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Rotten Reviews from Rotten Writers

A Look at Historically Horrible Reviews

By Stephanie HoogstadPublished 2 years ago Updated 2 years ago 5 min read
Top Story - August 2022
Rotten Reviews from Rotten Writers
Photo by Markus Winkler on Unsplash

I started my blog, The Writer’s Scrap Bin, to provide support to fellow writers, whether they are aspiring or well established, and build a community of writers that build each other up, not tear each other down. I’ve just never understood why we can’t help each other. We all have our own genres, styles, and niches, so why can’t we share readers and rejoice in each other’s success? Unfortunately, not all writers think that way, and not just in modern times. We’ve been jerks to each other for quite a while. The proof is in Pushcart’s Complete Rotten Reviews & Rejections.

Essentially, this book is a collection of famous writers’ worst–and most hilarious–reviews and rejections. It’s meant to show writers that even the best in our trade get rejected and reviewed poorly so that they don’t get discouraged. To me, it’s quite an entertaining read. Among the reviews from famous publications and rejections from well-known publishers are remarks on certain works and their authors from an unexpected source: fellow writers. Whether in letters, diary entries, or published reviews, it seems that writers have always loved to take the opportunity to tear each other down. A few stuck out to me strongly, and you’d be surprised as to the perpetrators of these rather scathing comments:

A cliché anthologist…and maker of ragamuffin manikins.

--Aristophanes on Euripides in The Thesmophoriazusae, circa 411 B.C.E.

First, I want to point out the date of that quote: 411 B.C.E. Yes, writers were ripping into each other even in Classical Greece. In this case, it was a younger playwright accusing one of his older contemporaries of being a “maker of ragamuffin manikins.” (That’s too funny, I just can’t get past it.) But where did such critiques get Aristophanes? Well, both are arguably still well-known, with Aristophanes called “The Father of Comedy” and “The Ancient Prince of Comedy” and Euripides considered one of the most prominent Ancient Greek tragedians who influenced the likes of William Shakespeare and George Bernard Shaw. Still, it’s worth noting that I had at least heard of Euripides before reading this book. Aristophanes, not so much.

Whitman, like a large shaggy dog, just unchained, scouring the beaches of the world and baying at the moon.

--Robert Louis Stevenson on Walt Whitman in Familiar Studies, 1882

Walt Whitman certainly took it in the shorts, even from fellow writers. Frankly, I’m not sure what to make of him being compared to an unleashed dog gone wild. Personally, I would take it as a compliment, considering dogs are among some of the best animals in the world, but I severely doubt that Robert Louis Stevenson meant it like that. In case you don’t recognize the name, Robert Louis Stevenson was the author of both Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde–an odd combination if I’ve ever seen one. He was also a poet with one of his most favorite collections being A Children’s Garden of Verses. Still, odds are that more people have heard of Whitman’s poetry than Stevenson’s.

By Ben White on Unsplash

It’s a shame you never knew her before she went to pot. You know a funny thing, she never could write dialogue. It was terrible. She learned how to do it from my stuff…She could never forgive learning that and she was afraid people would notice it, where she’d learned it, so she had to attack me. It’s a funny racket, really. But I swear she was damned nice before she got ambitions.

--Ernest Hemingway on Gertrude Stein in Green Hills of Africa, 1935

Ernest Hemingway, he was…quite the character. I won’t lie, my feelings about him are mixed at best. Was he a great writer? Absolutely. His mastery of minimalism and subtext is beyond compare. In fact, he’s my go-to for examples on how to utilize subtext in dialogue. He was also courageous and a real man’s man. Still, there is a strong argument–accompanied by a strong counterargument–that he was misogynistic. There’s no clear-cut answer to that, especially when you look at both his works and his personal life. His remarks on Gertrude Stein here really do not help the argument against him being misogynistic. To me, it seems like the knee-jerk reaction of someone who was butt-hurt that someone–a woman, no less–dared to criticize him. Writers aren’t the best when it comes to handling criticism, so it’s not surprising. It’s just rather unprofessional to attack another writer personally and in their art as a result.

It is of course a commonplace that Hemingway lacks the serene confidence that he is a full-sized man.

