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The Krugerrands I Kept for Thirty Years Became a Desk and a Hostel Bed

The firm gave them to me as a thank-you, and I gave them to my granddaughter as a start.

By Josh MaraneyPublished about 8 hours ago • 7 min read
The Krugerrands I Kept for Thirty Years Became a Desk and a Hostel Bed
Photo by Sharon Pittaway on Unsplash

Forty-one years at one address

I gave the better part of my life to a factory off the Main Reef Road, west of the Johannesburg city centre, where they pressed and finished metal parts for mines and for farms, and I started there at twenty-four when I still believed a job was a thing you held once and did not let go of. I stayed forty-one years. I knew the smell of cutting oil the way some men know the smell of a particular rain. I knew which machine groaned before it failed, and which foreman took sugar in his tea, and which gate guard would wave you through if you were five minutes late because his own train had been late too.

People hear a number like forty-one and they think it must have been dull. It was not dull. It was a marriage. There were years I was angry at that place and years I could not have left if you had paid me double somewhere else, and in the end I did the thing you do in a long marriage, which is simply to stay, and to let the staying become its own kind of love. When I finally handed back my locker key, my hands did it slowly.

A thank-you I did not know what to do with

Near the end, when they knew I was going, the owner, an old man himself by then, called me into the office that still had the same filing cabinets from the seventies. He gave me a small flat box. Inside were Krugerrands, a little set of them, each in its own clear sleeve. He said something short and decent about my years, shook my hand with both of his, and that was that. No speech. He was not a speech man and neither am I.

I want to be clear, because people assume these things. Nobody died and left them to me. No relative pressed them into my hand at a funeral. They were given to me, for my own work, by the men I had worked for, and that difference matters to me more than I can properly say. They were wages turned into something that would not spoil. They were, I suppose, the only medal a factory knows how to give.

I did not spend them. I did not even really think of them as money. I drove them to the bank, put them in a safe deposit box, and for the better part of thirty years I paid the small annual fee to keep them sleeping there. Once in a while, maybe every second or third year, I would go in and open the box and hold them. I did not count them for their value. I held them the way you hold a photograph of yourself when you were young and strong, to check that it was all still true.

The weight of a thing you earned

There is a particular feeling to a Krugerrand in the palm that I have never managed to describe to my wife. It is small and it is unreasonably heavy for its size, and when you close your hand around a few of them they settle against each other with a soft dull sound, not a ring, more a nudge. That weight always sent me straight back to the factory floor. To the particular ache in my lower back after a double shift. To the pride, which I will not pretend I did not feel, of being a man who made actual objects that went out into the actual country and did actual work.

So they were never spending money to me. They were proof. And a man does not like to spend his proof.

My granddaughter, and the letter that came

Then Lerato got in. My granddaughter. She is the first in the whole family who will go and study properly, and she worked for it in a way that shamed me a little, because I never had to be that clever to get my start, I only had to be willing. The acceptance came and we were all around the table shouting, and then a week later the fees came, printed on a page, and the shouting in the house got quieter.

The numbers were real. Registration, tuition, a residence bed near the campus because the daily taxi trip from our side of Johannesburg would eat her alive. Her mother was already doing sums out loud at night that did not come right no matter how she arranged them. And I sat in my chair and I thought about a flat box asleep in a bank vault across town, and I felt the two things at once: a lift, because I could help, and a small childish grief, because helping meant letting the proof go.

I decided in the end that proof kept in a box helps nobody. A desk she can sit at, a bed she can sleep in, a safe room near her lectures, those are a better monument to forty-one years than a few Krugerrands no one but me would ever hold.

Working out where a man actually does this

What I had not reckoned on was how little I knew about the practical side. I had kept gold for thirty years and never once sold any. I did not want to be foolish about it, not with Lerato's year resting on it, so I did what my generation does now, which is I sat with my reading glasses and a cup of coffee and I went looking, slowly, the way I used to read a technical manual. I wanted to understand the thing before I did the thing.

I read about how the price moves day to day, which I had genuinely never considered, because to me a Krugerrand was a Krugerrand. I read a long patient page about Where to Sell Krugerrands that laid the Johannesburg options out plainly, and I read it twice, once fast and once with a pencil, underlining the parts that mattered to a careful old man who does not like surprises. I learned the words people use. I learned that you can and should ask questions, and that asking is not rude.

I am a suspicious sort by nature, the way you become when you have watched a company you loved tighten its belt a hundred times. So I did not take the first thing I saw. I made a short list in my own handwriting. I noted which places were actually in the city and reachable for a man who no longer loves driving after dark, and I even typed the plain honest phrase Where to Sell Krugerrands Near Me because near me is a real concern when you are sixty-seven and the traffic on the highways has become a younger man's sport.

The morning I took them out

The day I went to the bank to empty the box, I took my time. I signed the register with the same pen I always use. I slid the box out, opened it on the little counter they give you for privacy, and I laid each Krugerrand out in a row, and I just looked at them for a minute longer than I needed to. I thought of the owner's two hands around mine. I thought that he was almost certainly dead by now, and that he would not have minded this at all, that in fact a man who turned a factory into a family would have liked knowing his thank-you became a girl's education.

I did not sell them that same day. I am not built that way. I went home, I slept on it, and over the following week I compared properly, because when you are handing over something that stood for your whole working life you want to feel, afterward, that you did it with your eyes open. I wanted to be sure I had found, in my own cautious judgment, the Best Place to Sell Krugerrands for my own particular situation, an old man, a small set, a granddaughter's deadline, and a need to feel respected rather than rushed. When I finally did it, it was quiet and it was quick and there was no drama, which is exactly how a serious thing should be.

What the Krugerrands became

The money went where I promised myself it would go. It paid the registration. It paid a good part of the first year. It put her in a residence bed a short walk from her lectures instead of two taxis and a long worried walk in the Johannesburg dark. I did not tell her the whole story of where it came from, not at first. I only told her that it was from my working years, which was the complete truth.

On the day we moved her in, I carried her boxes up a narrow staircase, and my back told me its old factory complaints the whole way, and I did not care one bit. I set a box down on her new desk and I stood there a second too long, and she asked me what was wrong, and I said nothing was wrong, that it was the opposite of wrong.

I had spent my proof, and it turned out proof was never the point. The point was a girl at a desk, with a lamp on, late, doing work that no machine on any factory floor I ever knew could do. That is the better medal. I earned the Krugerrands with my hands. She will earn something larger with her head, and some small heavy part of that will always, quietly, have been mine.

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About the Creator

Josh Maraney

Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years

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Written by Josh Maraney