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Review of 'The Good Girls'

The Good Girls is a powerful novel that gives a voice to women and the #MeToo movement.

By Cyn's WorkshopPublished 3 years ago 3 min read
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One of Us Is Lying meets Sadie in this twisty, feminist thriller for the Me Too era.

The troublemaker. The overachiever. The cheer captain. The dead girl. Like every high school in America, Jefferson-Lorne High contains all of the above.

After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian.

But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long buried secrets come to light, the clock is ticking to find Emma's killer--before another good girl goes down.

A powerful novel, Bartlett will astound readers with The Good Girls, a story about assault and girls coming together to take their abuser down.

Riveting Story

The Good Girls follows the death and disappearance of Emma Baine’s. The power behind this story comes from the narrative and structure. The story breaks apart with police interviews before moving into the storytelling. This is where the reader gets to know the little town and the girls.

It puts the story in perspective, and it rises to the occasion of the #MeToo movement, highlighting the injustice women continue to face. The girls are as different as they come, and they are treated differently in the town. Bartlett highlights how their gender is used against them by teachers, parents, classmates, and law enforcement and it is powerful to see it playout for the reader.

Bartlett has done something incredible with The Good Girls, creating this captivating narrative about the sexism and objectification girls face daily. In the police interviews, in subtle changes in body language, and the general treatment of the story, Bartlett shows the reader the difficulties women face when reporting an assault. Portrayed compellingly and realistically, the direction the story takes to unravel the mystery surrounding Emma’s last days.

The Good Girls never loses its momentum and pacing, building up the mystery as the reader tries to solve the death of Lizzy alongside Emma and the disappearance. There are many red herrings, and Bartlett does not give anything away until the end.

Powerful Language

Bartlett has this ability to use language and structure to her advantage. Bartlett puts so much behind subtle gestures and langue, showcasing those dynamics between those in power and the young girls. By going back and forth from police interviews, news articles, blog posts, diary entries, and third-person storytelling, Bartlett creates a mystery.

More importantly, it flows. Fluidity is critical here because there are many elements. Not only are all the above used to build the story, but the story also switches between characters. There is a great scope to the storytelling, and it gives a voice to women everywhere. That makes this story so compelling, how it relates to readers, and highlights the most important fact: no one ever asks to be assaulted.

Final Thoughts

There is so much I want to say about The Good Girls, and yet I do not think I will ever be able to do it justice. The Good Girls is a powerful novel, one that needs to be read. Cleverly written and structured, giving power and a voice to anyone who needs the courage.

Rating: 5 out of 5.

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About the Author

Cynthia Bujnicki graduated from Emerson College with a BA in Writing, Literature and Publishing. She has always loved to read since she was a child. A contributing writer for YA Fantasy Addicts, she is also the Editor-in-Chief for Cyn's Workshop. She lives in sunny South Florida with her husband and son and their two cats, Mr. J the Kitten and Nyx.

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