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Chottanikkara Sanctuary's Rich History

Chottanikkara Bhagavathy Sanctuary is a renowned Hindu sanctuary devoted to the goddess Bhagavathy, otherwise called Rajarajeshwari or Chottanikkara Devi. The sanctuary is situated in the Chottanikkara town close to Ernakulam in the southern territory of Kerala, India. The managing god, Bhagavathy, is accepted to be a sign of the incomparable Hindu goddess, Shakti.

By vinoth kumarPublished about a year ago 4 min read

Chottanikkara Sanctuary's Rich History

Chottanikkara Bhagavathy Sanctuary is a renowned Hindu sanctuary devoted to the goddess Bhagavathy, otherwise called Rajarajeshwari or Chottanikkara Devi. The sanctuary is situated in the Chottanikkara town close to Ernakulam in the southern territory of Kerala, India. The managing god, Bhagavathy, is accepted to be a sign of the incomparable Hindu goddess, Shakti.

The historical backdrop of Chottanikkara Bhagavathy Sanctuary goes back a few centuries. As per mainstream thinking, the sanctuary was worked by a neighborhood tribal leader named Vazhakkattu Karanavar, who was a sincere devotee of the goddess. He was said to have found a phenomenal symbol of the goddess in a close by stream, and he laid out a holy place to love her.

After some time, the sanctuary acquired ubiquity and pulled in aficionados from different pieces of Kerala and then some. It turned into a significant journey site for individuals looking for the favors of the goddess. The sanctuary likewise has a rich fables related with it, with numerous accounts and legends went down through ages.

One of the most renowned legends related with Chottanikkara Bhagavathy Sanctuary is the narrative of the Yakshi. As per the legend, a Yakshi (a female nature soul) named Kannaki dwelled in the sanctuary premises. She was known to have huge power and could either give endowments or cause curses. Aficionados accept that the presence of the Yakshi in the sanctuary guarantees security and satisfaction of their cravings.

The sanctuary engineering is a delightful mix of customary Kerala style and Dravidian impacts. The principal sanctuary of the sanctuary houses the icon of Bhagavathy in a situated position, embellished with stunning decorations and blossoms. The goddess is portrayed with four arms, holding a sword, a safeguard, a ringer, and a lotus. The sanctum sanctorum likewise houses icons of Ruler Shiva, Master Vishnu, and Ruler Ganesh, representing the solidarity, everything being equal.

The sanctuary is eminent for its novel ceremonies and practices. The most conspicuous custom is the "Makam Thozhal," which is praised during the Malayalam month of Makaram (January-February). During this time, the goddess is accepted to have a unique heavenly energy, and huge number of fans crowd the sanctuary to look for her gifts. One more huge celebration is the "Mandala Mahotsavam," noticed for 41 days during the Mandalakala season (November-December).

Chottanikkara Bhagavathy Sanctuary remains as an image of confidence, dedication, and heavenly beauty for a great many fans. Individuals visit the sanctuary to look for comfort, otherworldly edification, and answers for their concerns. The tranquil environmental elements, the heavenly emanation, and the force of the goddess make it a valued objective for both strict and social purposes.

The set of experiences and meaning of Chottanikkara Bhagavathy Sanctuary keep on dazzling lovers and specialists the same, making it a basic piece of Kerala's social legacy and profound scene.

Recuperating Powers: The Chottanikkara Bhagavathy Sanctuary is famous for its mending powers. It is accepted that the goddess has the capacity to fix different physical and mental sicknesses. Fans experiencing sicknesses visit the sanctuary with the desire for getting heavenly favors and recuperating.

The Heavenly Presence: It is generally accepted that the goddess Bhagavathy really dwells inside the sanctuary premises. Enthusiasts frequently witness unexplained peculiarities and encounters, like the development of items, glimmering lights, and other heavenly events. These episodes are viewed as signs of the goddess' heavenly presence.

The Navaratri Celebration: The Navaratri celebration is one of the most significant and terrific festivals at the Chottanikkara Bhagavathy Sanctuary. It goes on for ten days and celebrates the triumph of the goddess over the devil Mahishasura. The sanctuary is flawlessly improved, and different social projects, music, and dance exhibitions happen during this bubbly period.

The Guruthi Pooja: The Guruthi Pooja is an exceptional custom performed at the sanctuary. It includes the utilization of a unique mixture made of turmeric, lime, and different fixings to the symbol of Bhagavathy. It is accepted to mollify the goddess and shield aficionados from malicious spirits and adverse impacts.

Non-Separation: One of the momentous parts of the Chottanikkara Bhagavathy Sanctuary is its comprehensive nature. The sanctuary is available to individuals from all standings and religions, and enthusiasts of any confidence can look for the gifts of the goddess. This inviting air has added to the sanctuary's notoriety and draws in lovers from different foundations.

The Contribution of "Vilakkukettu": An outstanding practice at the sanctuary is the contribution of "Vilakkukettu," and that implies lighting lights. Fans get oil lights and light them the sanctuary premises as an emblematic token of dissipating haziness and obliviousness from their lives. The hypnotizing sight of many flashing lights makes a mystical climate.

Different Divinities: Aside from the primary god, Bhagavathy, the sanctuary complex additionally houses different altars committed to different gods like Ruler Shiva, Master Vishnu, Master Ayyappa, and Master Nagaraja (the snake god). These divinities are loved by aficionados with equivalent worship and commitment.

The Chottanikkara Bhagavathy Sanctuary keeps on being a critical profound and social focus in Kerala, drawing fans from all over. Its rich history, legends, and interesting practices add to its air of godlikeness and make it an indispensable piece of the strict texture of the district.

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    VKWritten by vinoth kumar

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