Review of 'Raised by Wolves' 1.1

I saw Raised by Wolves 1.1 last night, courtesy of HBO Max, where the series is set to debut tomorrow, September 3. In a sentence, it's a big concept, altogether excellent combination of fast action and deep philosophy, as befits Executive Producer Ridley Scott, and especially well-suited to our pandemic ridden time, when the very fate of humanity could well be at stake if things get much worse.

The narrative features androids and space travel (the action) and a conflict between true believers and atheists (the philosophy) who have left a dying Earth. As such, the series is one big step more promising than the excellent Westworld, at least to my science fictional tastes, because it tells a story not only of humans and androids, but sets it way out in space, on a planet around another star. The flavor is therefore closest to 2001 than anything else, even though Raised by Wolves has not much else in common with Clarke's story and Kubrick's movie.

The special effects and overall cinematography are top-notch to the point of breathtaking at times. The acting is also fine, and it was good to see Travis Fimmel from Vikings back on the screen. Amanda Collin is fine as Mother the android, and her character comes with the awesome power of killing everything around her with a scream (reminds me, in an odd way, of the episode "Sound that Kills" in the ancient Science Fiction Theater television show). Munro Lennon-Ritchie and Jadon Holdsworth as Campion put in good performances, and it will be fun to see how this crucial character -- a young boy whose allegiances to belief have not been settled as yet -- develops.

I'd add that if ever there was a series I wanted to binge-watch to the end -- at least, of this first season -- Raised by Wolves appears to be that. But I'll take it the way it's being presented, and will be back here with subsequent reviews.