fiction
Mystery, crime, murder, unsolved cases. Contribute your own tales of crime to Criminal.
Death by Easter Egg
Death by Easter Egg In a town in the northwest of England, the thought of Easter filled the air with excitement. The streets were brightly filled with colorful Easter Eggs, and families buzzed joyously about their Easter preparations. However, hidden in this festive atmosphere was the troubled heart of Jason, a man known to some as Dr. Gloom. He nursed a dark obsession for Betty, a lovely woman whose laughter and kindness made her a outstanding figure in the village. Driven by jealousy and a growing bitterness, Jason plotted to take away the very essence of happiness that Betty embodied. Why? because he seen her talking to a man in the supermarket one day. He meticulously crafted a beautiful Easter egg, a delicious-looking confection that sparkled with promise but was laced with a potent poison that would seal her fate.
By ♿ V+ Marie381Uk about a year ago in Criminal
Happiness is illusion
The night was heavy. The room lay in complete darkness, broken only by the soft, rhythmic creak of the ceiling fan. Though it spun slowly, it made a sound loud enough to wake the dead. An owl perched on the window sill, its glowing eyes fixed on me—as if watching over a sleeping corpse.
By Malak MAAZabout a year ago in Criminal
Sinners (2025)
Sinners (2025): A Haunting Tale of Music, Blood, and Legacy Ryan Coogler’s Sinners is a genre-defying film that intertwines supernatural horror with historical drama, set against the backdrop of 1932 Mississippi. The narrative follows twin brothers Elijah "Smoke" and Elias "Stack" (both portrayed by Michael B. Jordan), World War I veterans returning to Clarksdale to open a juke joint for the Black community. Their cousin, Sammie Moore (Miles Caton), a young blues prodigy, becomes the focal point of a nightmarish encounter with vampires drawn to his music.
By James Brockabout a year ago in Criminal
The Crimson Ace. AI-Generated.
Detective Lena Ward had seen her fair share of blood, but the scene in the abandoned warehouse on 5th and Mercer chilled her more than usual. A man in his late 30s lay sprawled in a pool of crimson, a joker card placed carefully on his chest. No fingerprints, no murder weapon. Only the card and the message "TWO DOWN" carved into the concrete with what appeared to be a screwdriver. The victim, Marcus Klein, was a defense attorney known for getting high-profile criminals off the hook. Lena recognized his face instantly. Two weeks ago, the same calling card was left on the body of a corrupt judge. Same message, different number: “ONE DOWN.”
By Md Nusaib Ul Islamabout a year ago in Criminal
Walk the Plank. AI-Generated.
It had rained all night in the city of Fairview. The streets still shimmered under the morning haze, the scent of wet asphalt hanging in the air. At precisely 6:47 AM, the body of Terrence Hall—a respected community leader and activist—was discovered lying face-down near the old shipyard, a rotting plank from a cargo crate splintered beside him. His skull had been crushed. No signs of a struggle. No weapon in sight. Detective Nathan Boone stood over the yellow tape, sipping lukewarm coffee. He’d known Hall. Everyone had. A loud, fearless man who’d rallied youth programs, taken on corrupt councilmen, and cleaned up the notorious 9th Ward. Hall had made enemies, no doubt—but murder? Boone examined the scene with his usual sharpness. The plank wasn’t from any structure nearby—it was aged, warped, likely driftwood. There were no security cameras in that forgotten part of the city. Whoever did this had planned it well. Hall’s phone was found shattered nearby, but his watch and wallet were untouched. Not a robbery, then. Boone made note of the time and left the scene. His first stop: Hall’s office. It was a modest space filled with protest posters, community flyers, and photos of youth events. His assistant, Carla, was already crying when Boone entered. “Terrence got a threat two nights ago,” she whispered. “Someone slipped a note under the door. It said, ‘Keep pushing, and you’ll fall off the plank.’ He thought it was a joke.” Boone stared at her. “Did he mention any names?” She shook her head. “He just said some people didn’t want him to testify next week.” Boone’s brow furrowed. He remembered reading about a pending court case. Hall was scheduled to testify against Fairview’s largest private contractor, Larkridge Development, accused of fraud and bribery. Hall had proof—documents tying Larkridge to falsified safety reports and kickbacks to city officials. It was supposed to be his biggest stand. Boone drove to City Hall. He knew Councilman Briggs would be there—one of Hall’s loudest critics and a known supporter of Larkridge. The man greeted Boone with a practiced smile. “Terrible news,” Briggs said, voice hollow. “A real loss for the city.” “Tell me about your last interaction with Hall,” Boone asked casually. Briggs leaned back in his leather chair. “We disagreed often, but I respected the man. We had a heated meeting last week, but that’s nothing new.” Boone nodded. “Do you know anything about a threat he received?” Briggs raised an eyebrow. “I don’t traffic in threats, detective.” Boone left with a gnawing feeling. Briggs was lying, but he couldn’t prove it—yet. By evening, Boone met with forensics. The plank had traces of industrial oil and sea barnacles—likely from a shipping container, not the local docks. It had one clue: a faded serial number burned into the wood’s underside. The team traced it back to a closed Larkridge site on the east pier. Boone drove there under the cover of dusk. The pier was silent, rusted, and half-sunk in tidewater. Inside the main warehouse, dust and old tools littered the floor. And then he saw them—planks identical to the one used in the murder, stacked by a wall. The match was perfect. Someone had brought Hall here. Killed him. Dumped him feet away from the riverbank like a warning. As Boone turned to leave, he heard a sound behind him. Footsteps. He drew his weapon. “Fairview PD. Step out!” A man in coveralls emerged from the shadows—thin, pale, trembling. “Don’t shoot! I—I used to work here.” Boone lowered his gun slightly. “Did you see anything?” The man hesitated. “I was here two nights ago, just sleeping. I—I saw a black SUV pull in. Three men dragged someone out. One hit him with something—it sounded like wood. They were yelling about ‘shutting him up.’ Then they left him there. I was too scared to move.” Boone took a statement, recorded the witness’s ID, and rushed back to headquarters. By morning, surveillance logs from nearby traffic lights confirmed the SUV. It was registered to a shell company—one later traced back to Larkridge’s legal department. Boone confronted Larkridge’s lawyer, Jordan Mayes, in his uptown office. “You’re in deep now,” Boone said, dropping a folder of evidence on his desk. Mayes scoffed, but his hands shook. “You don’t have anything solid.” “I’ve got a witness. Forensics. Footage. And a dead man who trusted the law more than fear. You can take the fall, or give me the men who did this.” Mayes crumbled. Within hours, three Larkridge employees—including a security chief—were arrested. The motive: Hall had refused a $500,000 bribe to withdraw his testimony. So they silenced him the only way they knew. A week later, Boone stood silently at Hall’s memorial service. Hundreds gathered. Children, families, even former enemies. The man had moved a city. In his pocket, Boone still carried a copy of the note that started it all: “Keep pushing, and you’ll fall off the plank.” They’d meant it as a threat. But Hall had walked the plank willingly—for justice. And Boone made sure he didn’t fall in vain.
By Abdurrahman Abdurrahmanabout a year ago in Criminal
Ashes and Evidence . Content Warning. AI-Generated.
