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review of 'Away'

Relationships and Reality in Space

By Paul LevinsonPublished 4 years ago 2 min read
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My wife and I just finished binge-watching Away, a 10-episode series, on Netflix. I can't recall a better movie or television series about missions to Mars or early human settlements on Mars, and that includes contenders like The Martian, The Martian Chronicles, and Total Recall.

The great strength of Away, that puts it in a class of its own, is its attention to families and loved ones of astronauts back on Earth, and relationships among the five space travelers in the Atlas. These include Hilary Swank in one of the best performances of her career as U. S. Commander Emma Green and Mark Ivanir, whom I don't think I've seen before, as the Russian cosmonaut Misha with the most previous experience in space. Vivian Wu as Lu (Chinese), Ray Panthaki as Ram (from India), and Ato Essandoh as Kwesi (from Africa, and devoutly Jewish, which adds a religious dimension to the story) round out the international crew. Each one of has a special combination of talents, and powerful personalities which are often abrasive, vulnerable, and usually devoted to the mission, which makes for a compelling tableau of a first mission to Mars narrative with humans aboard.

Missions to any world off this planet are inherently perilous just about every moment, and Away conveys these dangers unsparingly and harrowingly. Fortunately, The Good Wife's Josh Charles plays Emma's husband Matt, who is good at both taking care of their understandably very worried teenaged daughter Alexis (well-played by Talitha Eliana Bateman) and coming up with some ingenious solutions to the Atlas's problems in space. But none of these solutions are easily implemented, and to watch the ten episodes of Away is to be treated to a continuing set of close encounters with failure and death, often stunningly presented, and making you feel that you're in a front-row seat somehow somewhere in space or on the ship, watching the incredible events unfold.

Two minor quibbles. One, MSNBC's Rachel Maddow puts in an appearance as herself early on, and she looks exactly as I just saw this past Friday night on MSNBC. Since Away must be taking place at least a decade or two in the future, what did Rachel do, drink some immortality tonic in the next year or so? Second, the Atlas crew talk to people back on Earth via instant smartphones for the first half of the journey, and then normal phone conversations become impossible. In reality, the capacity to have a conversation should have deteriorated gradually and continually throughout the voyage to Mars.

But there are small quibbles indeed, and I very much hope there's another season.

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About the Creator

Paul Levinson

Novels The Silk Code & The Plot To Save Socrates; LPs Twice Upon A Rhyme & Welcome Up; nonfiction The Soft Edge & Digital McLuhan, translated into 15 languages. Best-known short story: The Chronology Protection Case; Prof, Fordham Univ.

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