and children. Later, just like older children who don’t know how to play with toys, even if they want to compensate, the love can no longer return to the original starting point.

Even if Hu Di knew that the new owner no longer valued him, he was willing to stay loyal. Until he met the baby who had been away for nine years again, she broke an arm and was depressed after being sold to a second-hand store, and finally decided to run away and wander. Hu Di disagreed with her idea at first, thinking that toys should be the only thing to stay with children and bring them happiness, even though he is no longer the darling.

Looking around, suddenly my mind is full of images of young people walking on the street recently. Hu Di lives happily and worry-free under the care of his old master, and is loyal to Anzai. However, in the new owner's toy group, he is no longer the protagonist. He is infected by the baby's power to jump out of the frame and search for freedom. Finally, under the persuasion of other toy friends, he runs away to experience that freedom.

Of course, it is a bit too far to incorporate the idea of ​​toys into the political struggle. If each of us is Hu Di, and there is no baby's traction, then ten more owners will be loyal forever. If the owner loves him very much, will take him to the street, and will often hold him to talk, then Hudi is of course willing to continue to do this, practicing his original intention as a toy.

However, if the owner is greedy for the new and forgets the old, and has even put aside a good toy for the owner's sake, and even enters the cold palace at will, then should Hu Di think about it, is it worthwhile for life to go on like this?

Babe opened up an open world of freedom for him. There are a few of the present-day Hong Kong people who have such a babe. They are fearless and fearless, breaking the framework, looking for a life dominated by themselves, and breathing unfettered air.