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The History of Onmyōdō

An investigative system of the natural science, astronomy, almanac, divination, and magic in feudal japan

By Deana ContastePublished 3 years ago 11 min read
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Abe no Seimei, a renowned onmyōji

Onmyōdō (陰陽道, likewise In'yōdō, lit. 'The Way of Yin and Yang') is an arrangement of natural science, astronomy, almanac, divination, and magic that grew freely in Japan dependent on the Chinese ways of thinking of yin and yang and wu xing (five components). The way of thinking of yin and yang and wu xing was acquainted with Japan toward the start of the sixth century and impacted by Taoism, Buddhism, and Confucianism, which developed into the most punctual arrangement of Onmyōdō around the late seventh century. In 701, the Taiho Code set up the divisions and posts of onmyōji who rehearsed Onmyōdo in the Imperial Court, and Onmyōdō was systematized. From around the ninth century during the Heian time frame, Onmyōdō associated with Shinto and Goryō love (御霊信仰) in Japan and formed into a framework exceptional to Japan. Abe no Seimei, who was dynamic during the Heian period, is the most renowned onmyōji (Onmyōdō expert) in Japanese history and has shown up in different Japanese writing in later years. Onmyōdō was heavily influenced by the majestic government, and later its retainers, the Tsuchimikado family, until the center of the nineteenth century, so, all things considered, it became precluded as a strange notion.

Development

From Animo Apps

In the fifth and sixth hundreds of years, the standards of yin-yang and the Five Elements were communicated to Japan from China and Baekje alongside Buddhism and Confucianism, especially by the dark Korean priest Gwalleuk. Yin-yang and the Five Elements, just as the divisions of figuring out how to which they were connected – space science, schedule making, the retribution of time, divination, and studies dependent on the perception of nature – were amalgamated into fortune-telling. This course of passing judgment on propitious or destructive signs present in the regular world was acknowledged in Japanese society as a procedure for foreseeing positive or negative fortune in the human world. Such procedures were known generally by Buddhist priests from central area Asia, who were learned in perusing and composing Chinese. Over the long haul, requests from individuals from the majestic court who accepted that onmyōdō divination would be useful in dynamic made it fundamental for the people to play out the workmanship, and onmyōji started to show up around the center of the seventh century. Under the Taiho Code authorized in the mid-eighth century, the branches of the Imperial Court to which onmyōji had a place were characterized by law.

From around the ninth century during the Heian time frame, Onmyōdō collaborated with Shinto and Goryō love in Japan and formed into a framework exceptional to Japan. Up to that point, Onmyōdō stressed divination for strategy choices by high government authorities, yet since the Heian time frame, Onmyōdō has underscored sorcery and strict administrations, for example, averting evil for forestalling cataclysmic events and pandemics and for the usefulness of grain, just as condemnations against rivals. Since Shinto spots significance on 'immaculateness' Shinto ministers were needed to perform misogi (custom purging) and quick before playing out these strict administrations, so their exercises were limited. Then again, since onmyōji didn't need to perform misogi or quick, they had the option to manage kegare (messiness) all the more effectively, and they extended their exercises past the help of Shinto clerics. It steadily spread from the Imperial Court to the overall population. In the tenth century Kamo no Tadayuki (賀茂 忠行) and his child Kamo no Yasunori (賀茂 保典), made extraordinary progressions in onmyōdō, cosmology, and schedule science. From among their understudies arose Abe no Seimei (安倍清明), who showed predominant abilities in the divining crafts of onmyōdō, by which he acquired a remarkable measure of trust from the court society. Tadayuki and Yasunori gave their abilities in cosmology to Seimei while their advances in schedule making went to Yasunori's child. From the finish of the Heian time frame into the Middle Ages, stargazing and schedule science were subsumed into onmyōdō, and the Abe and Kamo families came to overwhelm the workmanship in the Imperial Court.

Onmyōji

From JAPANESE MYTHOLOGY & FOLKLORE (Wordpress.com)

Onmyōji (陰陽師, likewise In'yōji) was one of the characterizations of government workers having a place with the Bureau of Onmyō in old Japan's ritsuryo framework. Individuals with this title were proficient experts of onmyōdō.

