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The Woman in the Clearing

Three women remember entering the clearing alone. A fourth remembers them all.

By Rebecca A Hyde GonzalesPublished 7 days ago • 12 min read

“That isn’t how it happened,” one of the women said, though afterward none of them could agree on who had spoken first. Ariadnae remembered the sentence in Alana’s voice, low and careful, as though correcting the time. Alana insisted it had belonged to Arwen. Arwen said she had heard it before either of them opened her mouth, threaded beneath the rain and the faint electrical hum behind the wall, a sentence already waiting for them in the room. Perhaps that was why none of them objected when the disagreement began. They had been disagreeing before they understood there was anything to dispute.

The clearing had been reached by an eastern path bordered with pines. Ariadnae knew this because even now, seated at the wooden table with rain combing silver lines down the window, she could summon the resinous bite of sap on her fingers. She remembered mud drawing at the heel of her shoe, the soft suction as she pulled free, the scatter of wet soil across her ankle. She remembered crushed needles underfoot and the green, almost medicinal sharpness they released into the air. When she pressed thumb to forefinger, expecting some ghost of stickiness, she found only the pale ridge of an old scar.

Arwen remembered leaves falling instead. Not pine needles, but broad leaves, rust-colored and crisp at the edges. One had caught in her hair, and later she had shaken it loose over a basin and rubbed the brittle surface between finger and thumb until the stem snapped. She remembered the sound it made, delicate and dry. It had been autumn. It must have been autumn. Alana remembered blossoms—small white flowers rising through the grass, their scent faint until she bent close, then suddenly everywhere: green, sweet, peppery. She remembered kneeling among them. That detail mattered more than the flowers themselves. She had been able to lower herself to the ground without fear and rise again without using her hands.

The room where they argued contained no season. It held a table, four chairs, pale walls, one window, and a door none of them remembered entering through. Rain crossed the glass steadily, but there was no visible sky beyond it, only shifting gray. The fourth chair remained empty. At first Ariadnae had thought nothing of it. Later the emptiness seemed deliberate, as though someone had stepped away moments before and might return displeased to find three strangers sorting through lives that did not belong entirely to any of them.

The scars troubled her more than the empty chair. All three women carried the same pale crescent between thumb and forefinger of the left hand. The sight of Alana’s scar pulled a kitchen into Ariadnae with such force that for several breaths the room vanished. Yellow linoleum cooled her bare knees. A broken drinking glass glittered under the table. Blood soaked through a dish towel printed with lemons while her mother wrapped the cloth tightly around the small hand and tried to smile. You’re keeping all ten fingers, she had said, though her voice trembled. Ariadnae could smell dish soap, feel water sting the cut, hear her own sobs turning embarrassed when she realized she would not lose the hand.

When the room returned, Alana was staring at her with tears standing in her eyes. “I remember the towel,” she said, and Arwen’s fingers tightened around her water glass before she added, “Yellow.” No one spoke for a while after that. The lemon-printed towel could not have wrapped three childhood hands. Unless there had been three kitchens, three mothers, and three versions of that afternoon.

The mechanical hum behind the wall troubled Alana before she knew why. The first time the machine clicked on, she tasted antiseptic. The taste came before the hospital: metallic and bitter at the back of her tongue. Then she felt adhesive pulling at the fine hairs on her forearm and the dry drag of hospital linen against her calves. A second ceiling appeared over the room’s pale one, made of white acoustic tiles. One tile was cracked near the sprinkler head; of the vent’s four screws, one sat crooked. She had counted them until counting was all she could control.

Her legs had felt distant rather than heavy, visible beneath the blanket but not entirely hers. Pressure arrived where there should have been pain. Heat appeared where nothing touched her. She remembered watching someone lift one of her feet to adjust a pillow and feeling the movement seconds later, delayed and wrong. Later she measured rooms by the furniture she might need to catch her: bed, chair, sink, door. As she spoke, one hand settled unconsciously on her thigh, her fingers pressing down as though testing the solidity beneath the fabric.

Arwen went pale. “There was a stain above the window,” she said, and Alana’s stomach contracted before the image fully arrived: brown at the edges, pale in the center, water damage spreading through the paint like a map of a country that did not exist. Arwen insisted she had sat beside the bed, not in it. When Alana asked beside whom, Arwen swallowed so hard Ariadnae heard the click in her throat.

The hospital lived in Arwen too, but the body in the bed was not hers. She remembered vinyl sticking to the backs of her thighs. Hand lotion sweetened the stale air. She remembered holding a man’s hand and being startled by the weight of it when it stopped answering. A monitor released one soft tone every few seconds. Its calmness was worse than an alarm. “He died there,” she said, and Alana’s body rejected the sentence before her mind considered it. The word no scraped her throat. The weakness, the stain, the humiliation of needing help to stand from the toilet—hers.

