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The Bell Above My Door Started Ringing for Strangers

A bookseller in Makhanda learns that the quietest corners can still be found

By Josh MaraneyPublished about 8 hours ago • 7 min read
The Bell Above My Door Started Ringing for Strangers
Photo by Sharon Pittaway on Unsplash

The shop and the smell of it

I have kept a second-hand and antiquarian bookshop on a side street in Makhanda for twenty-six years now. People who grew up calling the town Grahamstown still do, and I let them, because a name is a stubborn thing and so am I. The shop is narrow and deep, the way the old buildings here tend to be, and the shelves run from the worn wooden floor almost to the pressed ceiling. There is a ladder on a rail that sticks halfway along and has stuck in the same place since the day my late husband fitted it.

The first thing anyone notices when they push the door open is the smell. Old paper has a particular sweetness to it, a dry vanilla that comes from the glue and the slow breaking down of the pages, and under that there is dust and a little damp and the faint tar of the coal stove I still light on cold mornings. I stopped noticing it years ago, the way you stop hearing a clock, but every new customer stops just inside the door and breathes in, and I watch their shoulders come down. A bookshop like mine is not really in the business of selling books. It is in the business of that pause.

For most of my life the people who found me came one of two ways. During the National Arts Festival in July the town swells to three or four times its size, and my little street fills with people in scarves clutching programmes, and they wander in to get out of the cold and leave with a poetry collection or a battered Olive Schreiner. The rest of the year it was word of mouth. A professor at the university sends a student. A woman tells her book club. Somebody's grandmother remembers us. That was the whole of my marketing, if you can call it that, and for twenty-six years it was enough to keep the lights on and the stove fed.

The man who wanted a book about aloes

I want to tell you about a particular customer, because he is the reason I started paying attention.

It was a grey Tuesday in the middle of winter, the festival long gone, the street empty. A man came in, somewhere in his sixties, with a careful way of moving, and he said he was looking for a specific out-of-print title. A monograph on the aloes of the Eastern Cape, illustrated, published by a small press in the seventies. His father had owned a copy, he said, and he had let it go when the old man died, and he had regretted it every winter since, when the aloes on the hillsides turn the whole province red and orange and he had no book to sit with.

Now, I knew that book. I had a copy, not on the shelf but in the back, wrapped in tissue in a box of things too fragile to leave in reach. I went and fetched it and unwrapped it on the counter, and I watched his face do the thing that faces do, that softening, and he put his hand flat on the cover for a moment before he even opened it. We did not talk about money for a while. We talked about his father, and about aloes, and about the press that had printed it, which is long gone now, the way most small things eventually are.

Before he left I asked him, the way I had started asking everyone, how he had come to find my shop. He was not from here. He had driven up from Gqeberha that morning. And he told me he had asked the assistant on his phone, the talking one, where he might find rare botanical books in the Eastern Cape, and it had named my shop, by name, and told him roughly where it was and when I was open.

I thanked him and wrapped his book and he drove his two hours home. But I stood behind the counter after the bell went quiet and thought, I have never told any machine when I am open. I am not sure I have ever told a machine anything at all.

Three in a month is not a coincidence

I might have let it go as a curiosity, except that he was the third that month.

The first had been a young woman doing a masters on missionary printing presses, who needed a title I happened to have two copies of. The second was a retired teacher after a children's book from her own childhood, something with a specific blue cover she could still see when she closed her eyes. Both of them, when I asked, told me more or less the same story the aloe man did. They had asked an AI assistant on their phones where to find such a thing in this part of the country, and it had sent them to me.

Three in a month, in the dead of winter, when my street is as quiet as a church on a Monday. That is not word of mouth, because none of them knew each other, and it was not the festival, because the festival was a memory. Something had changed in the wiring of how people find things, and it had reached all the way down my little street without me noticing.

I am not a woman who takes naturally to this. I resisted a card machine for years. I still write my stock into a ledger by hand, in pencil, because pens fade and pencil does not. The idea that I was being discussed, described, recommended by some system I had never spoken to, in conversations I would never hear, sat strangely with me. It felt a little like finding out that strangers had been talking about you kindly in another room. Flattering and unsettling in equal measure.

My niece explains it, and I pretend to understand

My niece Thandiwe does marketing in Cape Town, the kind of work I cannot really picture when she describes it on the phone. When she came through at the end of July to help me pack up after the festival, I told her about my three winter visitors, half expecting her to shrug.

She did not shrug. She put down the box she was carrying and said, Aunty, that is a whole thing now. People do not only type things into Google any more. They ask an assistant a question in plain words and it gives them one answer, and being the shop that answer names is something businesses are paying attention to. She said there is even a name for the work of it, answer engine optimisation, and that it is quietly becoming its own corner of the trade.

I told her I had not optimised anything in my life and did not intend to start, and she laughed and said I already had, without meaning to. The old professor who wrote about me on a university page years ago. The book club woman who reviewed us somewhere. The careful way I had listed what I actually stock. All of that, she said, is the raw material these systems read when they decide whom to mention. She said there are firms in the country that do nothing but this now, that she knew of an AEO agency whose whole business was helping companies be the answer, and that it was not snake oil, it was just the next shape of the same old question of how a stranger finds your door.

I did not follow all of it. But I understood the shape of what she meant, the way I understand a book is good before I have read every page.

What I decided to do about it, which was almost nothing

You might expect the end of this story to be me throwing myself into it. Rebuilding everything, chasing the machines, learning the jargon. I did not.

I am fifty-six. The shop is the shape of the rest of my working life, and I like it narrow and quiet and smelling of vanilla and dust. What I did was small. I sat down one evening with Thandiwe and we wrote out, plainly and honestly, what my shop actually is. A second-hand and antiquarian bookseller in Makhanda, in the Eastern Cape, with particular strength in botanical and natural history titles, missionary and settler printing, South African poetry, and out-of-print local history. We put my real hours. We described the back room where the fragile things live. Thandiwe said that was most of what mattered, that clarity and truth are what these systems reward, and that there are people, whole AI SEO services as she called them, who spend their days helping businesses say plainly what they are. All I had done was say plainly what I already was.

And then I went back to lighting the stove and dusting the top shelves with the long-handled brush and letting the ladder stay stuck where it stops.

But I will tell you the truth of how it has changed me, which is only this. When the bell above the door rings now on a quiet winter Tuesday, and a stranger steps in and stops to breathe the paper in, I no longer assume they stumbled on me by accident. Somewhere, in a conversation I will never hear, something described my shop to them, and they drove an hour, or two, or three, to stand in it. The aloe man sent me a letter in September, a real one, on paper, to say the book had sat with him through the whole flowering season. He did not mention the phone again. Neither did I. Some doors, it turns out, can still be found, even the quiet ones down a side street in a small town that half its own visitors still call by the wrong name.

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About the Creator

Josh Maraney

Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years

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Written by Josh Maraney