Poison deadly guardian

First of all, Mr. Tang, who has been read by the Chinese aunt several times in a row since he entered Yachao, is very upset and thinks that this acquaintance is making trouble without reason. After finishing the conversation in a hurry, when Teacher Tang went to the shelf, the bell for opening the door rang, and a guest who looked like a passerby came in. Note that up to now, all three people in the scene know each other's existence: passers-by watched Mr. Tang go to the rear shelf, and Mr. Tang's face always looked at the Asian Super Gate because of quarreling with the Chinese aunt.

Chinese aunt waved at Teacher Tang. Passers-by walked to the cashier and said in a throat-like voice, "Buy a bottle of whisky, don't forget to change"-at this moment, the picture didn't give passers-by a close-up, and the camera was cut to Teacher Tang's side, making it clear that he was watching the movement at the cashier's side, and he might have noticed that there was a problem.

When the camera turned horizontally, passers-by took out their guns and began to rob them (this person is a recidivist, describing regular robbery as "collecting protection money"), but he didn't feature the details of robbery. Instead, he turned the picture to Mr. Tang hiding behind the shelf: he was watching, hesitating, escaping, frowning, but he didn't intend to go forward. The robbery ended quickly, without yelling or resisting, and the robbers left as if nothing happened. Teacher Tang followed the cashier and handed in the sandwiches and drinks he wanted. Chinese aunt didn't show much excitement, because she was used to this daily evil.

Witnessing illegal acts with one's own eyes, but being unable to stand up because of his own lack of strength, and his conscience is condemned-it is the routine used in the first song of Super English. The difference of "Venom" is that its whole process is depressed and calm, unlike the comic style of Batman who lost his parents and the pearl necklace broke with a slow mirror, and unlike the violent gangsters who yelled and even shot and killed after entering the store in the new Spider-Man. No one died, and no one was even injured. However, when Mr. Tang faced the entanglement of robbery, a series of changes happened to him after the robbery, but he was perfectly interpreted: after returning home, he almost collapsed because of the noise made by his neighbors, but he could only endure it. The next night, he went to the same Yachao as usual, but his expression on his face had lost his previous calm, leaving only instability. This instability reached a critical point after he met his girlfriend's new boyfriend. After his girlfriend shut out Teacher Tang, Teacher Tang has also completed the psychological construction of becoming a hero who is both righteous and evil.

Teacher Tang's role in the film is Eddie, and his identity is a reporter, which is in line with the protagonist of Marvel Comic Venom. As an important villain in Marvel universe, Spider-Man is the formal opposite, and the birth of venom is almost a natural result. In 1982, a Marvel Comics enthusiast named Randy Schueller designed a strange black Spider-Man costume and sent the drawings to the headquarters in Marvel Comics. Jim Shooter, then editor-in-chief, thought it was a good idea, so he paid Schueller a check for $220 and bought the copyright. There is another more legendary version of this story: in the midsummer of a certain year, Shooter left a glass of unfinished milk in a corner where few people walked, and waited until the milk broke and gave off a strange smell before being found out by cleaners. Cleaners complained that Shooter was forgetful. Shooter picked up the cup and looked at it carefully. He found that the milk left after drinking had turned into a black sticky thing, as if it had life. Because the Spider-Man series in charge at hand was in full bloom at that time, Shooter had the name "venom" in his mind instantly, and he planned to put it into the story line as the opposite of Spider-Man, and it was just like this. In a word, in September 1986, venom made its debut in the 18th issue of Amazing Spider-Man.

