
The Static Never Stops
The static never truly stops. We think of the airwaves as clean, regulated things, fenced in by government frequencies, but they are actually more like a vast, invisible ocean. And in the deep, unmapped trenches, something else is swimming.
When you're fiddling with your radio dial, trying to find something to listen to, and you land on one of those empty spaces between stations, that's when you might hear her. It's usually around 11:59 PM, when the day is almost over and the next one is just about to start. It's like the world is holding its breath, waiting to see what's coming next. And that's when the signal kicks in.
It's not just limited to the regular AM or FM bands anymore, it has evolved. It's grown, and it's getting stronger. You can even pick it up on baby monitors in dark nurseries, where the soft sound of a sleeping child is suddenly replaced by a harsh, metallic hiss. It can take over smart speakers in empty kitchens, under the light of the moon, and wake them up with a strange, unexplained hum. And if you're driving down a deserted road at night, it can even hijack your car's stereo system, cutting off the music and leaving you with nothing but an overwhelming, suffocating sound.
First comes the rhythm of the past. It starts with the scratchy noise of an old pen on thick paper, slow and steady, like someone writing numbers in a ledger to calculate a debt too big to pay. Then, other sounds mix in. The loud clacking of an old loom, silent for a hundred years, weaves a spell through the air. The noise is almost deafening yet haunting, trying to tell us something from long ago. It is a reminder of the way things were. The tempo of this history is a powerful thing, capable of carrying us away and making us feel part of something bigger than ourselves.
Then the echoes part, like a physical curtain.
A woman's voice rises above the static. It's not just one voice, but a mix of many, built up over a century of urgent messages, frantic warnings from the Cold War era, and desperate cries from a doctor whose connection was lost too soon. The sound is piercing, with a high-pitched hum that doesn't just strike your ears, but also triggers a sharp pain in your tooth fillings. The voice is like a jarring scream that gets under your skin, making you feel uneasy and on edge. As you listen, you can't help but wonder what other sounds are hidden beneath the surface, waiting to be uncovered. The woman's voice is just the beginning, a doorway to a world of forgotten messages and haunting echoes.
Then, it whispers your name.
You can be anywhere—in a crowded room or by yourself at home—and still hear it. The voice is like a whisper in your ear, saying your name in a way that sends shivers down your spine. It's like someone is pulling a rough piece of fabric across your skin, making the hairs stand up. This voice shares secrets with you, secrets that you weren't supposed to know. It tells you that the world we live in isn't what it seems—it's like a thin layer of ice covering a deep hole. And this layer is starting to crack. The voice says that the rules of reality are breaking down, and that things need to balance out. It's like the numbers in a maths problem that aren't adding up, and something has to give. The voice is like a warning, a signal that something is off, and it's hard to ignore. You start to wonder if everything you thought you knew is actually true, or if it's all just an illusion. The voice is like a whisper in the dark, making you question everything.
It needs your meat. It needs your bones. It needs you to help her hold up the weight of the world before the ceiling comes crashing down. And the most terrifying part is that once you've tuned in, you're trapped—there's no escape, no way to silence the haunting voice that echoes in your mind, a constant reminder of the burden that's been placed upon you.
Then, even when you pull the plug, the speaker clears its throat, and keeps right on singing.
About the Creator
Alyson Smith
Neurodivergent, working-class writer and artist diagnosed with Bipolar. Based in Newcastle-upon-Tyne. MA in Creative Writing. Currently waitressing while finishing my novel.
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