Journal logo

I Was Born in Soweto and Never Once Toured It Until My Niece Flew In From London

A stranger in the streets that raised me, walking Vilakazi with a girl who calls me uncle

By Josh MaraneyPublished 3 days ago 6 min read
I Was Born in Soweto and Never Once Toured It Until My Niece Flew In From London
Photo by Sharon Pittaway on Unsplash

The phone call that started it

My niece Naledi phoned me on a Tuesday night, the kind of Highveld evening where the sky goes bruised purple before the rain and everybody on our street starts pulling washing off the lines in a hurry. She was calling from London, where she has lived since she was nine, and her voice had that flattened vowel now, the accent of a girl who has spent more of her life beside the Thames than beside the Klip River. She said she was coming to South Africa for three weeks, and she wanted one thing from me. She wanted to see the real Soweto.

I laughed at her. I told her I was born in the real Soweto, that I have lived in Orlando East my whole forty-six years, that the real Soweto was the sound of my mother banging a pot at six in the morning and the smell of paraffin and the taxi guards shouting town, town, town. I said, you do not need a tour, my girl, you have an uncle. And she said, in that gentle way she has, Malume, then take me around properly. Show me everything. And I went quiet, because I realised I did not actually know how.

The shameful little secret of a born-and-bred boy

Here is the thing nobody outside admits about being from a place like this. You do not look at it. You live inside it the way a fish lives inside water, and you never once think about the water. I have walked past the Hector Pieterson memorial maybe a thousand times. I have caught taxis three streets from Vilakazi Street for decades. I have watched the cooling towers at Orlando get painted bright and turned into a bungee jump for tourists, and I never once climbed up to look. To me those towers were just the thing you saw on the way home, the landmark you gave when somebody was lost, the two fat fingers of concrete that meant you were nearly there.

My father worked in the mines and came home coughing. My mother sold vetkoek from a bucket outside the Orlando station to put my sisters and me through school. I remember the boycotts, the burning tyres, the Casspirs grinding up our road with soldiers standing in them like they owned the sky. I remember hiding under the bed with my little sister while my mother prayed loud enough to argue with God. All of that is Soweto to me. It is not a memorial. It is my knees on the cold floor and the smell of my mother's fear. So when Naledi asked for the real Soweto, part of me got prickly, because I thought, what does a girl from London know about real.

But I did not know how to walk her through it. I did not know the dates. I did not know which house was whose. I knew the feeling of the place in my chest, and I had no words to hand it to her.

Swallowing my pride and booking it

So I did the thing that made my cousin howl with laughter when I told him. I booked us onto a guided tour of my own township. I sat at the kitchen table with my phone, feeling like a fraud, and I looked up Soweto Tours the way a foreigner would, a man of Orlando East searching for directions to his own front door. My wife stood over the stove watching me and shaking her head. She said, you are paying somebody to show you the street you grew up on. And I said yes. Yes I am. Because my niece is worth me looking foolish.

The morning of, I put on a proper shirt like I was going to church. Naledi came down from my sister's place in a puffy jacket even though it was mild, because London has thinned her blood. We met the small group near Vilakazi Street. There were two Germans, a couple from Cape Town who had also somehow never been, and our guide, a young man from Diepkloof with a voice like a radio announcer and a way of walking backwards while he talked that I could never do without falling into a pothole.

Seeing Vilakazi Street like I had never lived there

I have to tell you what happened to me on that street, because I did not expect it. Our guide stopped us outside a modest house and started talking about the two Nobel laureates who had lived on the same road, and I felt Naledi grip my arm. She was looking at me to confirm it, and I, a man born four kilometres away, was hearing some of these details clean for the first time. Not the big famous facts. Those every child knows. It was the small things. The name of the shop that used to be on the corner. The reason a certain wall was built a certain way. The story of a woman who used to feed the marchers.

We drifted a little behind the group and Naledi asked me quiet questions between the guide's talking. Malume, is this where you played. Malume, did Gogo walk here. And I found myself telling her my own layer of it, the taxi ranks and the shebeens and the boy who used to sell green mangoes with salt, and I realised the tour was not replacing my memory. It was giving my memory a coat hanger to hang on. The official story and my private story were standing on the same pavement holding hands.

The memorial, and the silence that got me

Then we walked to the Hector Pieterson memorial, and I want to be honest that I nearly did not manage it. I have driven past that place my entire adult life with the radio on, not thinking. But standing there on foot, slow, with my niece reading every word out loud in her London accent, the weight of it came down on me. A boy of thirteen. My own age in 1976 when the world I knew caught fire. I stood in front of that photograph, the one everybody knows, and I felt my throat close. Naledi was crying without making a sound, the tears just running, and she reached for my hand the way she used to when she was small and we crossed the road.

A woman near us, another visitor, whispered that she had booked her Soweto Tour specifically for that memorial, and I understood then that people fly across oceans to feel for one afternoon what I had been numb to for forty years because it was simply my neighbourhood. I felt ashamed and grateful in the same breath. Ashamed that I had let the place go invisible on me. Grateful that my niece had cracked it back open.

The towers, and a lunch that tasted like childhood

We ended near the cooling towers, all painted bright now, kids from Cape Town screaming as they jumped off on the bungee cord. I told Naledi how those towers used to just mean home to me, nothing more, and now here they were dressed up like a carnival. She laughed and said they suited us, loud and stubborn and still standing. We ate at a place near Vilakazi, pap and vleis and chakalaka, and she ate with her hands the way my mother taught all of us, and for a moment the London fell off her and she was just a Soweto girl again with sauce on her fingers.

Over that food she said something I have carried since. She said, Malume, you think you brought me home, but you got to come home too. And she was right. I had spent my whole life inside these streets without ever once looking up at them.

What I would tell any other stubborn local

My cousin, who still teases me, has now quietly asked me for the details, because his brother-in-law is visiting from Australia in December. I sent him the same page I used, the listing for Tours To Soweto, and I did not even make a joke about it, because I finally get it now. Sometimes you need a stranger walking backwards on your own street to make you see the ground you have been standing on your whole life. I was born here. I raised my children here. And it took a girl with a London accent and a puffy jacket to teach me, at forty-six, how to look at Soweto with my eyes actually open.

advice

About the Creator

Josh Maraney

Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years

Enjoyed the story? Support the Creator.

Subscribe for free to receive all their stories in your feed.

Subscribe For Free

Reader insights

Comments

Josh Maraney is not accepting comments at the moment
Want to show your support? Send them a one-off tip.
Written by Josh Maraney