‘Lucky Grandma’: Making the Elderly Cool Again

Lucky Grandma is the Chinese/American debut feature film directed by Sasie Sealy, and tells the story of Grandma Wong, an ill-tempered, chain-smoking, newly widowed Grandma eager to live an independent life in the bustling Chinatown of New York. Bestowed with promises of a day full of luck in her future by a fortune teller, Grandma decides to take her luck to the tables of the casino where she finds herself on the wrong side of the wrong people.

Going All In

Sasie Sealy has taken an outrageous concept for a film and made it work; and it doesn’t just work, it works well. Lucky Grandma is a kind of heist/gangster mashup of a film that, on paper, probably wouldn’t seem like it’d work. However, Sasie Sealy took her script (co-written by Angela Cheng) and did everything within her power to prove Grandmas can still be badass.

Sealy directs this film with an almost nostalgic hand, harkening back to those gangster films of the past while still putting her own twist on the genre. Taking a familiar, often dull, and dreary genre and injecting a whole lot of comedy into the mix, Sealy has crafted an incredibly entertaining film. Having the audience in stitches one moment and then in shock the next, the fast-paced, quick nature of Lucky Grandma is one that is welcome. There is never a dull moment in this film, and this momentum is still held throughout the film without having a pace that could be considered breakneck, as the film still has a lot of mellow and heartfelt scenes.

Keeping It Simple

Lucky Grandma isn’t a complex movie. It’s short and concise, it knows the story it wants to tell and it tells it straightforwardly. There’s no complicated subplots or deep undertones and themes; it’s just a story about a Grandma and her not-so-lucky escapades. This is why the film works so well. Sealy takes this wild story and shows it to the audience as it is. Sure, there are a few serious moments in the film, but for the most part, it’s just a movie that wants the audience to have fun.

The film also has a very simple, yet effective visual style. There are no crazy visual effects or insane lighting tricks here. For the most part — as far as my untrained eyes could tell — everything was by the books and in-camera. The cinematography of the film, by Eduardo Enrique Mayén, appears quite simple, but is very effective. From the warm and welcoming feeling given to Grandma Wong’s apartment, to the cold and somber look given off by New York’s Chinatown, the film has a very crisp feel to it. Similarly, there’s no crazy camera tricks or anything going on here, and that’s the way a film like this should be; just keep it simple.

Grandma is Always Right

Lucky Grandma is also filled with a great lineup of actors and actresses; namely, Tsai Chin in the title role as Grandma Wong. Chin’s performance is one to be reckoned with, portraying a Grandma that you wouldn’t want to be on the wrong side of. Completely capturing the classic feel of the bad-tempered Grandma, Chin really shines here and looks like she had an absolute blast playing the character. Chin’s energy is felt throughout the entire runtime of the film (albeit quite short) and really adds to the excitement of each and every scene.

Next to Chin is Hsiao-Yuan Ha, portraying the big and cuddly Big Pong, Grandma Wong’s hired bodyguard. Ha gives so much life to this otherwise boring character. Although his screen time isn’t immense, he just about steals every scene he is in, with his subtle charm and caring smile. As well as Ha, you have Michael Tow and Woody Fu who play some hilarious, almost caricature versions of gang members that show up throughout the movie, making for some great interactions with Grandma Wong.

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