Arwen’s fingers curled as if around a hand no longer present. Someone repeated, “That isn’t how it happened,” and perhaps that was when Ariadnae left the table. Perhaps she had already been standing at the window for several minutes. The rain made a second room in the glass, and she saw her own reflection floating over Alana and Arwen behind her. Their faces overlapped for an instant, features shifting across one another as the water moved, and Ariadnae could no longer tell which eyes belonged to which woman.

Something brushed the back of her neck, and her body locked before thought arrived. There was no one behind her. The sensation vanished almost immediately, but it had already opened a door in her memory: a hallway, fluorescent light, a door closing, a hand at the small of her back. Then another fragment came—sour spilled alcohol, cloth tearing near her shoulder, her own breath caught too high in her chest. Then a car window cold against her temple, streetlights passing rhythmically over the glass, her reflected face appearing and disappearing with each one. Then nothing.

What remained was bodily certainty without sequence. Her shoulders had drawn inward. Her thighs were tight. Her hands had gone cold. When Alana asked what she remembered, Ariadnae heard herself say that nothing had happened. The room changed around the sentence. Arwen lowered her eyes. Alana’s face softened—not with pity exactly, but with recognition—and Ariadnae hated them both for understanding something she had not told them. She repeated it, hoping repetition might turn language into fact.

She wanted the door. Only then did she notice there was no handle. She crossed the room and ran her fingertips over the wood. No hinge. No latch. Not even a seam deep enough to catch a fingernail. The surface was smooth and faintly warm, almost feverish. When she placed her palm against it, heat gathered beneath the scar in her hand. Then the music began.

Three notes, a pause, and a fourth. The sound did not seem to travel through the air. It arrived inside the body: under the sternum first, then behind the ears, then along the arms as though an old nerve had begun to vibrate. Behind her, Alana’s glass rattled against the table, and Arwen drew in a breath that sounded almost like pain. All three knew the melody.

The clearing returned like weather crossing a landscape. Pine sharpened the air. Wet earth softened under Ariadnae’s feet. Something sweet opened near the ground. Leaves brushed Arwen’s shoulders. Sun warmed Alana’s face. The room held three seasons at once, badly layered and wholly convincing. Each remembered arriving alone, drawn by the song, ready for something she could no longer name.

The melody began again. Three notes, a pause, the fourth, and then a fifth. Arwen looked up sharply and said no before she seemed to know why. The fifth note had not existed before. A lower tone followed it, almost too deep to hear but strong enough to vibrate through the soles of their feet. The rain stopped. Each droplet remained suspended against the glass. Beyond it, a bird hung above a branch with its wings open, neither rising nor falling.

Arwen touched the window; glass rippled around her fingertip. “There’s something outside,” she whispered. Not outside the room, she explained. Outside this.

The wall opposite them began to lose opacity. Trees emerged through paint and plaster. The clearing stood behind it, or perhaps the wall had been standing inside the clearing all along. Pines rose along one side. Broad-leafed trees crowded another. Autumn leaves lay beneath spring flowers. Moss shone with the saturated green of summer rain while frost silvered exposed roots. At the center stood a tree none of them clearly remembered, its trunk dividing low into three great limbs before bending back toward itself overhead.

A woman sat beneath the tree with her back turned. Arwen knew the slope of the shoulders. Alana knew the hands resting in the woman’s lap. Ariadnae knew the stillness. None of them knew the face. Not yet.

When the woman stood, the room filled with the smell of rain striking dry earth. She turned, and the name came before recognition: Anna. Ariadnae felt it move through her like an echo of her own. Anna. Alana. Arwen. Ariadnae.

Anna stepped toward them, and the clearing came with her. Grass softened the floor beneath their feet. Wet soil and crushed leaves displaced the medicinal tang of the hospital. Air lifted the hair from Ariadnae’s neck. “You finally came together,” Anna said, looking at them as though she had searched for years.

Alana and Arwen disputed the hospital again—whose bed, whose suffering, whose death—while Ariadnae watched Anna. When she asked why the others remembered her, Anna turned toward her, and Ariadnae asked what had happened to her. Anna said nothing. Ariadnae tasted metal. Some silences confessed.

Ariadnae accused Anna of making the place; Anna admitted to making some of it. When Arwen asked whether they were real, Anna flinched. “I know what I intended,” she said, but Ariadnae knew intention was not an answer.

A white flower bowed in the breeze. Arwen studied Anna’s face, then asked for her name. Anna gave her Arwen. Arwen asked for the name before that. The pause lasted too long. “I know several,” Anna admitted, and Arwen looked away.

Anna watched a white flower bow in the breeze. “I wrote a woman who entered a clearing,” she said. “Then I gave her another name, another world, another reason to arrive.” Alana glanced at the scar on Anna’s hand. “What brought her?” Anna followed her gaze. “Loss.”

Alana felt the word in her bones; Arwen in the empty space beside her; Ariadnae around what she could not name. Anna had the scar too, and for a moment Ariadnae was back on yellow linoleum, except now the child’s hand wrapped in the lemon-printed towel belonged to no one and all of them.

