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Review of 'Star Wars: The Rise of Skywalker'

Tipping into the Mystic

By Paul LevinsonPublished 4 years ago 3 min read
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So here's where I am regarding the nine episodes of Star Wars: I thought the first trilogy, by George Lucas, was fabulous -- every bit as good, and maybe even better, than the other trilogy of that era, The Godfather (the third part of which, coming along almost 20 years later in 1990, not as good as the first two). And I thought, contrary to a lot of critics, that the second Star Wars trilogy, also by George Lucas, in the movie theaters at the turn of the 20th into our 21st century and a little after, was every bit as good as the first trilogy, and at times even better.

And then there's the third trilogy (episodes VII-IX), of which The Rise of Skywalker is the third and final installment (episode IX), the creation of J. J. Abrams. It takes place after the first trilogy (episodes IV-VI), which took place after the second trilogy (episodes I-III). The second trilogy was thus a prequel, usually more difficult to do in a narrative than a sequel. Which meant Abrams had a somewhat easier job than Lucas. And, though I enjoyed this final trilogy ... now that it's concluded, I just think all of it just wasn't quite on the level of the first two.

This was a result of both the acting and the storylines. In the first Star Wars trilogy (that is, the middle three episodes in terms of the time the story takes place), the acting was mostly campy, but lit up by some really high quality acting by Alec Guinness. In the second Star Wars trilogy (the prequel), the acting by Natalie Portman, Ewen McGregor, Liam Neeson, and Samuel L. Jackson was downright excellent, and often incandescent. In the third trilogy, just concluded, the acting returned to mostly campy, and the non-campy acting by Adam Driver and Daisy Ridley, especially in the finale, was strong and effective enough but not on the level of Portman and McGregor.

Indeed, the most appealing part of this third trilogy was the return of Harrison Ford, Carrie Fisher, Mark Hamill, and Billy Dee Williams in their original roles. This was done well in terms of the acting. But, in the final episode, the storylines in which they returned were a little ham-handed and under-explained. In the first trilogy (episodes IV-VI) shown in theaters, one character, Obi-Wan, returns in a major way after he dies, and that worked very well in the narrative. In third episode (IX) of the third trilogy, which debuted in theaters last week, Ford, Fisher, and Hamill each return, and that was too much. And there were parts that were more muddled than need be in the part of the plot that centered around transitions from life to death and back again. In the powerful scene in which Kylo brings Rey back to life, it wasn't clear if she was really dead, or if Kylo was dead and his appearance was an expression of Rey's unconscious. It wasn't even completely clear whether Palpatine was dead or alive. I know all nine movies were more mythic than literal, but the ratio of the final trilogy went a little too far towards the mythic, especially in this final episode.

All of that said, The Rise of Skywalker was enjoyable enough, and my wife and I will no doubt see whatever comes next on its opening day, whenever that arrives. Our kids, who weren't born when my wife and I saw the first trilogy, were with us when we saw the second trilogy, and saw the end of the third trilogy with their families the day after did. Forever it's worth, they loved it, or liked it at least a little more than we did.

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About the Creator

Paul Levinson

Novels The Silk Code & The Plot To Save Socrates; LPs Twice Upon A Rhyme & Welcome Up; nonfiction The Soft Edge & Digital McLuhan, translated into 15 languages. Best-known short story: The Chronology Protection Case; Prof, Fordham Univ.

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