Beyond

A week later, Bisesa taxed Trejago with the flirtation. She understood no gradations and spoke openly. Trejago laughed and Bisesa stamped her little feet--little feet, light as marigold flowers, that could lie in the palm of a man's one hand. Much that is written about "Oriental passion and impulsiveness" is exaggerated and compiled at second-hand, but a little of it is true; and when an Englishman finds that little, it is quite as startling as any passion in his own proper life. Bisesa raged and stormed, and finally threatened to kill herself if Trejago did not at once drop the alien Memsahib who had come between them. Trejago tried to explain, and to show her that she did not understand these things from a Western standpoint. Bisesa drew herself up, and said simply: "I do not. I know only this--it is not good that I should have made you dearer than my own heart to me, Sahib. You are an Englishman. I am only a black girl"--she was fairer than bar-gold in the Mint-- "and the widow of a black man." Then she sobbed and said: "But on my soul and my Mother's soul, I love you. There shall no harm come to you, whatever happens to me." Trejago argued with the child, and tried to soothe her, but she seemed quite unreasonably disturbed. Nothing would satisfy her save that all relations between them should end. He was to go away at once. And he went. As he dropped out at the window, she kissed his forehead twice, and he walked away wondering. A week, and then three weeks, passed without a sign from Bisesa. Trejago, thinking that the rupture had lasted quite long enough, went down to Amir Nath's Gully for the fifth time in the three weeks, hoping that his rap at the sill of the shifting grating would be answered. He was not disappointed. There was a young moon, and one stream of light fell down into Amir Nath's Gully, and struck the grating, which was drawn away as he knocked. From the black dark, Bisesa held out her arms into the moonlight. Both hands had been cut off at the wrists, and the stumps were nearly healed. Then, as Bisesa bowed her head between her arms and sobbed, some one in the room grunted like a wild beast, and something sharp--knife, sword or spear--thrust at Trejago in his boorka. The stroke missed his body, but cut into one of the muscles of the groin, and he limped slightly from the wound for the rest of his days. The grating went into its place. There was no sign whatever from inside the house--nothing but the moonlight strip on the high wall, and the blackness of Amir Nath's Gully behind. The next thing Trejago remembers, after raging and shouting like a madman between those pitiless walls, is that he found himself near the river as the dawn was breaking, threw away his boorka and went home bareheaded. What the tragedy was--whether Bisesa had, in a fit of causeless despair, told everything, or the intrigue had been discovered and she tortured to tell, whether Durga Charan knew his name, and what became of Bisesa-- Trejago does not know to this day. Something horrible had happened, and the thought of what it must have been comes upon Trejago in the night now and again, and keeps him company till the morning. One special feature of the case is that he does not know where lies the front of Durga Charan's house. It may open on to a courtyard common to two or more houses, or it may lie behind any one of the gates of Jitha Megji's bustee. Trejago cannot tell. He cannot get Bisesa--poor little Bisesa--back again. He has lost her in the City, where each man's house is as guarded and as unknowable as the grave; and the grating that opens into Amir Nath's Gully has been walled up. But Trejago pays his calls regularly, and is reckoned a very decent sort of man. There is nothing peculiar about him, except a slight stiffness, caused by a riding-strain, in the right leg.