The Year I Learned to Give My Boy Some Sky
A mother in Krugersdorp makes room at the bottom of the garden, and watches her grown son find his feet again.
The Phone Call I Had Been Half Expecting
Andile phoned me on a Tuesday in March, and I knew from the way he said "Ma" that something had cracked. He is thirty-one, my only son, and he had been doing well at a logistics firm in Roodepoort. Then the retrenchment letters went out, last in, first out, and my boy was on the wrong side of that line. He tried to keep his voice steady on the phone. I could hear him failing at it. I told him what any mother in this country would tell her child. Come home. We will sort it out.
I live in the same house in Krugersdorp that his father and I bought in 1996, the year before Andile started crawling. It is not a big house. Three bedrooms, a kitchen that fits two people if they like each other, and a garden that his father used to be very proud of before he passed in 2018. So when Andile arrived with his life packed into a bakkie, boxes of clothes and a computer and a guitar he had not played in years, we both understood, without saying it, that the house was going to feel very small very quickly.
And it did. Within a month we were tripping over each other. I would come home from my shifts at the clinic, tired down to my ankles, and there he would be at the kitchen table with his laptop, his shoulders up around his ears, sending out applications that got no reply. A grown man sleeping in the room he had as a teenager, with the same wardrobe and the same water stain on the ceiling. It does something to a person. He started apologising for everything. Sorry for the dishes, sorry for the noise, sorry for being here. I hated that word coming out of him. Sorry. As if he were a lodger who had overstayed.
The Idea That Came From the Neighbour's Fence
The thing that changed everything was a small thing. My neighbour Rina had one of those timber structures at the back of her plot, a little cabin she used for her sewing. One afternoon over the fence she was telling me how her son-in-law had put it up in a weekend, and how she now had a room of her own that nobody bothered her in. I stood there with my tea going cold and something clicked in my head so loudly I almost heard it.
The bottom of my garden was doing nothing. His father's old vegetable patch had gone to weeds and dry grass. There was space back there, past the lemon tree, where the afternoon sun came in soft and gold. What if Andile did not need a bigger house. What if he needed his own four walls that were separate from mine. A door he could close that was his to close. A place to be a man in, not a boy back in his mother's box room.
I did not tell him at first. I sat at that same kitchen table one night, after he had gone to bed, and I started looking. I found a wendy house for sale in a size that would fit the patch of ground I had in mind, and I sat there doing sums on the back of an electricity bill, working out what I could manage from my savings. It was not nothing. But I thought of my boy apologising for existing in his own family home, and I decided the money was the easy part.
Putting It Up
The day it went in, I took leave from the clinic. Andile still thought I was just clearing the old vegetable patch, and he came out to help me pull weeds, which is how I wanted it. Two men arrived in the morning and started laying the base, and I watched my son slowly work out what was happening. He kept looking from the timber to me and back again. "Ma," he said, "what is this." I told him it was his. Not a favour, not charity. His own space to work and sleep and think, so that neither of us had to keep saying sorry in our own home.
It went up faster than I believed possible. There is something quietly moving about watching walls appear where that morning there had been only grass. By late afternoon the wendy house stood at the bottom of the garden with its little pitched roof and a window facing the lemon tree, and Andile stood in front of it with his hands on his hips, not saying anything at all. My boy who apologised for everything had gone completely silent. When he finally spoke, all he said was, "It smells like new wood." Then he went inside and looked out through the window at the house, at me, and I saw his eyes were wet and I pretended not to.
That first evening he ran an extension lead down from the house and carried his mattress across the grass. I stood at the kitchen sink watching the light come on in that small square window in the dark. I cannot properly explain what that light did to me. It was as though a part of my chest that had been clenched since March finally let go.
What the Little Room Became
It started as somewhere to sleep. It became something much bigger than its timber walls.
Andile painted the inside himself, a warm grey, over a long weekend. He put up a shelf and a proper desk. He hung a curtain his aunt sewed. The guitar that had sat in its case for years came out and got tuned, and in the evenings I would hear him playing through the open window, badly at first, then not so badly. He set his laptop up on the desk and, with a door that closed and quiet that belonged to him, the job applications changed. He told me he could think out there. He could hear himself. Within a few months he had started doing freelance work, small logistics consulting jobs, sitting at that desk with the lemon tree tapping the window when the wind came up.
Some evenings I would take two cups of coffee down the garden path and knock on his door like a visitor, and we would sit and talk in a way we never managed in the cramped kitchen. Out there we were two adults. Not a mother fussing over a son who had failed. Just my Andile and me, in the good gold light, talking about his father and the business he wanted to build and whether the lemon tree needed pruning. I learned things about my son in that little room that I had never known in thirty years under the same roof. I think you sometimes have to give a person space before they can come close.
By the end of that year he had two steady clients and was talking about renting his own place. I felt the pull of two things at once, wanting him to fly and wanting that window lit up in the dark forever. When he did eventually move to a flat in Randfontein, he hugged me at the gate for a long time and said, "Ma, you gave me a room, but you actually gave me back to myself." I keep those words folded up somewhere safe.
The Garden Now
The little structure still stands at the bottom of the garden. I use it now. I moved an old armchair in, and I read out there on Sunday afternoons with the door open and the smell of that timber still faintly in the wood. Rina laughs at me over the fence because now I am the one with a room of my own that nobody bothers me in. Half the plots on our street seem to have gone the same way over the years, these quiet timber wendy houses tucked behind the main house, and I understand now what they really are. They are not sheds. They are room for a family to breathe.
Andile visits most Sundays. He walks straight down the path to his old room out of habit, and we sit there with our coffee, and every now and then he runs his hand along the desk he built. Losing that job was one of the hardest things that ever happened to my boy. But I will always believe that the year he spent putting himself back together at the bottom of my garden, in a room that smelled of new wood and possibility, was the year he grew all the way up. And I got to watch it happen from my kitchen window, one lit square at a time.
About the Creator
Josh Maraney
Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years
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