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Everything in the House Smelled of Smoke, Even the Gold I Never Wore

A kitchen fire emptied my days, and sorting what was left taught me what I had been carrying.

By Josh MaraneyPublished 22 days ago • 6 min read
Everything in the House Smelled of Smoke, Even the Gold I Never Wore
Photo by Sharon Pittaway on Unsplash

The morning the kitchen went up

I am sixty-two, and until this year I thought I knew exactly how my house smelled. Toast in the mornings, the geranium on the windowsill, the slightly damp corner by the back door that no amount of paint ever fixed. Then one Tuesday a pot of oil on the stove decided it had waited long enough, and in the time it took me to answer the front door to a delivery, the kitchen caught.

I will not pretend it was dramatic in the way films make it. There was no wall of flame. There was a terrible crackling, a heat I felt through the passage wall, and then smoke, thick and fast and the colour of a bruise. By the time the fire was out the kitchen was black, the ceiling above it was gone in one corner, and the whole small house had taken a long, deep breath of smoke and refused to let it out again.

Nobody was hurt. I keep saying that to people because it is the thing that matters and also because it is the thing that stops them asking the harder questions. The cat was outside. I was in the doorway. The kettle, oddly, survived. But a house is more than its people, and mine was wounded.

Waiting on the insurance, needing the cash

The insurance company was kind on the phone and slow in every other way. I understood it, even. There were forms, an assessor, photographs, a claim number I wrote on the back of my hand because I could not find a working pen in a house full of soot. They told me the structure would be covered. They did not tell me it would be covered quickly, and they certainly did not tell me how I was supposed to live in the meantime.

Because that is the part nobody warns you about. The walls will be fixed eventually. But I needed somewhere to sleep that did not smell of a chemical fire. I needed a kettle that was not the only working thing in a dead kitchen. I needed clothes that had not sat in a wardrobe breathing smoke, and a few weeks of rent on a small flat around the corner while men I had never met decided when my own home would be habitable again. All of that costs money now, not in the comfortable future when a claim finally pays out.

I am not a woman with savings to burn. I had a little put by, the sort of little that disappears the moment you look at it properly. So I sat on the end of a borrowed bed in a borrowed flat and did the arithmetic that everyone eventually does, and the arithmetic did not work.

Sorting through what survived

A few days later I went back into the house with a torch and a box of bin bags and the awful task of deciding what was rubbish and what was not. Soft things were gone. The couch, the curtains, the good tablecloth, all of it kept the smoke no matter what I did. But further back, in the bedroom, in the drawers, the smaller harder things had come through.

There is a strange calm in sorting. I did not expect it. You would think a woman picking through the ruins of her own kitchen would be a mess, and I was, earlier, but the sorting itself was quiet work. You pick a thing up. You decide. You put it down. There is no committee, no claim number, no assessor. Just you and the object and the smell of smoke on everything.

In the bottom of a drawer I found a tangle. That is the only word for it. A handful of gold I had not worn in years and years, all knotted together the way jewellery does when you stop caring about it. A single earring whose partner left this earth long ago. A thin bangle, snapped at the clasp, that I had always meant to have mended and never did. A couple of chains gone dull. And at the bottom of the tangle, heavier than the rest, a wedding ring with a dent in the band, from a marriage that ended so long ago that the woman who wore it feels like a cousin I lost touch with rather than me.

The woman that gold used to belong to

I sat on the floor of the smoky bedroom and held that dented ring for a long time. It is a peculiar thing, holding gold that belonged to a version of yourself you have outgrown. I was twenty-three when that ring went on. I believed things then that I do not believe now. I wore it through years I would not repeat for any money, and then I took it off and put it in a drawer because I could not bring myself to do anything else with it, and there it had sat, gathering other orphaned pieces around it like a little museum of women I used to be.

None of it meant anything to wear anymore. The snapped bangle was never going to be mended. The lonely earring was never going to find its twin. And the ring, well, the ring had done its work and its work was over. I had kept these things not because I loved them but because letting go felt like a decision, and I had never had a reason urgent enough to make it. The fire, it turned out, was reason enough.

It was my neighbour, when I mentioned the tangle, who said the obvious thing out loud. People turn unworn gold into Gold for cash all the time, she said, as if I were slow for not having thought of it, and she was right that I was slow, because I had been treating a drawer of dead weight like a shrine.

Letting it go, and what it bought me

I will be honest that I almost talked myself out of it twice. There is a voice that says you should keep these things, that they are family, that one day someone might want them. But no one wanted them. They had sat in the dark for a decade and a half and the only thing they had collected was the smell of my burning kitchen. Keeping them was not loyalty. It was just inertia with a sentimental name.

So I gathered the tangle into a small cloth bag, and I spent an evening reading quietly about how unworn pieces are weighed and valued, how the price turns on the weight and the carat and nothing to do with whether it once meant something to you. I learned the plain difference between the places that take broken scrap and the ones that only want whole intact pieces, and that most reputable Gold Buyers will weigh the lot in front of you and explain the number before you agree to anything. It steadied me, knowing the process was ordinary.

When I handed it over, I felt none of the grief I had braced for. I felt lighter. The man weighed each piece, told me what it came to, and I said yes, and that was that. The whole exercise of turning old Cash for Gold took less time than one phone call to the insurance company had taken, and it did something the insurance company could not do for weeks. It put real money in my hand that same day.

That money paid the rent on the little flat. It bought a kettle and two pots and a set of plain towels that smelled of nothing at all, which after weeks of smoke was its own small miracle. It bought me time, which is the thing you cannot claim for.

What the fire actually took

People ask if I am sad about the jewellery. I am not. The fire took my kitchen and frightened me badly, but the sorting afterwards gave me something back. I had been keeping a drawer full of a woman I was no longer, out of a habit I had mistaken for feeling. It took a fire to open the drawer and a slow insurance claim to make me do anything about it.

The house is nearly fixed now. The new kitchen does not smell of anything yet, which I have decided to enjoy while it lasts. And the drawer where the tangle used to live is empty, and I find I rather like it empty. Some things you keep because they hold a version of you worth keeping. The rest is just weight, and weight, as it turns out, can be put down.

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About the Creator

Josh Maraney

Josh Maraney is the founder and CEO of Top Click Media, a specialist digital marketing agency in South Africa and a Google Premier Partner. He has been doing digital marketing for almost 20 years

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Written by Josh Maraney