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Hardship is the foundation of a good life

Hardship is the foundation of a good life

By woodrow portiePublished 2 years ago 4 min read
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When Qin Hailu was 9 years old, because their parents went into the sea to do business, and lack of people to take care of, was cruel to "throw" into the whole Peking Opera school.

Drama school is hard. To produce a "seedling", the basic use of "fight, roar as auxiliary" training. In particular, Qin Hailu learned to sing, read, do, play, dance, and turn, everything must be practiced well. The pain, the fatigue, the pain, it's unbearable, it's indescribable.

Other children at the weekend, go home to cuddle in their parents' arms, play with the spoiled woman, and enjoy the care. Qin Hailu is like an abandoned bird "no branches to rely on". Her parents were often too busy for months to visit her. Her heart is full of grievances, with tears to resist, and vent. But after crying, no one was distressed, everything had to go on as before. So, began to twist the bar, struggle, and hard practice, and the teacher let stop also stop. In this way, nearly 7 years of drama school life, trained her strong psychological tolerance, and now: in this world, no one can rely on, all the bitter, tiredness, and pain, only their solution.

At the age of 17, he graduated from Qin Hailu Opera School and entered Beijing Middle Opera. Amidst the brilliant flowers, beautiful men, and women, she has no sense of inferiority and no pressure. "Because seven years of suffering, all survived, this is what?" Moreover, in her firm, the only goal is to get a college diploma, go home to work as a white-collar and find a good husband. The class of students, some homesick tears, some because of advertising, acting, can not find the pain and cry. She had no heart, no heart, no mind, and went on with her life. Until senior year.

That year, the school decided that she was "one of the best actors who could act" and asked her to participate in the film "Durian Floating," which she refused to do. "I don't want to make movies. I just want to be a white-collar worker." The headteacher "urges" SAY IF YOU don'T TRY, took the diploma in Chinese drama to be a white-collar. People will say, Qin Hailu, is no good. She thought, is not, sister can not become famous, but can not let others say to do this line, just change the line. Unexpectedly, she this "electric shock", took back the best new, best actress two awards.

All thought she would "ride the wind", but she hid for three years, fulfilling her white-collar dream. The public was in an uproar. Some said that she felt her appearance was wrong for the audience and changed her career. Some said that she could not stand the harsh remarks and retired. All kinds of "clouds", she completely ignored, go her own way, heart snicker: elder sister with the strength to prove, elder sister line! Elder sister is! You can say what you want. It has nothing to do with my sister.

However, to be an actress is her destiny and strength, for several years, she was still "rotation" into the show business, and not impatient, with rich inside information and solid foundation, fame rose, become the audience's love, praise, and appreciation of the actor.

In the movie Love Call Transfer, of the 12 blind dates, she is the only one who impresses people. When the media asked her why, she said that comedy should also be performed seriously, not deliberately to please or even tickle the audience, but it can not be all serious. You have to think as well as feel. Get a good grip on your power points. This is the foundation and accumulation of childhood on the stage. On stage, the spotlights follow you around and you have to find your rhythm. At first, the drums and gongs control you, and as soon as you get a sense of rhythm, the drums and gongs start to follow you. This process from passive to active is a process of growth, cultivation, accumulation, and maturity of actors. Therefore, eating bitter is always the foundation of life. This is true not only in acting but also in life.

"If you look at the entertainment industry, those who have learned to play are quite different from those who have never learned to play and become popular." Learn to play out, especially solid, especially calm, not impetuous, and know how to convergence low-key. For example, He Saifei, Xu Fan, and Yuan Quan, no matter in life, acting, work, or the way people behave, is very simple and rigorous, rarely out of some things. The traditional fine style and modesty of Peking Opera, along with those "bitter", have been infiltrated into the bone marrow, regulating people's words, deeds, and practices.

Qin Hailu plays a red bag in the drama Four Generations Under One Roof. Sichuan media commented on her: "Slim figure, intellectual charm..." She smiled: This is "they" to my evaluation. I had nothing to do with it. In my small circle, maybe I'm a little bit intellectual. But outside this circle, there are many more learned people than me. So don't take it seriously.

Over the years, she stuck to her principles: "Acting is a very perceptive profession. Too late to sense life, like a top from a play crew to another play crew, I do not!" This is her foundation, style, and heritage.

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woodrow portie

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