Onmyōji were experts in magic and divination. Their court liabilities went from undertakings like monitoring the schedule, to supernatural obligations like divination and insurance of the capital from detestable spirits. They could divine favorable or hurtful impacts on the earth and be instrumental in the moving of capitals. It is said that an onmyōji could likewise bring and control shikigami. During the Heian time frame, the respectability coordinated their lives around rehearses suggested by onmyōji. The act of "fortunate and unfortunate headings" gives a model. Contingent upon the season, the season of the day, and different conditions, a specific heading may be a misfortune for a person. In case one's home was situated toward that path, a particular individual was prompted not to return straightforwardly to his home yet needed to "shift bearing" (katatagae), by changing course and housing there. Such an individual would not try to head the prohibited way, yet remain where they were, regardless of whether that brought about nonappearance from the court or missing solicitations from compelling individuals.

Popular onmyōji incorporate Kamo no Yasunori and Abe no Seimei (921–1005). After Seimei's passing, Emperor Ichijō had a sanctum raised at his home in Kyoto.

Onmyōji had political clout during the Heian time frame, however in later occasions when the royal court fell into decrease, their state support was lost totally. In current Japan, onmyōji is characterized as a sort of minister, and even though there are numerous who guarantee to be mediums and mystics, the onmyōji keeps on being a trademark mysterious figure.

The Life and Death of Kamo no Yasunori

From Tumblr (photo is not mine)

Kamo no Yasunori (賀茂 保憲) was an onmyōji, a professional of onmyōdō, during the Heian time frame in Japan. He was viewed as the head of onmyōji of his time.

Yasunori was the child of the onmyōji Kamo no Tadayuki (賀茂 忠行). As per a story in the Konjaku Monogatarishu, at ten years old, Yasunori went with his dad to an expulsion, where he had the option to see the devils — an indication of ability, for, dissimilar to Tadayuki, Yasunori could do so without formal preparing.

He later showed Abe no Seimei the specialty of onmyōdō. Seimei turned into his replacement in crystal gazing and divination, while Yasunori's child succeeded him in the production of the schedule, a lesser undertaking. For quite a long time thereafter, the Abe group controlled the public authority service of onmyōdō, while the Kamo tribe became genetic guardians of the schedule.

Yasunori's subsequent little girl turned into an acclaimed artist.

Yasunori's demise is a driving plot component in the kabuki play Ashiya Dōman Ōuchi Kagami (A Courtly Mirror of Ashiya Dōman). In the play, he is the proprietor of the Kin's Gyokuto Shū, a book of divination passed down from a Chinese wizard. He expects to wed he took on the little girl to his follower Abe no Yasuna (安倍保名), the dad of Abe no Seimei, and to give the book to him, yet he passes on before doing as such. This makes way for contention between Ashiya Michitaru (as Dōman is brought in the play) and Abe no Yasuna over responsibility for the book.

The Life and Death of Abe no Seimei

From Omamori - Japanese Amulets

Abe no Seimei (安倍 晴明, February 21, 921 A.D. – October 31, 1005) was an onmyōji, a main expert of onmyōdō during the center of the Heian time frame in Japan. notwithstanding his unmistakable quality ever, he is an unbelievable figure in Japanese legends and has been depicted in various stories and movies.

Seimei functioned as onmyōji for heads and the Heian government, exhorting on the profoundly right way of managing issues. He appealed to God for the prosperity of rulers and the public authority just as exhorted on different issues. He was additionally an astrologer and anticipated celestial occasions. He partook in an amazingly long life, liberated from any significant disease, which added to the prevalent view that he had in mysterious forces.

The Seimei Shrine, situated in Kyoto, is a well-known sanctum devoted to him. The Abeno train station and locale, in Osaka, are some of the time said to be named after him, as it is one of the areas where legends place his introduction to the world.

Life and Ancient legends

Seimei's life is very much recorded, and there is little inquiry concerning it. Following his passing, be that as it may, legends emerged similar to those encompassing Merlin. Numerous legends of Seimei were initially written in the Konjaku Monogatarishū, and by the Edo time frame, there were numerous accounts available for use that zeroed in on his chivalrous demonstrations.

His family was not exceptionally clear. His progenitor may have been Abe no Masuki (安倍 益材), a Daizen-no-daibu (大膳大夫 "Expert of the Palace Table"), or Abe no Shunzai (安倍 春材), a Kokushi of Awaji. Another up-and-comer was Abe no Miushi (阿倍 御主人), who showed up as a Udaijin (右大臣 "Priest of the Right") in The Tale of the Bamboo Cutter. Seimei may likewise have been a relative of Abe no Nakamaro as Abe-no-Sukune-no-Seimei (安倍宿禰晴明), albeit some different sources recorded his name as Abe-no-Asomi-no-Seimei (安倍朝臣晴明), which alludes to the Abe-no-Asomi dropping from Abe no Mushi. The name Sukune (宿禰), through the Abe group, was taken from Naniwa no Imiki (難波忌寸, later Naniwa no Sukune) of the Naniwa tribe (難波氏), otherwise called the Naniwa no Kishi (難波吉士), which Naniwa no Mitsuna (難波 三綱,) was set up.

