The Case of the Silver Mirror

Investigator Amane Miku had forever been attracted to the more obscure sides of human instinct. It was an interest that began as a youngster, brought into the world from a well established want to comprehend what was most important to individuals. Her dad, a resigned criminal investigator himself, had supported her interest, frequently bringing back inexplicable cases to examine over supper.

Presently, at 26 years of age, Amane Miku was one of the most youthful criminal investigators at the Tokyo Metropolitan Police Division. Her abilities were very much respected, particularly her capacity to associate apparently inconsequential pieces of information and her skill for understanding individuals. She had procured her place through sheer assurance and a tireless quest for equity.

It was a stormy evening in late-winter when the instance of the Silver Mirror arrived in front of her. The person in question, a young lady named Emi Kobayashi, was seen as severely killed in her loft in Shinjuku. The crime location was shockingly perfect, with the exception of the silver mirror put cautiously on the foot stool, mirroring the scene like a grim composition.

Emi Kobayashi was not the principal casualty. There had been two others in the beyond a half year, each killed likewise a solitary cut injury to the heart, trailed by a fastidious game plan of their own possessions around their bodies. The media had named the executioner the "Silver Mirror Executioner" because of the steady presence of the mirror at every crime location.

Miku poured over the case records, looking for an association between the people in question. Emi Kobayashi was a capable craftsman, known for her mind boggling origami models. The past casualties a teacher and a bookkeeper appeared to share little practically speaking with Emi, with the exception of their orientation and their association with human expression.

As Miku dug further, she found a string associating each of the three casualties a little, dark craftsmanship display in Shibuya where they had all shown their work. The exhibition was claimed by a hermitic craftsmanship gatherer named Hiroto Tanaka, who had gained notoriety for being whimsical and unapproachable.

Miku's most memorable visit to the exhibition was uninteresting. Tanaka was amiable however protected, offering little data about the people in question or their association with the exhibition. Nonetheless, Miku's sharp senses told her there was more going on than met the eye.

She chose to stake out the display, expecting to get Tanaka in a seriously noteworthy second. It was during one of these late-night stakeouts that Miku detected a young lady slipping into the exhibition through a side entry. She followed the lady inside, her heart beating with expectation.

The lady, Mika Sato, was a previous protege of Tanaka's, and had been Emi Kobayashi's dearest companion. She uncovered that Tanaka had become fixated on Emi's origami figures, persuaded they held the way to everlasting status. At the point when Emi would not offer her work to him, Tanaka went ballistic and killed her in an attack of envy.

Miku defied Tanaka the following day, furnished with Mika's declaration and a court order for his display. Tanaka admitted to the killings, uncovering that he had organized the crime locations to seem to be suicides trying to cover his tracks.

The instance of the Silver Mirror Executioner was at long last shut, because of Miku's sharp mind and constant assurance. She had unwound the secret and carried equity to the people in question and their families.

As she sat in her office, evaluating the case one final time, Miku couldn't resist the opportunity to feel a feeling of fulfillment. She had shown what her can do as an investigator, yet she realized there would constantly be more cases to settle, more secrets to unwind.

Thus, Analyst Amane Miku shut the document on the Silver Mirror Executioner, prepared to confront anything challenges lay ahead as she continued looking for truth and equity.

The End