Wander logo

The Memorial to Heroic Self Sacrifice

An unusual memorial in an out-of-the-way corner of London

By John WelfordPublished 3 years ago 5 min read
1

The Memorial to Heroic Self Sacrifice was the brainchild of George Frederic Watts, a Victorian painter and philanthropist who thought that public recognition should be made of ordinary London people who had died while trying to save others. The Memorial can still be seen in London today.

George Frederic Watts

George Frederic Watts (1817-1904) was a very popular artist during his lifetime (a painter and sculptor) but he is not as highly regarded today. His works, many of which were portraits, were symbolic and allegorical and intended to give uplifting messages to their viewers.

He has been described as a philosophical artist and a “preacher in paint”, but the preaching, while striking a chord among his fellow Victorians, is less welcome in modern times. In his own words, he sought to “condemn in the most trenchant manner prevalent vices” and give “warning in deep tones against lapses from morals and duties”.

George Frederic Watts

Perhaps it was ironic that his first wife, the actress Ellen Terry who was 16 years old at the time of their marriage (he was 30 years older), did not share his high moral aspirations and eloped with another man only a year after the wedding!

A great admirer of royalty, Watts proposed his Memorial to Heroic Self Sacrifice as a contribution to the celebrations to mark the golden jubilee of Queen Victoria in 1887, but the idea was turned down at the time. It was not until 1898 that he was able to turn his idea into reality.

The Memorial to Heroic Self Sacrifice

The plan was to commemorate the selfless actions of ordinary people who had died while trying to save others. This would be done by placing ceramic plaques, giving details of their deeds, on a public wall where people could read what they had done.

A wooden loggia was designed by Ernest George, an architect and painter. The loggia provided shelter for anyone reading the plaques, for which space was made available for 120 of them.

Postman’s Park

The Memorial was placed in Postman’s Park, an open space in the City of London not far from St Paul’s Cathedral. This area was opened as a park in 1880, being the site of adjoining former churchyards. It takes its name from the fact that it was next door to the former General Post Office and workers from there used it during breaks from work.

Collecting the stories and mounting the plaques

George Frederic Watts was only able to start the project late in life, being in his 80s when the first plaques were made and mounted in the loggia. Indeed, at the time it was opened in 1900 there were only four plaques in place. By the time of his death in 1904 (at the age of 87) only another nine had been added.

Watts’s widow Mary (his second wife who was, like his first, more than 30 years his junior) then took on the role of commissioning the plaques.

Watts had spent many years collecting stories of self-sacrifice, and Mary’s task was therefore to work down his list and raise the funds to get the plaques made. These were initially made by William de Morgan, a well-known ceramicist. She also commissioned a memorial to her husband to be set alongside the plaques.

Unfortunately, De Morgan stopped making ceramics in 1907 and Mary Watts was forced to go to another supplier, namely Royal Doulton. These were not of the same quality or colour as the originals. Eventually, Mary Watts decided that she could not continue the project as she wanted to concentrate on building a chapel and gallery devoted to the memory of her late husband.

The Memorial is therefore unfinished to this day. Instead of 120 plaques there are only 54. Of these, three were added during World War I, one in 1927 and the final one in 2007, although later suggestions have been made. The original design allowed for five rows of plaques, but the top and bottom rows remain empty.

Some examples of the plaques

The stories told on the plaques clearly cannot be complete, and they are therefore frustrating in what they are forced to leave out. Even so, they say enough to make it clear that the people in question deserve to be commemorated.

Here are some examples:

William Donald of Bayswater. Aged 19. Railway clerk. Was drowned in the Lea when trying to save a lad from a dangerous entanglement of weed. July 16 1876

Mary Rogers. Stewardess of the Stella. Mar 30 1899. Self sacrificed by giving up her life belt and voluntarily going down in the sinking ship.

Henry James Bristow. Aged eight – at Walthamstow. On December 30, 1890 – saved his little sister's life by tearing off her flaming clothes but caught fire himself and died of burns and shock.

Daniel Pemberton. Aged 61. Foreman LSWR. Surprised by a train when gauging the line hurled his mate out of the track saving his life at the cost of his own. Jan 17 1903.

And the most recent plaque:

Leigh Pitt. Reprographic operator. Aged 30, saved a drowning boy from the canal at Thamesmead, but sadly was unable to save himself. June 7, 2007.

It has to be said that there is more than a little Victorian mawkishness and sentimentality about this Memorial, but even so it does commemorate real people who died while saving others, and their stories would almost certainly have been forgotten were it not for the efforts of George Frederic and Mary Watts.

europe
1

About the Creator

John Welford

I am a retired librarian, having spent most of my career in academic and industrial libraries.

I write on a number of subjects and also write stories as a member of the "Hinckley Scribblers".

Reader insights

Be the first to share your insights about this piece.

How does it work?

Add your insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment

    Find us on social media

    Miscellaneous links

    • Explore
    • Contact
    • Privacy Policy
    • Terms of Use
    • Support

    © 2024 Creatd, Inc. All Rights Reserved.