Originally from Maui, Hawaii, Joshua is a multi-award winning writer based in LA. He has written for Marvel, SciFutures, Motherboard, Geeks and is represented by Abrams Artist Agency.
Putting the 'F' in Sci-Fi
Writer / producer Rob Kutner is an Emmy-award winning writer who has worked on some of the most influential late night shows, including The Daily Show with Jon Stewart and Conan. Most recently he's made a foray into comedic genre fare with his book, The Future According to Me, which has 35 funny takes on what tomorrow might look like, and his graphic novel, Shrinkage, about the American president's brain being hi-jacked by aliens. I had the opportunity to chat with him and get his take about the intersecting worlds of comedy and science fiction.
Shrinkage: A Comedy Sci-Fi Epic by Rob Kutner
Comic book brethren, here's a new title that you must check out. Rob Kutner, five-time Emmy award winning writer of such iconic late night series as The Daily Show with Jon Stewart and Conan has teamed-up with artist John Lucas (Deadpool/X-Men) to create the dark sci-fi comedy epic, Shrinkage.
Into The Expanse and Beyond: A Conversation with Television Showrunner Naren Shankar
Naren Shankar has a long-running career in science fiction television. He's written for such critically acclaimed series as Star Trek: The Next Generation, SeaQuest DSV, Farscape, and The Outer Limits. Naren has also been a showrunner for CSI and currently serves as a showrunner for SyFy's The Expanse. Coming from a science-educated background, Naren has been able to help push real science in television shows. I had the opportunity to chat with him and get his perspective on the evolution of genre TV, his career, and all things The Expanse.
Where X Marks the Spot: An Interview with Steve Barnes
Steve Barnes is a writer, lecturer, personal performance coach and a killer philosopher. He has published more than 25 science fiction, fantasy and horror novels, including New York Times bestsellers. He’s been nominated for the Hugo, Nebula, and Cable Ace Awards. And he wrote the Emmy winning episode, “A Stitch In Time” for Showtime’s the Outer Limits. He’s also written for the New Twilight Zone, StarGate, Andromeda, and Ben 10. I got to sit with Steve to discuss his viewpoints on the state of the field, life, the universe, and everything in-between.
Interview with Trina Phillips, Chief Futurist at SciFutures
Trina Phillips is a writer, editor and one of the chief futurists at SciFutures, a company dedicated to helping companies bridge the gap between science fiction and reality, via ideation, prototyping and storytelling. Trina has been published in numerous science fiction publications, including Orson Scott Card’s Intergalactic Medicine Show, AE and Daily Science Fiction. I had the opportunity to sit with her to discuss her career, and the myriad of ways her company is helping to shape forthcoming technology.
A Conversation with Fabrice Giger, CEO of Humanoids
Fabrice Giger is easily one of the most influential trailblazers in the comic book world, yet many fans and professionals don’t know his story. In 1988, at the age of 23, he purchased Humanoids, Europe’s renowned comic book publisher. Since then he has worked with some of the industry’s most visionary legends, such as Jean Giraud (Moebius), Enki Bilal, Alejandro Jodorowsky and Ridley Scott, overseeing the development of cutting edge properties that have pushed the boundaries of the comic book medium and science fiction. The catalog he’s shepherded includes: The Incal, Metal Hurlant, The Metabarons and much more. Giger revolutionized the approach to how graphic novels are printed, treating each book as an individual work of art meant to stand out on the reader’s shelf. He has also made great strides in changing the rules of the industry. I had the opportunity to sit with him to discuss his legacy and the future of Humanoids.
Writers of the Future Volume 33 and Beyond
Last week I had the privilege of attending the 33rd Writers of The Future Awards Gala at the Ebell Theater in Los Angeles. Prior to Gala #32 last year, I grappled to determine whether attending would be worthwhile. This year, my attendance was a no-brainer. Why? Because last year's event changed the course of my writing career.
A big part of collecting science fiction novels is the thrill of the hunt. The fact that the books aren't always easy to find adds a game element to discovering and buying them. It can be quite satisfying, randomly stumbling upon a longed for publication, on sale for next to nothing. I still can't get over how books are practically given away these days. When I look at my bookshelves, sometimes I have to do a double take, because it's not just pages on those shelves, but authors' blood.