The Winter I Learned to Read a Newspaper Through a Bedsheet
Eleven rooms, one dying tumble dryer, and everything I got wrong about running a guesthouse in Clarens
Six in the morning, and I am arguing with a machine
It is minus two outside and not much warmer in the laundry room, because the laundry room is a converted stoep with a roof on it and the previous owner clearly believed that people who wash things do not feel cold. I am in a jersey that used to be my husband's, and a beanie, and slippers with a hole where my right big toe has staged a slow escape. The tumble dryer is making a noise I have started calling the death rattle, a sort of dragging clatter, like someone rolling a marble around inside a biscuit tin. It has been making that noise for a month. Every morning I switch it on and it clatters and every morning I think, today. Today it goes. And then it finishes the cycle, because it is a machine of enormous spite, and I forgive it, because the alternative is a phone call and money.
I am holding a sheet. It is a fitted sheet from Room 4 and I am holding it up to the bare bulb the way you hold up a slide, and I can see the bulb through it. Not a glow. The actual filament. If I had a newspaper I could read the sports pages through this sheet, and I would probably find out that the Cheetahs had lost again.
This is what I do at six in the morning now. I stand in a cold room and diagnose textiles.
What I thought this job was
Fifteen months ago I was a hospital administrator in Bloemfontein. I did rosters and procurement and I was quite good at telling doctors things they did not want to hear. Then my brother in law, Dawie, who is married to my sister and has never in his life had a small idea, phoned me and said the guesthouse in Clarens was going. Eleven rooms. Sandstone. The owner was emigrating to Perth and wanted out fast and cheap and could we not, Marisa, could we not just look.
We looked. That was the mistake. You do not look at sandstone in the late afternoon in autumn, when the whole town goes the colour of apricot jam and the Maluti mountains sit there behind it looking like a painting somebody's aunt did on a good day. You are not making a business decision at that point. You are having a feeling.
So I signed. And I made a list, because I am a list person, and my list said: breakfast, coffee, fresh flowers, be charming, know the good hiking routes, remember people's names. I genuinely thought that was the job. I thought running a guesthouse was hospitality in the way it is shown in magazines, a nice woman in a linen apron gesturing at a view.
It is not. Running a guesthouse is a water heating and textile management operation with a small food service attached. Everything else is decoration. I do not say that bitterly. I say it the way you say a fact you have learned with your hands.
The pillowcase
Four months in, we got a review. Four stars, which is fine, four stars is fine, except that the woman wrote, in a tone of gentle sorrow, that the room was lovely and the breakfast was lovely and the owner was lovely, and then: the pillowcase was slightly grey.
I want to explain what that does to a person at half past ten at night with a glass of wine. It is not anger. It is a very specific, very hot shame that starts at the sternum. Because she was right. I went upstairs and I pulled a pillowcase off a pillow and I put it next to a new one I had in the cupboard, and the difference was not subtle. It was the difference between a page of a book and the mug ring on the page of a book. I had been looking at those pillowcases every single day for four months and I had stopped seeing them. That is the thing nobody warns you about. Your eyes adjust. You go blind to your own place.
Dawie's response was to say it was one review and to offer to buy bleach. I explained, in language my sister has asked me not to repeat, that bleach was how we got here.
Two hundred washes
Here is the education I did not ask for.
The sheets we inherited, and the sheets I first bought to top up, were beautiful in the shop. Soft. Big thread count number on the packaging, which I now know is a number that means about as much as a horoscope. They felt like the sheets in a picture of a bedroom. And they died. Not dramatically. They went thin at the middle, where hips go, and they went that dishwater colour, and the corners of the fitted ones lost their elastic and started sitting on the mattress like a shower cap on a wet dog.
Because a sheet in a house gets washed, what, forty times a year? Fifty? A sheet in an eleven room guesthouse in a town where people come for long weekends gets washed, and washed hot, and washed with something aggressive in it, and tumbled, and folded, and shoved into a cupboard, and pulled out again, maybe two hundred times before I would even consider retiring it. Two hundred. That is a different life. That is not a sheet, that is an athlete.
I did not know that a fabric could be built for that. I honestly did not. I thought nice was nice and that was the only axis. It took me a humiliating amount of time and a spreadsheet to understand that what I actually needed was a thing engineered to be boring for years, and that the people who make those things and the people who make the sheets I was buying were not in the same business at all. That was the week I started properly reading about hotel linen suppliers at one in the morning instead of sleeping, which is the sort of glamour nobody puts in the brochure about owning a guesthouse in the mountains.