No matter what the truth is, at least "venom" is perfect and interesting in setting: alien symbionts, like a mass of mildewed and blackened milk, need a host to survive. Once the venom parasitizes the host, it can greatly enhance the capabilities of the host. It is worth noting that although parasitism will cause the host to look ugly and horrible, the venom itself is neutral, and the action is exactly evil, depending on the host's heart. In a way, venom is actually a biochemical suit. As for why it became like Spider-Man, the comic book explains this: Spider-Man accidentally got a new war suit, which looks ordinary, but actually it was imitated by alien parasites through mimicry. Spider-Man's ability in the new suit has been greatly improved, and it has become easy to defeat a strong enemy, so he began to rely heavily on this suit. Gradually, Spider-Man discovered that there was some alien creature hidden in this suit, as if the dark side of the soul existed, and even changed his own mind, so he wanted to abandon it, but because the suit was too powerful, he couldn't make up his mind several times. Finally, Spider-Man came to the bell tower in church of santa maria novella-because alien creatures were extremely sensitive to sound, he planned to use the bell to clear it. Spider-Man succeeded, and the venom was on the verge of death, but it soon found a new host: Edward Brock, Eddie, the protagonist of the venom movie. He was praying in the church at that time, and the venom dripped on him, blending with Eddie with the remnants of Spider-Man's appearance and ability.

After a modest adaptation, the comic plot was transformed into Spider-Man 3 in 2007. As the final work of the previous generation Spider-Man series, Spider-Man played by Tobey Vincent Maguire kills people continuously, and his heart is gradually dominated by power. The dark side of the soul and mysterious symbionts are integrated into a dark Spider-Man. In the mortal world, Spider-Man Peter and Little Edward Brock are both reporters of Horn Daily. Eddie dated Gwen, the sheriff's daughter, and the reporter's work went quite smoothly. When the spring breeze was full, he was stirred up by Peter and resented. Peter went to the bell tower of the church, got rid of the control of venom with the help of bells, and happened to pray in the church, hoping that Father could manifest himself and kill Eddie of peter parker, who was eroded by the venom dripping above the bell tower and became the new venom. Finally, after a atrix in the church bell tower, Peter joined the Green Devil and Mary Jane, defeated Eddie, and once separated Eddie's venom by vibrating steel pipes. However, Eddie, who has been manipulated by power, chose to embrace the venom again, and finally died with the venom, and was burned out in the flames.

Different from Spider-Man 3, the new version of Venom is very specific about the origin of alien symbionts: it is an alien creature "developed" by Carlton Drake, the owner of Life Foundation. The setting of Mr. Tang's version of Eddie is quite different from the comic version and the previous generation movie version. If Eddie of Spider-Man 3 is a fallen villain who deserves it, then Eddie of Teacher Tang is a typical decent character. Moreover, the birth of Tang's venom has nothing to do with amazing spider-man: to be precise, this movie can even be said to be Tang's amazing spider-man. The difference is that Garfield became Superman in Spider-Man after being bitten by a spider at Osku Company, and Tang was accidentally parasitized into Batman in Spider-Man after encountering a zombie while investigating the Life Foundation. The former is as simple as children's animation, while the latter belongs to the real world.

However, the real world in Dafa movies is never as artificial as Nolan movies. Just like Pixel Wars, Dafa movies can be said to have added absurd elements to realism: darkness and injustice, and many nonsense, unreasonable and hilarious things that ordinary people present after encountering a vision. After becoming venom, Teacher Tang did a lot of strange things, because he ate raw seafood in public, and his ex-girlfriend's doctor boyfriend kindly helped him to do MRI examination, which made him almost deformed on the spot. Neighbors played music indiscriminately again, and Teacher Tang (remember, venom is most afraid of noise) immediately went to play Sichuan Opera and changed his face, which scared the other party to be as quiet as a chicken.

A group of villains sent by the Life Foundation to catch Teacher Tang broke into the door, and the venom staged a symbiotic hand-to-hand show with him. In the process of getting rid of his opponent and successfully escaping, Mr. Tang had repeated conversations with the venom parasitic in his body (the venom is also a laryngeal cancer patient)-when the venom conjured a hand out of thin air to protect Mr. Tang, when Mr. Tang said "thank you" to him, he would immediately return a "you're welcome".

