Short Story
A Spooky Siege
At only 20 years of age, Sylvie Hanson didn't expect to be the owner of a castle. It happened via tragic circumstances; it was passed down by her father, Sebastian Hanson, who passed on two months prior. The castle was known as Gladstone Manor, a quaint yet spooky domicile, but it was Sylvie's--lock, stock, and barrel.
By Clyde E. Dawkinsabout a year ago in Fiction
THE LANTERN IN THE FERNS
The Lantern in the Ferns (a forest tale where silence costs more than gold) There is a forest beyond the edge of all proper maps — not the kind drawn by ink and logic, but the kind old women whisper about when the fire burns low. They don’t name it out loud anymore, not since the miller’s son came back with stars in his eyes and moss growing from his wrists.
By swayeagle🥀🦅about a year ago in Fiction
The Ink was Alive
Elliot Rain was a poet without a muse. He sat every day in his tiny flat above a crumbling bakery, sipping cold tea and staring at the empty pages of his notebook. Words had once poured out of him like music—but now they came in dry, broken fragments. He hadn’t written a line worth saving in nearly a year.
By Salah Uddinabout a year ago in Fiction
When the Lights Went Out: A World on Pause
“When the Lights Went Out: A World on Pause” It started with silence. Not the peaceful kind that follows a snowfall or settles in after a lullaby. This silence was eerie—like the whole planet was holding its breath.
By Wings of Time about a year ago in Fiction
How To Disappear: Part Two
Part One: - “Jayce, you’re being ridiculous.” Jayce doesn’t make excuses. It’s starting to become exhausting to do so. He doesn’t tell his mother about anything that happened yesterday, or today. He doesn’t mention the cigarette he smoked by the lake, or the way the fish glittered under the gleaming sun.
By angela hepworthabout a year ago in Fiction
Letting Go
It was raining again — the steady, rhythmic kind that blurred windows and memories. Elif stood by the doorway of their once-shared apartment, her hand resting on the handle of her suitcase. Around her, the walls were still covered in fragments of their life: the photo of their first vacation, the potted plant they forgot to water, the poem he once scribbled on a napkin and pinned to the fridge. Each piece whispered of a love that once bloomed but had quietly begun to wither. Elif didn’t want to leave with bitterness in her heart — only silence, acceptance, and a final memory that didn’t involve shouting or tears.
By Musawir Shahabout a year ago in Fiction
The Clockmaker's Garden
There was a village at the edge of the world where time stood still—not metaphorically, but truly. The sun always hovered in the same place. The shadows never grew longer. The leaves on the trees were forever green, and not a single wrinkle ever touched the faces of the people who lived there. Some called it a paradise. But not Mira. Mira had lived her entire life in this frozen place, where no one aged and nothing ever changed. The village was clean and calm, the people kind and quiet, but it all felt... trapped. Like living inside a snow globe where someone forgot to shake the magic. You see, the village had once been ruled by time like anywhere else. Until the day the Clockmaker came. No one remembered where he came from, or how he had arrived. But he built a tower at the village center—a tall, spiraling thing made of stone and bronze, topped with a golden clock that ticked louder than the wind. Then, one day, he stopped the clock. And when the clock stopped, so did time. People were amazed. No one got older. No one died. Food never spoiled. Days were always sunny. And for a while, it truly was a paradise. But after years, something changed—not outside, but inside the people. They stopped dreaming of new things. They stopped planting new trees. They stopped falling in love. They stopped asking, "What if?" Mira was different. Even as a child, she asked questions no one liked answering. “Why don’t we celebrate birthdays?” “What happens if the clock breaks?” “What’s beyond the hills?” The villagers would smile politely and say, “Don’t worry, dear. Everything is exactly as it should be.” But Mira wasn’t convinced. Especially not after the day she found the seed. It was buried beneath the soil behind her grandmother’s cottage, wrapped in cloth and tied with red thread. The cloth was old—older than the village’s stillness. On it, written in fading ink, were five words: "Plant me when time aches." Mira didn’t know what it meant, but she kept the seed. Years passed—or they should have—and Mira grew older in her heart, even if her body never changed. She read every book the village had. She asked questions the elders refused to answer. She even climbed the clocktower once, but found the door bolted shut with a glowing blue lock she couldn’t break. Until one night, something happened that had never happened before. She saw a petal fall. A single pink petal, drifting down from a tree in the village square. It didn’t make sense. Nothing changed here. Nothing moved unless someone moved