--Max Eastman on Ernest Hemingway in New Republic, 1933

For all that Hemingway dished out, he took more than a few gut-punches himself. Even when it’s not about a legendary “macho” man like Hemingway, comments like this one are both hilarious and incredibly cringe-worthy. Max Eastman was a lot of things–prominent political activist, poet, writer on literature, philosophy, and society–but he’s nowhere near as well known today as Ernest Hemingway. Still, such a personal attack on a fellow writer seems rather unnecessary. Of course, Eastman was also a staunch supporter of the Women’s Rights Movement and a founding member of Men’s League for Women’s Suffrage, so perhaps Hemingway’s possible-but-not-proven misogyny caused some tension between them.

It’s a sad truth: writers have always attacked each other, and it will continue for the foreseeable future. Sometimes, the cause will be a dislike or disapproval of each other’s work. Other times, it’ll result from political, theological, philosophical, social, or economic disagreements. Real and imagined slights, jealousy, misunderstandings–a lot of things, both major and minor, could make writers lash out at each other. Then there are those jerks who just can’t keep their opinions to themselves when they hate each other.

Whatever the reason, tearing each other down does not help anyone. At best, you’ll go down in history as one of the literary world’s biggest a-holes. At worst, it could destroy your own career. As funny as many of these rotten reviews from rotten writers are, they are still toxic. Read them, laugh at them, but also learn from them. Do you want to be featured in one of Pushcart’s future editions of this book as the rotten reviewer? Or would you rather build up fellow writers and, maybe, grow your friend circle and fan base along the way?

This article is a modified version of a post from my blog, The Writer's Scrap Bin. You can read the original version here.


About the Creator

Stephanie Hoogstad

With a BA in English and MSc in Creative Writing, writing is my life. I have edited and ghost written for years with some published stories and poems of my own.

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Support my writing: Patreon

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Comments (10)

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  • Joe Youngabout a year ago

    This, very interesting, post has just stirred in me a memory that I had a book full of writers' bitchiness towards each other. The only one I remember is that Orwell called Sartre a bag of wind.

  • Carol Townend2 years ago

    I think in writing, you have to accept the good with the bad and the ugly. During those times featured in your article, reviewers often reviewed in harsh ways, I guess that was how things were done in their times. Even in our times, critiques are everywhere, though what is important is more what you think of your own work. Writing for an audience is an important goal but writing for yourself is more important.

  • Tom Jardine2 years ago

    Good advice, cool examples. Thanks for sharing!

  • Gene Lass2 years ago

    One of my favorite authors is Dorothy Parker, who wrote many reviews. She famously hated "Winnie the Pooh" when it came out, noting, "Constant Reader frew up." She had not tolerance for perky people or cute things.

  • Kendall Defoe 2 years ago

    I read a book called 'Poisoned Pens' that covers the whole history of writers tearing each other a new one (some critiques are justified; others are just baffling). What a silly thing to do... Now let me tell you why I hate William T. Vollman...

  • Heather Lunsford2 years ago

    I think I need to read this book. Thank you for your very informative article. See how I got your point and used nice words. Sadly I think the invention of the comment section has made us as a society much less civil than any of our forefathers.

  • S. Redding2 years ago

    What a great article, encouraging civility and making me laugh. I love your examples. And I agree, Hemingway is indeed a difficult fellow, isn't he? Thank you for your insights and for the humor.

  • Rachel Deeming2 years ago

    Loved this article! I write reviews and I always try to be mindful of how I choose to write about the books I read - truthful to maintain integrity but constructive in my less complimentary comments. I do it with improvement in mind. I can take criticism - but it's all in the delivery.

  • marty roppelt2 years ago

    I didn't know there was such a compilation of writer reviews. Years ago, actress Diana Rigg did the same thing with actors and playwrights in a book called No Turn Unstoned. Most of the contemporary reviews were sent to her by actors in a spirit of good fun, though actors of generations past had no choice. Though a bad review can sting, it's helpful to remember that one person's opinion is just that, and nothing more.

  • Heather Hubler2 years ago

    This was a great article and such a good reminder to always strive to be a compassionate writer/reviewer :) Thanks for sharing! I plan to check out your website.

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