Latest Stories
Most recently published stories in Horror.
🕯️ Whispers from the Well
The village of Eldermoor had always been a place wrapped in mist and secrets. Nestled deep within the ancient forest, its crooked cottages leaned inward as if to shield one another from the restless shadows that seemed to pulse beneath the surface. But nothing was as haunting—or as feared—as the old well at the heart of the village.
By Muhammad Khatim about a year ago in Horror
Ghost stories. Content Warning. AI-Generated.
In the heart of Binh Thanh District, Ho Chi Minh City, lies the old and bustling Ba Chieu Market — a place teeming with life by day, but eerily silent by night. Amidst the whispers of vendors and rustling of old tarps, locals still talk about the ghost of a woman who never left the market... even in death.
By Phi Nguyễn Hồngabout a year ago in Horror
The Crimson Pact
The Crimson Pact > “Two foxes danced under the haunted sky, unaware the lion wept with hunger nearby.” It begins in the silence before the scream. The forest is still. Too still. Every leaf suspended in air like it had been waiting for something dreadful to arrive. Something ancient. Something inevitable.
By Saeed Ullah about a year ago in Horror
Things You Can't Say seven. Content Warning.
Well, the movie is as terrible as I expect it to be. The whole thing feels like it’s just supposed to be some kind of torture porn. Or something to that effect. As all that happens is pain and misery to me. Sure, the guy in the movie isn’t exactly an angel. But the things that had happened to him feel over the top. Just thanks to the way that she messed with this guy’s head. Along with the other terrible things that she had done. Hurting people. Murdering them as well. Like her best friend that her boyfriend cheated on her with. It was terrifying to see crap that was on screen. I’m no stranger to violent horror movies. But this movie wasn’t up my alley at all. The number of terrible things she had done were outright disgusting to watch. The way she killed that poor innocent rat.
By Raphael Fontenelleabout a year ago in Horror
The Whispers Beneath the Floorboards
The village of Darnwood had always been an eerie place, wrapped in perpetual fog and silence that clung to its crooked cottages like a curse. Few dared to stay there long, and those who did often carried hollow eyes and voices that trembled. Among them was Arthur Gray, a middle-aged man recently widowed and desperate for solitude. He purchased an old, rotting house at the edge of the forest — a place the villagers called Hollow House. They warned him, of course. “Things live beneath,” old Marnie at the bakery whispered with eyes glazed in dread. “You’ll hear them scratching. Don’t answer them.” Arthur, lost in grief, only chuckled. Ghost stories didn’t scare a man who had watched cancer drain his wife’s life away, day by agonizing day. The house groaned as if alive. Floorboards creaked even when no one walked. Cold drafts snuck through sealed windows. And then, there were the whispers. It began on the third night. He was reading by lantern light — the electricity had failed again — when he heard it: a soft, rhythmic tap-tap-tap beneath the wooden floor. He paused. It continued, more insistent. Then came the whisper, faint but clear. “Arthur…” He froze. The voice was soft, broken — like a child weeping in the dark. He leaned down, pressing his ear to the floor. “Arthur… I’m cold… so cold…” He jerked back, heart pounding. Was someone beneath the floorboards? He tore at the wooden planks with a crowbar, desperate to uncover the source. But there was nothing beneath except earth and the old, crumbling stone foundation. The next day, the villagers avoided him. No one spoke when he passed. Even Marnie shuttered her windows as he approached. That night, the voice returned. This time, it wasn’t just whispers. It sang. A lullaby, broken and warped, coming from beneath his bed. The lyrics were wrong — words twisted into nonsense, but the melody was familiar. His wife used to hum it in her final days. “Who’s there?” Arthur demanded, voice cracking. “Join us…” the voices echoed in chorus now — dozens of them. “It’s warmer down here…” He smashed the floor again, ripping out plank after plank, deeper into madness. Dirt filled the room. Fingernails shredded. Still, nothing. And then he found the trapdoor. It was hidden beneath a false section of flooring near the fireplace. Thick chains wrapped around it, sealed with rusted iron. A smell seeped out — old, rotting, alive. The chains rattled when he touched them, though he hadn’t yet pulled. That night, he dreamed of a woman in black, her face covered in a veil of crawling insects. She hovered over him, whispering in his dead wife’s voice. “You opened the house. Now the house opens you.” He awoke screaming. In the morning, Arthur found bloody footprints leading from the trapdoor to the edge of his bed. Muddy handprints clawed the walls. The whispering never stopped. It came from the kettle, from the attic, from behind the mirrors. Then came the scratching. At first gentle. Then furious. Desperate. Something was beneath the floor — many things. The boards bent upward. Nails popped from the wood. And that voice — that same pitiful whimper — called his name over and over. One final night, Arthur gave in. He unchained the trapdoor and opened it. The darkness beneath pulsed like a living wound. The smell hit him — rot and sorrow, soaked in blood. He saw eyes staring back. Dozens. Hundreds. And then — fingers. Long. Broken. Bone-thin. They reached for him, not with violence, but need. “Cold… so cold…” The first hand touched his cheek, tender as a mother’s touch. Another grasped his wrist. A child’s voice whispered, “Don’t leave us alone again.” And Arthur, mad with grief and guilt, whispered back, “I won’t.” He stepped down. The trapdoor slammed shut behind him. They found the house weeks later, the front door wide open. No sign of Arthur, but every floorboard had been pulled up. Scratch marks — deep and jagged — covered every wall. The villagers sealed the house with bricks and prayers. They never spoke of Arthur again. But on foggy nights, if you press your ear to the ground, you might still hear the lullaby, drifting up from the dark: “Come sleep, come sleep, beneath the floor, The cold will hurt your bones no more…” And if you’re very unlucky, the house might learn your name too.
By Muhammad Bilalabout a year ago in Horror
The House of Lambs
When I think back on my formative years, my mind fills with blissful recollections of fun, laughter, innocence, love, and discovery. My parents, though divorced, loved me deeply and did their best to give their only child the best childhood possible, something I’m very grateful for in my adulthood. I cherish those bright snapshots and revisit them often when I’m feeling nostalgic. Of course, I didn’t make it through childhood without acquiring some unpleasant memories too: painful doctor’s visits, being bullied, getting in trouble, losing my favorite toy, watching a movie that scared me - experiences that upset me enough to sear themselves into my consciousness. But I wouldn’t consider any of them to be particularly traumatic. All except one, that is.
By Emily Albersabout a year ago in Horror