According to Anderson, Abe no Seimei was a relative of the artist Abe no Nakamaro and a follower of Kamo no Tadayuki (賀茂忠行) and Kamo no Yasunori, tenth-century soothsayers of the Heian court. He became Kamo no Yasunori's replacement in soothsaying and divination, while Yasunori's child assumed the lesser obligation of contriving the schedule. Seimei's obligations included dissecting bizarre occasions, leading expulsions, warding against fiendish spirits, and performing different ceremonies of geomancy. He was supposed to be particularly gifted in divining the sex of babies and discovering lost items. As indicated by the Konjaku Monogatarishu, he accurately anticipated the resignation of Emperor Kazan dependent on his perception of heavenly marvels.

Seimei's standing development was adequate that, from the late tenth century, the Onmyōryō, the public authority service of onmyōdō, was constrained by the Abe faction. The Kamo faction similarly turned into the genetic attendants of the schedule.

The mysterious image of the equidistant five-pointed star, alluded to in the West as a pentagram, is referred to in Japan as the Seiman or the Seal of Abe no Seimei.

According to the legend, Abe no Seimei was not human. His dad, Abe no Yasuna (安倍 保名), was human, yet his mom, Kuzunoha, was a kitsune (a "fox soul"). At an early age, no later than five, he was purportedly ready to order powerless oni to do his offering. His mom shared Seimei with Kamo no Tadayuki so he would carry on with a legitimate human existence and not become abhorrent himself.

The Heian time frame, particularly when Seimei lived, was a period of harmony. A significant number of his legends spin around a progression of enchanted fights with an opponent, Ashiya Dōman (蘆屋道満), who frequently attempted to humiliate Seimei so he could usurp his position. One noted story included Dōman and the youthful Seimei in a divination duel to uncover the substance of a specific box. Dōman had someone else put fifteen mandarin oranges into the container and "divined" that there were fifteen oranges in it. Seimei saw through the stratagem, transformed the oranges into rodents, and expressed that fifteen rodents were in the container. At the point when the rodents were uncovered, Dōman was stunned and crushed.

Seimei has been associated with various stories also. He shows up as a minor person in the Heike Monogatari and is supposed to be liable for divining the area of the Shuten-dōji, an amazing oni purportedly killed by Minamoto no Yorimitsu. He is once in a while supposed to be the onmyōji who found Tamamo-no-Mae's real essence, albeit the hour of the Tamamo-no-Mae story doesn't harmonize with Seimei's lifetime; different sources credit the demonstration to a relative, Abe no Yasuchika.

Torii of the Seimei shrine in Kyoto (From Wikipedia)

Seimei's pentagram mon represents the Wu Xing (From Wikipedia)

Seiman Dōman's talisman comprised Seimei's pentagram and Dōman's grid.

Legacy and Death

From Kansai Odyssey

After Seimei's demise, Emperor Ichijou made a sanctum in his honor, the Seimei Jinja was raised at the area of his home in 1007CE. The first altar was annihilated in battle during the fifteenth century, however, it was revamped in a similar area and still stands today. The Seimei Jinja situated in Kyoto draws in enthusiasts of Seimei's translations in mainstream society. In 2005, the holy place was revamped and brightened with pentagrams. The holy place sells talismans with pentagrams and the Chinese bellflower embellishing them, both related to Seimei. The place of worship is presently well known with devotees of Seimei-enlivened media, for example, Okano Reiko's manga.

The asteroid 5541 Seimei, found in 1976, is named for him.

In 2015 Japanese professional skater and Olympic boss Yuzuru Hanyu utilized the music from the film Onmyōji for his free skating program and depicted Abe no Seimei on ice. He likewise won his second continuous Olympic gold award with the Seimei program.

That is the end of the History of Onmyōdō because there isn't any much-written history aside from Abe no Seimei.

Historical
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About the Creator

Deana Contaste

I enjoy writing poetry, stories, and creating art in general, but I also try to survive in the world like every other human being.

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