it. But that petal had fallen on its own. As if the tree had breathed. That night, she went to her grandmother’s garden with a lantern and trembling hands. She dug a small hole in the earth and placed the old seed in it. As soon as the dirt touched the seed, the ground shivered—just a little. Not enough for anyone else to notice. But Mira did. She watered it with tears. Not because she was sad, but because she suddenly felt something for the first time in a long, long while: hope. The next morning, a small green shoot had emerged. And the day after that, a bud. And a few days later, a flower bloomed—vibrant and golden, with petals that shimmered like sunlight. People began to whisper. Nothing had grown in the village since time stopped. No new flower had bloomed in decades. But there it was, glowing softly like a candle in the fog. When the elders saw it, they panicked. They tore it from the ground. They warned Mira not to interfere again. They told her she was risking everything. That peace must be protected. That the Clockmaker would not approve. But Mira didn’t stop. She remembered what the cloth had said. “Plant me when time aches.” And time was aching. The people were stuck. Their laughter was thin. Their eyes were dull. Peace without change had become a prison with invisible walls. So Mira planted more seeds—some from old apples, some from forgotten flower pots, some even stolen from the locked archives beneath the school. And each time, something bloomed. Small things at first: daisies, dandelions, bluebells. Then vines. Then fruit. Then trees with golden bark that hummed when the wind passed through. And slowly… people changed. Some cried without knowing why. Some remembered dreams they’d buried. Some started writing poems again. Children drew things they’d never seen—skies full of color, mountains beyond the village, oceans they only imagined. And then the unthinkable happened. The clock in the tower ticked. Just once. But loud enough that everyone heard it. That night, Mira returned to the tower. The door that had once been sealed was cracked open. Inside, the gears groaned, stiff from stillness. Dust floated in the beams of moonlight. At the top of the stairs stood the Clockmaker. But he wasn’t what she expected. He looked like an old man made of wood and brass, with eyes like candle flames. His hands were tools. His spine was a coil. And on his chest was a key, long since wound down. “You have brought time back,” he said, his voice the sound of creaking floorboards. “Why did you stop it?” Mira asked. “Because the world was full of pain,” he replied. “And I thought stillness would bring peace. But peace without change… is silence.” She stepped forward. “And silence without growth... is death.” The Clockmaker nodded. “Then finish what you’ve started.” He handed her the key from his chest. She placed it in the clock. And turned it. The clock roared to life. The gears spun. The bell rang. Time surged through the village like a warm wind. The sun moved for the first time in a hundred years. Shadows danced. Trees swayed. Children grew. Laughter returned—not the polite kind, but the wild, uncontrollable kind. People wept and hugged and aged. And in the middle of the village stood Mira, now older, a little grayer, but glowing with life. She never became queen. She didn’t want to. Instead, she planted more gardens. One for every lost year. One for every forgotten dream. And people joined her. Because now… time moved. But so did hope. The End.
By Lucien Hollow about a year ago in Fiction
Hailey, Part 1.
Halley, The Comet’s Secret Part 1, Bringing Secrets Home Well, I'm not sure if you have any interest in astronomy, but as of today, January 27, 2026, the eyes of the world are turned toward the heavens. The deep space craft EE, or Exo-Earth Explorer, will meet Halley’s Comet as it passes through our system on its closest flyby to date. The crew of the EE consists of the best we, as one race, have for the job—you see, this is a joint country's mission. The U.S., China, the Russian and German space agencies, the Canadian Air Force, and even some guys from South America are involved. We, the people of Earth, have come together to undertake this incredible task. The crew is working exceptionally well together, and so far, the mission is on track, with not so much as a light bulb dying out. The mission is headed by the best captain the world could have asked for: Captain Ulysses Martin. He's a decorated soldier, pilot, and quite an accomplished astronaut. His second in command, or his XO (Executive Officer), is Cydnee Morton, one of the U.S. Air Force's best and brightest cadets. This ship has a massive mixture of brainpower and diversity, but only the best and brightest minds are fit for such an audacious task. The rest of the crew is a colorful bunch, blending like a well-knit high-thread-count microfiber blanket. As we go along, I'll introduce you to the rest of the crew, but right now, the task is calling and requires immediate attention.
By SanQuentez (iQ) Wingfieldabout a year ago in Fiction
