Ames Gothic Series Brings Horror to the Stage with "The Woman in Black"

Don’t you see the woman standing by the gateway?

Ames Gothic Series presents “The Woman in Black,” based on Susan Hill’s book. Arthur Kipp, a young London solicitor, is haunted by Alice Drablow, a vengeful spirit, at the remote Eel Marsh House. As terrifying events unfold, Arthur discovers tragic secrets of the woman.

Spooky season has arrived. What better way to kick off October than with Ames Gothic Series’ “The Woman in Black.” This is one of my favorite horror movies, and I was excited to see it as a play adaptation. The production succeeds in creating an eerie, unsettling atmosphere, proving that one can bring horror to the stage. 

Tyler Twombly plays Arthur Kipps. Twombly is no stranger to the stage, as he is a magician. I have seen one of Twombly’s magic acts, and I was surprised to discover he also acted onstage. His background as a performer serves him well, bringing a strong stage presence and excellent speaking voice.

Initially skeptical of the supernatural, Arthur is drawn to the history of the deceased Alice Drablow. Arthur’s kind nature isn’t emphasized enough in the book and movie. It’s an important part of what makes his character so compelling. He wants to help this spirit, even without knowing his fate. Twombly’s warm and inviting connection helps audiences understand him.

Gary Ames tests his Jekyll-and-Hyde skills, playing several different characters. He changes personalities in an instant when he returns to the stage. Twombly and Gary Ames have a striking dynamic in all their interactions. Each character Ames plays is a resource to Kipps in his journey. 

Playing a ghost is fascinating territory, particularly for Stanis Ames and Ariel Sargent, who alternate the roles of The Woman in Black and Jennet Humfrye. It's up to audiences to figure out who they are seeing in the shadows. The Woman in Black's first entrance is startling, as she lurks through the shadows. Throughout the play, she appears on the balcony or silhouetted in the curtains. 

Along with haunting vocals and treacherous screams, Stanis Ames and Sargent create a wonderfully eerie performance. They add more layers to the character, leaving an unforgettable presence throughout the production. 

Special guests do voiceovers for Reverend C. Clyde Elledge and Trudi Olivetti. 

Alexandra Dietrich’s work on this production is absolutely breathtaking. She embraces the gothic atmosphere through her direction to the actors, set design, and the overall tone. The signature part of her direction is her use of ambiguity. She allows the tension to build as audiences wonder what will happen next. 

The show takes place in the theater of the Ames Memorial Hall. It makes a magnificent setting, adding to the story’s gothic quality. Dietrich found everyday props that appeared ominous onstage. 

As I said before, you can bring horror to the theater. The technical work on “The Woman in Black” is splendid. Lighting, sound, costuming, and set played a role in building suspense. 

Dana Giuliana’s lighting design draws attention to the shadows, while Elliot Dupcak’s sound design makes the actors' vocals carry an eerie resonance with whispers, screams, and quieter moments. Magician Evan Northup incorporates an illusion design. 

Audiences are set up to be immersed in the story, with action taking place on the proscenium and floor. I sat on-edge. I was also looking everywhere for the Woman in Black. I remember looking around at other audience members. One person’s leg shook, and another shut their ears at a pivotal scream. 

Horror fans, “The Woman in Black” is the show for you this Halloween season. Presented right in the signature town of Salem, the show plays at Ames Memorial Hall now through Oct. 18. It's 90 minutes with no intermission. Fair warning: the show includes frightening moments that may not be suitable for all audiences. Do not miss out. Tickets are on the website.