Juneteenth: The Waist Land
fort of jeweled lie (annotated)
Imagine the funerals in Texas
when people had to stop pretending
other people were property,
two and a half years stolen
as lagniappe for the poor masters,
powerful men menacing
work from exhausted souls carrying generations of grief,
(a raft on a river
children taken from parents,
one Mississippi
mothers sold on the block,
two Mississippi)
men’s eyes prowling,
lusting dusky bodies,
lingering on lips,
breasts, thighs,
and hips, lascivious thoughts
of what could be engendered there,
(wall still burning, Mississippi burning, Henry Clay and Agamemnon deader than ever, Cytemnestra and Antigone, too, Medea’s chariot in the sky)
palpably.
Potential purchase provides permission to touch, prod,
inspect the goods on offer
assess the flesh
It’s only rape if a
(mockingbird
Black man lays eyes
mocks
on a piece
swan)
of a white man’s
property, a proper
house slave (Desdemona)
daughter of
a good property-owning family,
auctioned at cotillion,
a debutante bill of sale (ball with proper dance cards)
draped in pearls,
(that were his eyes)
wearing white again,
out, damned spot
registered and
carried over the threshold:
mistress of the manners
pleasing her new master:
hosting,
boasting
about her powerful husband
(Delilah snips a lock)
who thinks life
is for the chosen:
of course he’s won.
A merchant chooses caskets
(Pandora boxes).
An asp hangs in laurel, suspended.
The women in Texas
(Eurydice’s lover’s flute
muting Cassandra)
await have to become
their own Paul Revere, probably
on the dirty-first
of another jeweled lie.
Persephone peels a pomegranate from Adam’s throat.
Endnotes
1. Mark Twain, Adventures of Huckleberry Finn (raft imagery).
2. Mississippi River; counting cadence; baseball strike-count resonance.
3. W. B. Yeats, “Leda and the Swan.”
4. Troy and the aftermath of the Trojan War (The Iliad); Mississippi Burning; Henry Clay; Agamemnon (Agamemnon); Clytemnestra (Agamemnon); Antigone (Antigone); Medea (Medea).
5. Harper Lee, To Kill a Mockingbird.
6. Swan traditions, including Yeats’s Leda.
7. Shakespeare, Othello (Desdemona).
8. Cotillion and debutante traditions.
9. T. S. Eliot, The Waste Land; Shakespeare, The Tempest.
10. Shakespeare, Macbeth.
11. Samson and Delilah.
12. Shakespeare, The Merchant of Venice.
13. Pandora’s Box traditions.
14. Cleopatra (asp) and Daphne (laurel).
15. Orpheus, Eurydice, and Cassandra.
16. Paul Revere and warning narratives.
17. Persephone, Genesis, inheritance, speech, and transformation
Works Cited
Aeschylus. Agamemnon. Translated by Richmond Lattimore, University of Chicago Press, 1953.
The Bible. King James Version. Oxford UP, 1769.
Eliot, T. S. The Waste Land and Other Poems. Harcourt, Brace and Company, 1934.
Euripides. Medea. Translated by Diane Arnson Svarlien, Hackett Publishing Company, 2007.
Homer. The Iliad. Translated by Robert Fagles, Penguin Books, 1998.
Lee, Harper. To Kill a Mockingbird. J. B. Lippincott & Co., 1960.
Mississippi Burning. Directed by Alan Parker, performances by Gene Hackman, Willem Dafoe, and Frances McDormand, Orion Pictures, 1988.
Rilke, Rainer Maria. Sonnets to Orpheus. Translated by Stephen Mitchell, Vintage International, 1989.
Shakespeare, William. Macbeth. Edited by Barbara A. Mowat and Paul Werstine, Folger Shakespeare Library, Simon & Schuster, 2013.
The Merchant of Venice. Edited by Barbara A. Mowat and Paul Werstine, Folger Shakespeare Library, Simon & Schuster, 2010.
Othello. Edited by Barbara A. Mowat and Paul Werstine, Folger Shakespeare Library, Simon & Schuster, 2012.
The Tempest. Edited by Barbara A. Mowat and Paul Werstine, Folger Shakespeare Library, Simon & Schuster, 2015.
Sophocles. Antigone. Translated by Robert Fagles, Penguin Books, 1984.
Twain, Mark. Adventures of Huckleberry Finn. Charles L. Webster and Company, 1885.
Yeats, W. B. The Collected Poems of W. B. Yeats. Macmillan, 1956.
Biblical References for Endnotes
Adam and the Fall narrative — Genesis 2–3.
Samson and Delilah — Judges 16.
Author note:
After adding to, expanding, and compressing this all day, it occurred to me that it could use some notes and a works cited page. Please let me know in the comments if textual markers are needed. I was unable to add superscripts, which is what I originally intended.
About the Creator
Harper Lewis
Ekke Ekke Ekke Ekke Ptang Zoo Boing!
Intrusive rhyme bothers me, except as a weapon.
Intertextuality is my passion.
Formalist/ New Critical are my guiding theories.
My words are mine, not a robot’s.
MA English literature, CofC
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