In order to avoid spoiling, the above detailed description does not involve important plots. The reason for mentioning these is to remind everyone that the setting of the new version of "Poison" movie is quite different from that of previous works. It is more appropriate to say that it is a friendly symbiotic alien creature like "Little Right" in Parasitic Beast, rather than a war suit or an unreasonable cruel beast like Alien or Zerg in Spider-Man 3. You know, this time, even the name Venom was introduced to Teacher Tang by symbionts themselves-it can directly turn into a head and say "I am venom" to Teacher Tang. Personally, the changed setting is much more brilliant than before: it is not as spontaneous as Spider-Man in the latest Tom Holland version, and it is not as self-spiting as Deadpool. The venom in Teacher Tang's version has its own duet effect, and it is easy to feel humorous when you are nervous—this setting is quite clever and effective for adjusting the plot tension.

The showdown near the end is also very interesting. Of course, who is the big BOSS will not be revealed here, but the final battle ... To be honest, many parasitic beasts can still be seen.

The venom is completely spider-man-like, and this time there will be such a setting-I never expected it before watching the movie. As far as the results are concerned, the new edition of Poison has done it completely, and it has done quite well. If you want to reward your merits, then director ruben fleischer and Teacher Tang should each take half. I remember at the end of 2010, I was very fond of a film called Land of Zombies. That's because I agree with Jesse Eisenberg's acting skills in Social Network, and when I look around for the film starring him, I accidentally find the work released in 2009, directed by ruben fleischer. "Land of Zombies" is a corpse film that follows the trend in the plot, so-called "see what you see and move what you see". I'm glad to see that Venom also keeps the advantages of Zombie Land: the behavior of each character in the film, including venom, is natural and appropriate compared with the plot. Teacher Tang plays an ordinary person. He has neither obvious evil nor false good. All his actions are to follow the trend and move at will.

It can be said that I will go to see this movie, and half of them will go with Teacher Tang. Unlike Mr. Tang, who doesn't show his face, doesn't talk, and has to show his acting skills, in Dunkirk and Batman, Mr. Tang has a little more words, a little more facial expressions, and is more cute than the aforementioned movies (it's cuter than the twins in Legend anyway, after all, his acting skills are sometimes annoying), and he really propped up this super-English film. His girlfriend Anne was played by michelle williams in Manchester by the Sea, and she had some expectations. Unfortunately, she played as well as Uncle Wolf's wife in The King of Circus. The other roles-except the Chinese aunt-can almost be ignored.

In a word, "Venom" is a film quite in line with the tonality of "Sony Dafa Hao", and it is also a very orthodox superhero first song. In the eyes of fans like me who agree with this type of film, its performance is far better than the recently disappointing Ant Man 2: The Hornet Woman Appears and even the overly elaborate Reunification 3: Infinite War, which is even higher than that in the Pioneering Era. However, for the audience who are used to the pace of Marvel Universe, the unfolding way of Poison may not be so pleasing. Compared with the new generation style of Marvel movie universe, it is more like a Marvel Comics movie plot shot from 2000 to 2010, which is tuned with a few spoons of cynicism in Guardians of the Galaxy 1 and a few ugly women in Suicide Squad. There is a phrase in Eason Chan's "Back to the Original Form", which is called "If you like weirdos, in fact, I am beautiful". It is also quite suitable for "Poison"-people who like it can't figure out the reasons why people who don't like it don't like it, and vice versa. I think only such films are worth taking the time to see, such as Mother, which was starred by a big cousin last year, and Genetic Bad Luck, which has become a hit recently.

Besides movies, I actually have a special affinity for the name "venom". I am a person who usually practices boxing to relieve stress. During my stay in Switzerland, 300 boxing punches were combined every day, and the gloves and sandbags used were "venom". Its brand logo was the front silhouette of cobra with big mouth and the word VENUM written by imitating blood smearing. Although there is a difference between it and Marvel Comics venom, it actually represents the image of the alien symbiont bearing this name in my mind: venom itself is It only seeks to defeat opponents, and does not distinguish between good and evil.

Finally, I am very much looking forward to the sequel of Teacher Tang's venom. Next, maybe it's time for the blackened Spider-Man to appear.