‘One Night in Miami…’ Deserves a Date With Oscar

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In the interest of full disclosure, I should tell you I am a Sam Cooke fan, and his inclusion as a character in One Night in Miami… is what initially drew my interest. Leslie Odom Jr.‘s portrayal (more like channeling) of Cooke was indeed my favorite aspect. However, the film as a whole impressed me just as much.

Films like this make my job equal parts more enjoyable, and more difficult. More fun to watch, certainly, but it is a bit easier to pick apart things you didn’t care for. I promise I will find things to nitpick here. I will also try to be as spoiler-free as possible, because I’d hate to ruin this experience for anyone.

Setting the Scene

On February 25, 1964, boxer Cassius Clay (later known as Muhammad Ali) bested Sonny Liston for the title of Heavyweight Champion of the World. As hard as it may be for people born after this date to believe, Clay’s victory in Miami was an upset at the time. His win was so unexpected, in fact, that no official victory party was planned. So, Clay (Eli Goree) celebrated at a hotel with some iconic friends: Malcolm X (Kingsley Ben-Adir), Jim Brown (Aldis Hodge), and Cooke (Odom). This feels like the stuff of fantasy, or revisionist history, but it really did happen.

Director Regina King and writer Kemp Powers skillfully build up to the night in question. The viewer is introduced to the main characters individually, before they’re tossed together in a room. We see each man’s strengths, his struggles, his humanity. In these introductory vignettes, we find moments of humor, drama, and one that left my jaw hanging open in a combination of shock and rage. And this was all before the title had even appeared on the screen.

The Room

While watching One Night in Miami…, we are reminded of movies like 12 Angry Men, The Exterminating Angel, or The Man From Earth, which are driven by dialogue, and take place primarily in one room. Given those conditions, there is the risk of being boring, but that is not the case here. Yes, at times it is like watching a stage play (it originally was one), but an engaging one.

King moves beyond that single set to create a more cinematic feel when a scene calls for it. She maintains a balance between the quiet of the room, and the din of the outside world that is quite masterful, especially considering this is her directorial debut. She is one to watch, as she has been as an actress for decades now.

This movie is driven by true friendship, complete with inside jokes and underlying tensions. Knowing how to push each other’s buttons, and when. These are men having fun, yes, but also honest, difficult, necessary conversations. And that is enough. We don’t always need explosions to remain entertained. Well, there are fireworks, and a fire… oh, and boxing, but my point stands.

Beautiful to Behold

Let’s talk a little about how good this movie looks. First of all, it is lit perfectly! Locations such as a hotel room, roof, or parking lot look how they would really look. One of my pet peeves in film and TV is when someone turns on a tiny bedside lamp that illuminates the entire room as if it was noon. Or blows out a candle, and a brightly lit room instantly goes dark. There is none of that here.

The cinematography is generally very good. Everything looks crisp, and the color schemes are lovely. You can see expressions clearly, without extreme closeups (another thing I feel is overused in films). When you see people talking in this movie, it looks as if you are sitting across from them, taking part in the conversation. It is much more effective this way.

Performances

As I’ve mentioned, Leslie Odom Jr. didn’t just play Sam Cooke, he became him! His mannerisms, speaking voice, and singing voice were all almost frighteningly accurate. It made me feel as though I was watching Sam, alive and kicking. That was both comforting and heartbreaking. The latter stemming from the fact that Cooke was murdered on December 11, 1964, not even a year after this storied night. Incidentally, I was born on the 14th anniversary of his death (random, no?).

Even though I clearly have a favorite here, everyone involved did exceptional work. There wasn’t a bad performance among the cast, from the four leads, down to people with one line (well, other than a moment I’ll address in the nitpick section). Everyone gave their all to this project, and it shows.