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The Flat in Sandringham Where I Learned to Cook for One

Thirty-four years old, one packed kettle, and a kitchen that echoed until I filled it

By Josh MaraneyPublished 3 days ago 5 min read
The Flat in Sandringham Where I Learned to Cook for One
Photo by Sharon Pittaway on Unsplash

The Morning the House Was Not Mine Anymore

I moved out on a Tuesday because Tuesdays felt like nobody was watching. Erin took the couch, the good knives, and the dog, which was fair, because the dog had always been hers first and had only ever tolerated me. I took my clothes, a box of books, the kettle, and a strange, floating feeling that I had misplaced my own life somewhere between the lounge and the front gate. We had not shouted. That was the worst part. Seven years just quietly ran out of road, and one of us had to be the one to say it out loud.

I am not going to pretend I had a plan. I drove to a friend's place in Orange Grove and slept on an air mattress for eleven nights, and on the twelfth morning he made me coffee and said, kindly but clearly, that a grown man could not keep living on the floor of another grown man's study. He was right. I had been treating the whole thing like a bad weekend that would sort itself out. It was not going to sort itself out. I had to go and build somewhere to live.

Looking at Places With a Head Full of Fog

Flat hunting when your heart is somewhere in the recycling is a special kind of exhausting. I looked at a place in Bez Valley with a bathroom you could touch all four walls of at once. I looked at a place near Cyrildene that smelled of somebody else's cigarettes and old carpet. Everything was either too dear or too sad, and after a while the two started to feel like the same thing.

A colleague of mine, Nomsa, had moved a couple of years back and she said the thing I needed to hear. Stop looking for a bargain, she said, and start looking for somewhere you will not dread coming home to. She had settled in Sandringham and kept talking about how ordinary it was in the best way. Trees. Older buildings. People who greeted you at the postboxes. She sent me a link to some Sandringham rentals she remembered from her own search, and told me to just go and stand in one and see how my shoulders felt.

That is a strange piece of advice until you try it. I went and stood in a one-bedroom on a quiet street, and my shoulders did something they had not done in a month. They dropped about two centimetres. There was afternoon light coming in low across a plain wooden floor, and a kitchen just big enough for one person to be slightly clumsy in. I signed before I could talk myself out of it.

The First Night, and the Sound of Nothing

Nobody warns you about the noise of an empty flat. There is not any. I lay on a mattress on the floor that first night and the silence was so total it had a texture. No dog claws on tiles. No Erin turning pages. Just me, a ceiling I did not recognise, and the low hum of a fridge I would come to think of as company.

I got up at some point and made tea in the dark, because that is what I do when my head will not settle, and I stood at the window holding the mug with both hands. Down the road a security light clicked on and off. Somewhere a car gate rolled shut. I remember thinking, very clearly, this is mine now. Not ours. Mine. It was terrifying and it was also, if I am honest, the first clean breath I had taken in a long time.

Learning to Feed Myself Again

The part that undid me was cooking. For seven years I had cooked for two, and my hands did not know how to stop. The first week I made a pot of bolognese big enough for a rugby team and then ate it, grimly, for six days. I bought a loaf of bread that went green before I was halfway through it. I stood in the shop holding a butternut, doing the maths of a single mouth, and had to put it back because I could not picture eating all of it before it turned.

So I taught myself, slowly, to cook for one. Small pans. One chop. A single egg in a lot of good butter. I started actually tasting things instead of just producing them. A neighbour two doors down, an older Portuguese woman named Dulce, caught me struggling with my recycling one evening and, over the next month, kept appearing at my door with small bowls of things. Rice with peas. A bit of fish. She never made a thing of it. She would just say, too much for me, and hand it over, and I understood exactly what she meant, because I had been making too much for me too.

The Building Became a Kind of Village

I had braced myself for anonymity. What I got was the opposite. There was the couple upstairs who argued about parking and then laughed about it. There was a young guy who ran every morning at some ungodly hour and always lifted a hand at me if I was up. There was Dulce and her bowls. I had assumed that living alone meant being alone, and it turned out those were two completely different things.

When my sister was looking to move closer to town a few months later, I found myself doing for her exactly what Nomsa had done for me. I sent her some listings for apartments to rent in Sandringham and told her, in almost the same words, to go and stand in one and pay attention to her shoulders. She laughed at me. Then she did it. Then she moved in three streets over.

What the Quiet Taught Me

It has been a bit more than a year now. The flat is properly mine in the way a place becomes yours only after you have been sad in it, and then bored in it, and then, eventually, happy in it. There are pictures on the walls that are only to my taste. There is a chair by the window that is exactly where I want it, because nobody else has a vote. I still miss the dog. I will always, a little, miss the version of my life that did not work out. But I do not dread coming home, and after that Tuesday, that felt like an impossible thing to ask for.

People assume that a place like this is a stopgap, a waiting room between one real life and the next. I thought that too, at the start. I have stopped thinking it. When friends going through their own quiet endings ask me where to even begin, I tell them to look at the ordinary streets first, the ones with trees and postboxes and neighbours who notice you. I still send them toward the same Sandringham Apartments that got me on my feet, not because the building is remarkable, but because the ordinariness is the point. You do not need somewhere impressive when your life has just fallen over. You need somewhere your shoulders drop.

I made a small supper last night. One pan, one plate, and I sat by the window to eat it while the security lights came on down the road. I did not feel like I was waiting for anything. I just felt like I was home, which is the whole story, really, and took me a year and one small flat to learn.

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About the Creator

Josh Maraney

Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years

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Written by Josh Maraney