Bethlehem, and a cold floor
Our washing machine could not carry us and the dryer was dying, so for a while we drove to an industrial laundry in Bethlehem, an hour there and an hour back, with the bakkie full of bags. And that drive is where I got quiet enough to think.
You walk into a place like that and you see the scale of what you are amateur at. The machines are the size of a small car. Everything is counted. Everything is tracked. Nobody in there is having a feeling about apricot coloured sandstone, they are moving weight through water and heat, and the whole logic of the room is that a sheet is a unit that must survive a process.
I came home and I sat on the floor of the linen cupboard, actually on the floor, on the cold cement, with my back against the shelf, and I counted. Every sheet. Every pillowcase. Every towel. Sorted into keep, kill, and questionable. I found duvet covers I did not know we owned. I found a towel so stiff it could have been used as a weapon. It took me the better part of a day and my knees have not forgiven me, and at the end of it I had a number, and the number was awful, and it was the first true thing I had known about my own business.
Because until then I had been buying like a person furnishing a house. Two of these. Three of those, they were on sale. Ooh, these are pretty. And what you actually need is threes. Three sets per bed. One on, one in the wash, one on the shelf. Eleven rooms is not eleven sets, it is thirty three, plus the ones that die, plus the extra for when a child is sick in the night, which happens more than you would think. That is when the phrase hospitality linen stopped sounding to me like a category on a website and started sounding like a whole way of thinking that I had been too proud or too ignorant to learn.
Why hotels buy the way they buy
I used to think big hotels had boring white bedding because they had no imagination. I now know that they have boring white bedding because white can be treated, and because a stack of identical things is a stack you can count and replace and rotate, and because when everything matches you can lose one without losing the set. Every single thing I once read as a lack of taste turns out to be a lesson somebody learned the hard way, probably also on a cold floor at eleven at night.
It is the same instinct I had in the hospital, honestly. In procurement you do not buy the pretty thing. You buy the thing that will still be doing its job in four years when everyone who chose it has left. I had that discipline for a whole career and I dropped it the second the building was mine, because the building was mine, and I wanted it to be lovely.
I told my sister this on the phone and she said, dryly, that it was nice to see me becoming a person who has opinions about towels. Her dog, Bruno, a fat and morally bankrupt beagle, spends his holidays here and has personally shortened the life of at least one duvet cover by deciding that Room 7 belongs to him. I have stopped fighting it. I have designated a Bruno blanket. This is what growth looks like.
Late arrivals
The guests who come over the Golden Gate road in winter always arrive later than they said they would. Always. They stop for the light on the cliffs, that ridiculous gold that comes off the rock at the end of the day, and they take photographs, and then it is dark, and the road is not a road you rush in the dark, and so they get here at half past seven with cold hands, apologising.
And I have realised that the entire first thirty seconds of their stay is a texture. It is the warmth in the passage. It is the mug. And, hours later, it is the moment they get into a bed. They will never once compliment me on the sheets, and they should not, because the highest praise a sheet can receive is silence. Nobody thinks about the bed unless there is something wrong with it. My whole job is to prevent a thought.
That is the strange thing about doing this properly. Success is invisible. Failure is a woman in Gauteng typing the word slightly grey into a phone at an airport.
The bed at dusk
The dryer did eventually die, in June, mid cycle, with a bang. Dawie stood over it like a man at a funeral and then said, well. We replaced it. We also, finally, did the thing I should have done in month one, which was to stop buying sheets like a housewife and start buying them like an institution, and to talk to actual Linen Suppliers instead of whichever shop I happened to be walking past, Linen Suppliers being a phrase I would once have found unbearably dull and now find quite soothing.
Yesterday evening I finished Room 3 late, on my own, everyone else gone. The light was doing its thing on the sandstone outside, going from honey to rose to that flat blue that means it is about to get properly cold. I did the last corner of the bottom sheet, the tug that makes it go tight, and then the duvet, and then the pillows, two flat chops with the side of my hand to make the dent in the top.
And I stood there in the doorway with the room going dark and the bed sitting there white and square and quiet, and there was no one to see it except me. It looked like nothing. It looked like a made bed.
I turned off the light and I went down to see what there was for supper.
About the Creator
Josh Maraney
Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years
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