classical
Beat showcases all things classical; get your fix of Beethoven, Bach and beyond with plenty of Pomp and even more Circumstance.
What to Expect in Your First Bellevue Piano Lesson
Starting piano lessons is an exciting and bewildering experience, especially if you have not yet ventured to the keys. If you are a complete novice or a resurrection of past learning, your initial piano lesson is a gigantic leap towards learning music.
By Pianoramic Studiosabout a year ago in Beat
The Monkey and the Bear's Great Forest Feast. Content Warning. AI-Generated.
Deep in the heart of the Whispering Woods lived two animals as different as night and day. Miko was a mischievous little monkey who swung through the treetops, chattering, playing pranks, and picking fruit. He was quick-witted, curious, and always full of energy. But he was also impatient and didn’t like working with others. Boro, on the other hand, was a big brown bear who loved peace and quiet. He spent his days lumbering through the woods, humming softly to himself, digging for roots, and collecting honey. Boro was wise, patient, and strong—but he often preferred to be alone. They lived on opposite sides of the forest and rarely crossed paths. When they did, it was usually awkward. Miko would make fun of Boro’s slow pace, and Boro would shake his head at Miko’s wild antics. Then, one summer, something strange happened. The rains didn’t come. The trees began to wilt. Streams dried up, and the fruits and berries vanished from the branches. Even the bees stopped buzzing around. The Whispering Woods was in trouble. Miko searched high and low but could find only a few tiny bananas and dried figs. “What is happening?” he muttered. “Where did all the good fruit go?” Boro had his own troubles. The roots he dug up were dry, and the honeycombs were empty. He sighed. “The forest is hungry,” he said. “And so am I.” As days passed, the animals grew weaker. The younger ones cried with hunger, and even the birds stopped singing. Something had to be done. One afternoon, Miko spotted Boro sitting beside a dried-up pond, munching sadly on a small piece of bark. “Hey, Boro,” Miko called out. “Any luck with food?” “Not really,” Boro grunted. “You?” “Just enough to make me angry,” Miko replied. “But... maybe if we worked together, we could find more.” Boro looked at Miko, surprised. “You want to work with me?” “I know, I know,” Miko said quickly, “we’re not exactly friends. But if we don’t do something, the forest might not survive this drought.” After a long pause, Boro nodded. “Alright. Let’s try.” So, the two unlikely partners set off. Miko climbed trees, scouting for fruit, while Boro used his strength to knock down hidden beehives and dig up deep roots. Where Miko couldn’t reach the ground, Boro did the heavy lifting. Where Boro couldn’t climb, Miko retrieved fruits still hidden in the tallest trees. Together, they found more food than they could alone. But Miko had another idea. “Why don’t we share what we find with the others?” he suggested. “We could have a feast!” Boro smiled slowly. “A feast... for the whole forest. I like that.” The next day, Miko and Boro invited animals from every corner of the woods. They cleared a wide space beneath the oldest tree in the forest and began preparing a giant meal. Squirrels brought nuts. Deer carried leaves and berries. Birds brought seeds, and rabbits helped set everything up. The forest, once silent and sad, buzzed with activity. When the sun began to set, the animals gathered around a long table made of logs and leaves. In the center were fruits, roots, nuts, and jars of honey. The smell was delicious. Miko stood on a branch and called out, “Tonight, we feast not just to fill our bellies, but to remind ourselves—we’re stronger when we work together!” The animals cheered. Boro raised a paw and added, “Even when we’re different, we all belong to the same forest. Let’s take care of each other.” That night, under the glow of fireflies and stars, the Whispering Woods came alive again. Laughter returned. Music drifted through the trees. And for the first time in weeks, every belly was full. From that day on, Miko and Boro became the best of friends. They still had their differences—Miko was still fast and playful, Boro still slow and thoughtful—but now they understood each other. And every year after that, rain or shine, the animals gathered for a feast in the forest, led by the monkey and the bear who once thought they had nothing in common—until they saved the woods, together.
By Sami Ullahabout a year ago in Beat
The Lamb That Roared
In a quiet valley cradled by mountains and painted in soft shades of green and gold, there lived a flock of sheep who followed the same paths, ate from the same fields, and spoke in whispers. Life was predictable, and for most of them, that was enough.
By Nauman Khanabout a year ago in Beat
And So It Begins
[This is the first scene in a musical I've wanted to compose for the Nativity for quite some time now. Above you will find my thoroughly inadequate rendition of the scene. Below you will see my shorthand system of notation for melodies & chords. Numbers reference the steps of the diatonic major scale where the Roman numeral I is for the root & alterations are signified by ɓ or #. Eighth note durations are indicated by ' with sixteenth durations indicated by x & sustained notes by a long dash. Measures are separated by |. Anything in italics that is not a part of the actual song are stage directions or explanatory notes. I hope you enjoy.]
By Randy Wayne Jellison-Knockabout a year ago in Beat
The Anunciation
[This is the second scene in a musical I've wanted to compose for the Nativity for quite some time now. For decades I have loved this refrain but not been satisfied with any other part of it..., until now. I think I may have finally figured out something for the verses, thanks to this challenge. Above you will find my thoroughly inadequate rendition of the scene. Below you will see my shorthand system of notation for melodies & chords. Numbers reference the steps of the diatonic major scale where the Roman numeral I is for the root & alterations are signified by ɓ or #. Eighth note durations are indicated by ' with sixteenth durations indicated by x & sustained notes by a long dash. Measures are separated by |. Anything in italics that is not a part of the actual song are stage directions or explanatory notes. I hope you enjoy.]
By Randy Wayne Jellison-Knockabout a year ago in Beat
