Unruly Disturbance Releases Immersive New Album Frisson

Electronic music artist Unruly Disturbance has released his latest album, Frisson, a deeply immersive body of work that explores the powerful relationship between sound, emotion and human experience. Available now via independent label Not Yet Remembered, the album marks a significant new chapter for producer and composer Tom Collingburn.

Born and raised in Richmond, North Yorkshire, Collingburn has devoted much of his life to music. While he first learned to DJ during the 1990s, it was his connection to Manchester's legendary club culture and electronic music heritage that further shaped his creative development. Becoming involved in Manchester's music scene from 2007 onwards, he drew inspiration from a city renowned for innovation and artistic expression while continuing to build his own distinctive sound.

That influence can be heard throughout Frisson, an album that balances technical precision with emotional depth. Named after the sensation often described as "musical chills", the record has been crafted to evoke a genuine physical and emotional response from listeners. Across its carefully sequenced collection of tracks, Collingburn combines sweeping ambient passages, intricate electronic rhythms and cinematic soundscapes to create an experience that feels both intimate and expansive.

At its heart, Frisson is an exploration of atmosphere, texture and feeling. Rather than relying on conventional song structures or commercial trends, the album invites listeners into a sonic landscape shaped by mood, subtle detail and thoughtful composition. Each piece unfolds naturally, revealing layers of analogue warmth, evolving melodies and meticulously programmed electronic elements.

Adding further depth to the project are spoken-word contributions from featured artist Mat Riches. His poetry recitations provide moments of reflection throughout the album, acting as emotional anchors within an otherwise largely instrumental work. Together, the collaboration explores themes of memory, consciousness, identity and the complexities of the human experience.

The production itself demonstrates Collingburn's decades of musical knowledge and technical expertise. Combining analogue equipment, live performances, inventive sampling techniques and precise sequencing, Frisson showcases an artist operating with complete creative confidence. Every sound feels purposeful, yet the music never loses its sense of humanity.

While many contemporary electronic releases focus on immediate impact, Frisson takes a more considered approach. The album rewards patience and repeated listening, allowing its intricate layers and emotional nuances to reveal themselves over time. It is a record that prioritises connection over convention, creating space for listeners to interpret and experience the music in their own way.

Beyond his work as Unruly Disturbance, Collingburn has established himself as a versatile composer and producer, regularly creating music for sync projects alongside his personal releases. However, Frisson feels particularly significant because of its personal nature. The album serves not only as a showcase of technical ability but also as a reflection of an artist continually exploring new creative possibilities after decades dedicated to his craft.

The release marks a welcome return following an extended hiatus and highlights the enduring passion that has driven Collingburn throughout his musical journey. For long-time followers, Frisson represents a natural progression of the Unruly Disturbance sound. For newcomers, it offers an ideal introduction to an artist whose commitment to originality and emotional storytelling remains unwavering.

As independent electronic music continues to evolve, Frisson stands as a compelling reminder that some of the most powerful records are those willing to embrace experimentation, atmosphere and authenticity. For Tom Collingburn, it is both a culmination of years of experience and the beginning of an exciting new chapter.

Frisson is available now via Not Yet Remembered.