Ashes and Evidence "Some Crimes Don’t Burn Away" The phrase "Ashes and Evidence" is evocative and layered, making it a compelling title for a crime story. It immediately conjures imagery of destruction—specifically, fire—and the remnants that are left behind. Ashes symbolize loss, finality, or an attempt to erase something completely. Fire is often used in crime fiction to hide evidence: arson as a cover-up, a metaphor for rage or chaos, or even as a twisted symbol of rebirth and transformation. Meanwhile, "Evidence" is cold, methodical, and factual. It's what detectives cling to when everything else is chaos. The juxtaposition of these two words—one destructive and chaotic, the other forensic and logical—immediately signals tension, mystery, and a deeper story that’s waiting to be unearthed. This contrast can serve as a thematic foundation for the story: while someone may try to destroy all traces of a crime, truth has a way of surviving. In the ashes, there’s something that doesn’t burn. Something that tells the real story. --- Possible Plot Implications The title opens a wide range of narrative possibilities. For instance: A detective or arson investigator is brought onto a case involving a suspicious fire. At first glance, it looks like an accident—or perhaps an open-and-shut case of revenge. But as the ashes settle, hidden evidence emerges. A burned photo, a half-melted locket, a charred notebook—clues that contradict the official story. A victim's relative, someone who isn’t a detective by profession, could start piecing together evidence the authorities overlooked, discovering a deeper conspiracy behind the fire that killed their loved one. A criminal who thought they had destroyed everything finds themselves being slowly hunted by a quiet, patient investigator who starts rebuilding the crime scene—metaphorically and literally—from the ashes. The story could also explore themes of redemption: a disgraced investigator given one last case. As they work through the ashes—both of the case and their own broken past—they find new purpose in solving what everyone else gave up on. --- Subtitles that Add Meaning: “Where the Fire Ends, the Truth Begins” A subtitle like "Where the Fire Ends, the Truth Begins" deepens the intrigue. It suggests that what seemed like the end—the fire—was actually just the beginning of the story. This subtitle implies a journey: from destruction to discovery, from chaos to clarity. Let’s break it down: “Where the Fire Ends” speaks to a moment of devastation. A literal or metaphorical fire has consumed everything. It might be a house, a warehouse, or someone’s life. It may symbolize a tragic event—a murder, a betrayal, a catastrophic mistake. This is the inciting incident. “The Truth Begins” signals that beneath or beyond that destruction lies the actual narrative drive of the story: uncovering what really happened, who’s responsible, and why. It's a promise to the reader that this won't just be a tragedy—they’ll also get a mystery and a resolution. This subtitle sets a clear tone: the story will move from confusion to clarity, from loss to justice. It also suggests that not everything is lost in the flames. In fact, what remains might be even more telling than what was destroyed. --- Overall Tone and Style Together, the title and subtitle set a tone that is: Dark and suspenseful — fitting for psychological thrillers or noir-inspired crime fiction Emotional — hinting at grief, regret, or trauma Investigative — promising a slow-burn mystery that rewards close attention
By Izaz khan 12about a year ago in Criminal
The Fall of Ajmal
In the northeastern reaches of Khyber Pakhtunkhwa (KPK), Pakistan, nestled among scenic hills that serve as a gateway to the mountainous regions of the province, lies a quiet village. From this serene land emerged a boy named Ajmal, born into a devout and honorable family. His upbringing was rooted in strong religious and moral values, and his parents groomed him with utmost care and affection.
By Zain Ali Khanabout a year ago in Criminal
The Last Room. Content Warning. AI-Generated.
The Last Room Subtitle: Some doors should never be opened. --- The hallway stretched on longer than it should have. Ahmad felt it the moment he stepped into the corridor—an unnatural stillness, like the air had been holding its breath for years. He was only supposed to inspect the old dormitory building before it was demolished. A favor for his uncle, who ran the property firm handling the clearance. Simple. Quick. In and out.
By AHMAD`S ECHOabout a year ago in Criminal
Israel says it will expand its offensive across most of Gaza
Israel's defence minister has announced its military will soon "vigorously" expand its offensive throughout most of Gaza. Israel Katz also said the Israel Defense Forces (IDF) had completed the takeover of a "security zone" in the southern part of the Gaza Strip, separating the cities of Rafah and Khan Younis.
By MriduL HassaNabout a year ago in Criminal
