Cat slid the envelope into the back pocket of her jeans
and resisted the urge to smooth her hair. It wouldn't do any
good, anyway. In her better moments, she fancied the mass
of tumbled copper curls had a sort of Botticelli by way of
Titian look about it. On a bad hair day―and she'd had more
than her share―she thought it was more red mesh
scrubber after a trip through the garbage disposal. Either
way, she'd learned that there wasn't a whole lot she could
do to influence things.
***
Twenty minutes later, Cat stood on the sagging front
porch and watched Devon and her soon-to-be husband
drive off down the long gravel driveway, on their way to
Minnesota or Michigan by way of Las Vegas. She wished
them luck. She was fairly sure Rick was going to need it.
She pulled the letter out of her back pocket and tapped it
absently against her thigh. Staring out at the haphazardly
landscaped yard, she considered her options. She could
wash her hands of the whole thing, pop the letter into a
mailbox and never give it another thought. But she wasn't
going to do that. Even if it hadn't been a love match, no one
should find out they'd been jilted in such an impersonal
fashion. She would go to see Luke, give him the letter, tell
him how sorry she was that things had worked out this way.
It was the right thing to do.
And wasn't it handy that doing the right thing gave her
an excuse to see Devon's ex-fiancé again?
There's nothing like falling in love at first sight. That
throat-tightening, heart-pounding rush of fear and
adrenaline, the sudden knowledge that
everything―everything is different now, that your life will
never be the same, that you will never be the same.
The first time Cat Lang fell in love, she was ten. She and
her mother, Naomi, were living in Nevada in a shabby old
house that had once been a brothel. Naomi was deep in her
oil-painting phase, and the attic apartment had what she
claimed was the perfect northern exposure. Cat liked the
banisters, which were good for sliding down, and the
tangled thicket of shrubs and weeds that masqueraded as a
backyard, but best of all was Albert Federman, who lived
with his aunt and uncle on the bottom floor. He was fifteen,
a tall, thin boy with white-blond hair and pale blue eyes.
She saw him for the first time the day she and Naomi
moved in.
They moved too often to have accumulated much by way
of household goods, but there were half a dozen boxes, as
well as an eclectic assortment of tote bags and two plastic
laundry baskets, all wedged into the back of a rust-pocked
yellow station wagon with fake wood sides. Naomi had
carried up one box and a tote before getting distracted by
the amazing play of light through the leaves of the big
sycamore that dominated the overgrown backyard. Cat left
her to her rapt contemplation and went back downstairs to
bring up another load. A veteran of more moves than she
could count, she knew that the sooner everything was
unloaded and put away, the sooner it would start to feel like
home. She was on her way up the cracked walkway, arms
straining with the weight of one of the laundry baskets,
when Albert came out the front door and offered to give her
a. hand.
She looked up at him, standing there with the sun behind
him, creating a halo behind his pale hair, his smile
revealing one crooked front tooth, and she felt her heart
just fall right at his feet. She knew, in that one instant, that
this was what true love felt like.
Maybe it had been. It had lasted all that summer, and
maybe―if Naomi hadn't decided that oil painting really
wasn't what she was meant to do after all, and Nevada was
just too crassly commercial to truly nurture her
spirit―maybe if they'd stayed, she and Albert Federman
would have lived happily ever after. But they'd moved to
Sedona, and she'd started school at a commune Naomi had
joined. Her broken heart had eventually recovered, and
Albert had become a sweet memory
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