6ix9ine Explains Why He Called Fat Joe A "B*tch": "I Stand On That"
The beef between 6ix9ine and Fat Joe continues, as Tekashi doubles down on his criticism of Joey Crack, calling his stories "cap."

This Hispanic on Hispanic hate resonates. Tekashi 69 and Fat Joe have been at odds with each other for years. The father of Internet interviews, DJ Vlad, prodded 69 to see why he called Joe a b*tch.
He simply replied by saying he’s been “leaning back for twenty years.” This whole feud has been fueled by Tekashi’s jabs at the Bronx veteran.
He even went as far as to quote the Bible saying the “truth shall set you free.” This is bizarre because his bars do not reflect those of the faith, much like other artists who use allusions from faith-based texts to clarify their points.
Tekashi is no different. His explanation is to keep egging on Joe. He claimed that “gangsters don’t troll,” He, though, is in a gang and has built up an entire career getting his troll on in the past.
His discrepancy with José Gordo is seemingly superficial but with Bloods in the streets, Joey seems to have not been on the attack…yet. Tekashi maintains that Fat Joe is a whole b*tch who doesn’t have the stamina to contend with him.
Vlad tried his best to get a clear, measured explanation from 69. He takes his position as seriously as he takes his colorful hairstyles and tattoos.
Once Vlad started to become a bit objective in saying that the “Gummo” record was bigger than “FEFE,” it appeared as if he strayed from the Joe concern.
If you look at the sit down, the best way to experience it is just to view it on a mobile device. All you need to do is listen to the young man bear record. The way that they’re exchanging ideas looks one sided.
Tekashi barely even imparts his reasoning for his hatred against Fat Joe. He took the time to look at his raps instead of going further into the matter. What you see is not what you get. The interview gave very little light to the idealism of the situation behind the feud.
History will show that the talk will be forever a touchpoint in Fat Joe’s life. He will have to be on the defensive every step because a man decades younger than him is trolling him.
The trouble is that there remain so many studio gangsters that have to go out of their way to prove they’re tough. Tekashi has the gumption to go after the hip hop heavyweight. That takes some doing. He could have easily just passed on the spat and kept it moving. Instead, he’s bringing himself up through the ranks with speed.
After all of his time in and out of jail, Tekashi should be focused on recreating his work and checking on his romantic relationships. He would rather talk bad about a legend in the game. With all of the flurry of hateful ideas lobbed at Joe, he deserves it for his position on November but this Latino on Latino hate is engrossing. It shows that brown on brown lyrical crime can be just as if not more entertaining than black on black spoken crime.
Rhymes will show with power the link between the feud and the two figures. This is a celebration of the vitriol expressed by the young Mexican-Puerto Rican rapper. The evocative sense that he delivers in his raps is that of aggression.
Out of the way of taking time to analyze the entire situation, there’s no question that Tekashi is a rabble rouser with little conscience. Fat Joe is a confused rapper who still doesn’t know how to deliver a classic or monumental album.
The both of them embroiled in this case only shows the way that they both have growing to do as men.
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Skyler Saunders
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