Alana asked if Anna had made her body fail, and Anna nodded. Arwen asked if Anna had made him die, and Anna hesitated. The hesitation hurt more than agreement. “I don’t know whether he came first or the grief did,” Anna said. Arwen stood so quickly her chair tipped backward into the grass, exposing its dark, damp underside. “He was a person,” she said. Anna opened her mouth, but Arwen continued, her voice roughening. “He had a hand I knew in the dark. He was warm before he was cold.” Anna lowered her gaze. “I know that now.” Arwen did not pick up the chair.

Ariadnae almost hated Anna for crying. She asked, “And me?” Anna went still. Ariadnae asked what Anna had done to her. Anna said she did not know. “I wrote toward you,” Anna said, but it was no answer.

When Ariadnae demanded to know what had happened, Anna looked at her body before she looked at her face—not appraising, not searching, but with the careful distance of someone approaching an injury she could not see. She said she had never been able to name it. Ariadnae felt herself close and asked whether Anna could not name it or whether Ariadnae had refused to let her. Anna swallowed and admitted that she used to think Ariadnae would not let her. Now, she said, she thought she herself had been afraid to.

The admission did not soothe Ariadnae, but it returned ownership of the silence. Around them the clearing moved quietly—leaf against leaf, grass bending, insects beginning and stopping. The air smelled of pine and wet stone and something floral Ariadnae could not name.

When Alana asked why they remembered one another, Anna admitted she had stopped writing them but continued remembering things absent from the pages: the hospital stain, the torn sleeve, the fifth note; Alana crossing the room alone for the first time, every muscle trembling with the effort not to touch the wall; Arwen waking one morning and realizing she had slept through the night without reaching toward the empty side of the bed; Ariadnae under the merciless white light of a bathroom, thinking—not in words exactly, but with a certainty she would have to choose again and again—that whatever had happened would not be permitted to become the only true thing about her.

As Anna spoke, Ariadnae felt tile cold beneath her feet, although grass pressed against her shoes. Alana felt the rough edge of a doorway under her fingers and shifted her weight as though her knees might buckle. Arwen felt the untouched sheet beside her, cool and lightly creased, while her empty palm curled around the remembered weight of a hand. Then the sensations crossed again: Ariadnae could not tell whether her legs would hold; Arwen tasted the antiseptic Alana remembered; Alana smelled sour alcohol and flinched from a touch that had never landed on her body. The clearing remained visible, but none could trust where she stood.

They separated from one another as if surfacing from deep water. Ariadnae told Anna to stop, and Anna stopped. No one accused anyone of lying after that.

The song returned through the branches: three notes, a pause, the fourth, the fifth, the low note, and then something new—high, thin, nearly translucent. Anna turned toward it, and her surprise was unmistakable. Alana saw it and, despite everything, smiled. “You don’t know that one.” Anna shook her head. “Good,” Alana said.

The laugh that escaped Anna was brief and startled, so ordinary that the clearing seemed to release a breath. Beyond the vanished wall, the rain began moving again. Somewhere outside, the bird completed the downstroke of its wings.

Anna confessed she had tried to decide which memory was true. “You make truth compete,” Arwen said. Alana rested one hand on her thigh and said her body had failed her. Arwen looked toward the trees and said he had died. Ariadnae traced the scar in her palm and said something had been taken. No one asked what. Their silence let her keep the words she had not spoken.

“Are we the same woman?” Ariadnae asked. Anna looked toward the three limbs of the tree. “I don’t know.” For the first time, the phrase did not sound like failure.

Ariadnae listened to the melody moving through the branches. She had always remembered it as a summons, something calling her forward into the clearing and away from whatever had come before. But now the notes no longer seemed directional. One sounded, another answered, and a third altered them both. “It wasn’t calling us here,” she said. It had been calling them back—not to an untouched beginning, but toward one another as they were now.

Arwen placed her hand palm-up on the table, and Alana rested hers over it. Ariadnae watched the slight whitening of skin beneath Alana’s fingers. Her body knew too many meanings for touch: command, consolation, possession, restraint, permission, care. Anna did not reach for her. She did not ask. The restraint mattered.

Ariadnae placed her hand over Alana’s. The skin was warm and a little damp; beneath her palm, another pulse beat at its own pace. Three scars lay close together, but did not align. Anna hesitated until Ariadnae looked at her and asked, “Well?” Then Anna added her hand. Four scars. Nothing was healed by resemblance.

The song changed again, and no one counted the notes. Around them, incompatible seasons continued without resolving into one another. Blossoms opened beside fallen leaves. Frost silvered moss. Pine resin warmed in sunlight while rain gathered on the grass.

Beneath their joined hands, the wood of the table was warm. Above them, the new note entered the music again. Anna did not recognize it. Neither did Alana, Arwen, nor Ariadnae. Together they listened to a song none of them remembered.
























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About the Creator

Rebecca A Hyde Gonzales

I love to write. I have a deep love for words and language; a budding philologist (a late bloomer according to my father). I have been fascinated with the construction of sentences and how meaning is derived from the order of words.

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    Written by Rebecca A Hyde Gonzales