Pervert nerd in love with innocent girls turned into a captive demon but was killed

It's a psychological thriller about a man who stumbles upon an old flame and subsequently becomes obsessed with her, leading him to imprison her beneath the animal shelter where he works. But what does the victim have in mind for her attacker?

If this were simply a story about captivity perhaps it would not be so exciting. Because what we see is still a very cheesy story. The cheesy pre-crime plot is laid out, the cheesy doggy not so Mary Sue love. So in this film to a third of the time we are sighing, this story may be that way. A pervert imprisoned a girl. There is no other remarkable place.

But slowly we will be subverted by their own previous judgment, it turns out that this is a story of anti-kill. The captive is not necessarily the captor, and the captive is still not a lamb to the slaughter. What we can tell is that the counter-kill is going on, and when the fat security guard crashes through it all, the heroine seems to have this plan for the counter-kill. And the male lead eventually becomes the one who is imprisoned.

The pervert we thought at the beginning is actually not a pervert, and the heroine who started out with an innocent face is not so innocent. Of course, all this became clearer after the hero saw the heroine's diary. The truth of the matter is that the heroine herself is a neurotic and unaware person. This makes the male protagonist's behavior slightly more sympathetic.

Our hero does make a redemption for the heroine. He wanted to save the heroine but could not do it in the normal way, so it all started with the captivity. Of course the hero's hands-on ability is praiseworthy. This should be a long-established habit. This solid cage is a major tool for the hero to start redemption. And eventually it becomes the hero's own cage.

The female lead is indeed a pervert, after the male lead to carry out routine stalking female lead everything basically gradually surfaced, because the boyfriend cheated on his girlfriend, so the female lead for the girlfriend to carry out a silencing operation. The subconscious mind is still unable to walk out of this cage. Therefore they have been when the bosom friend is still alive. And because of her own neurotic temperament led to the heroine has a sadistic tendency. From time to time for the strange innocent life to slaughter. Of course this film has a little insult to the Spanish police. When such a vicious serial murder case occurred after the society is still calm. It's not normal. And it is because of this abnormality will give birth to the hero such a person. Save others in the end ended up being killed back.

The heroine's temperament makes him not an easy person to be saved, from the fat security guard began the heroine's anti-kill began to attack. Before the situation was a good, but the hero's secret was broken therefore. The highly nervous male lead lost his previous calm. And from the heroine's eyes on that start the male lead is controlled step by step. In addition, the police began to investigate the disappearance of security guards, the hero's situation under the sun became more and more difficult. Under this double pressure the male lead finally lost his mind, and then was controlled by the female lead step by step, and finally reached the way things should have happened.

Eventually the heroine managed to escape. But the male lead is imprisoned.

The film has been emphasizing "love is sacrifice" throughout the film, this theme from the beginning is not so clear, until the main man was cut off the finger after the gradual reveal. It turns out that you imprisoned the heroine, but the heroine imprisoned the whole world outside the cage. Such an ending makes the film much more colorful. Thus, it also goes beyond the scope of ordinary crime captivity films. I thought I would see a film about a prisoner in a cellar, but I ended up seeing a sadistic ending to a story about love.

The heroine loves her boyfriend, the boyfriend loves her best friend, so the best friend sacrificed for love; the hero loves the heroine, and the heroine loves her boyfriend, so the hero sacrificed; both sacrifices are telling us that. This is the price of love, and all this in the world of the heroine is not so love-hate. Because all of this is as volatile as the heroine's emotions, and she does not know it.

If this is love, then the cost is great, and if not then where does true love really go? Maybe the director will have the answer.