ANNABELLE Comes Home-Movie Review

Well-known paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) leave their 10-year-old daughter Judy (McKenna Grace) alone with Mary (Ellen Madison Iseman) and close friend Daniela (Katie Sarife) one night after the demon doll U -Annabelle (Lorraine), warned by Beacon and other evil spirits, is summoned to flee alone, while other investigators have time to place their daughter in Mary's hands, and it does not take long for the naughty teenager (Daniela) to come home and take out Annabelle's doll and a crowd of other evil spirits. The most dangerous thing is that the doll is locked in her sacred glass box for spiritual protection.

Set up shortly after the events of The Conjuring, the new stars of the film McKenna Grace as Judy the shy daughter of famous detectives like Lorraine Farmiga and Ed Warren Wilson. Judy, who has been banned from her school because of her extraordinary work, is friends with her beloved child Mary Ellen (Madison Iseman) and watches over her father as he and Lorraine continue their careers. While Ed and Lorrain begin their mission their daughter Judy (McKenna Grace) stays with babysitting baby Mary Ellen at home while disturbing friend Daniela (Katie Sarife) walks into the room with the cursed art and weakness Warren continues to threaten.

All of these familiar things culminate in a joyful, refreshing, and heart-wrenching contribution to the franchise. Fear meets the freedom of doubt, and we see a few new monsters that can serve as a follow-up forage.

This tidbit alone provides enough details about the ensuing chaos as the series frees Warren's closet and releases other demonic spirits trapped in his house. If that's not enough to turn off the basic premise of storytelling, "Annabelle: Come Home" at least you can imagine yourself and scare yourself into a pure distillation of the magic formula. Like two of Annabelle's previous films, we continue with the opening scene of "Conjure."

In the demonic doll game Annabelle Comes Home, there are many creaking, reckless horror set in the land of doors, cabinets, hinges, and a healthy oil field. The noisiest creak comes from Conjuring Universe, which is actually based on the $ 1.5 billion franchise that has found it worth expanding on each new chapter. This is the sixth installment of the franchise (there are seven counting the spring curse of La Llorona, which features a cameo with Annabelle from the original The Conjuring) and has an invincible spirit of threat, even if the true story sounds somewhat unwanted in its pocket.

Something unusual happened, the two demonic doll characters started less than a week ago, but no doubt the Annabelle Comes Home will not be in control of that, as are some of the new offers this weekend. Like the two previous films of "Annabelle-centric", it shows that the producers were tired of this idea and could not afford the cost of opportunities that come when the intellectual property can be exploited. Franchise writer and director Gary Dauberman deviates from the film from real events, extending the myths of promotions in a fictional way, but with little effect.

This is unfortunate because most of the franchise offerings focus on female characters from young children to older men and women, such as Ed (Annabelle Comes Home), a lovely soccer fan (Michael Cimino) who is prone to liking and liking, and characters who appear frequently from a middle-aged women’s perspective. This means that Annabelle herself is portrayed as a black and dangerous doll of a lifeless devil. When Wilson and Farmiga return to the final scene of the film, they obviously hold the right to avenge the victims of the exit and early evictions, and I don’t care.

Combined movies have always tried to look at their characters and intimidate them in some way, but Annabelle Comes Home gives them many reasons to be afraid. In a few scenes, Farmiga raises a foot in the realm of a woman who has faced evil that makes her gentle and confident that the world is beautiful. The film itself has no precedent for escaping fear, and the last point most important is to support it.

Annabelle is one of those awesome Victorian dolls that has been the basis of horror movies for decades. Apparently, the moment of abandonment, introduced in 1968 to establish Warren's master's degree, was actually set up in an area where he examined unusual conditions near a baby-sized doll named Annabelle, wearing a white coat. That’s enough to manage Annabelle’s Come Home beyond its ridiculous lengths and reveal the nature of the trading business that is playing out.

Two frightened young nurses carrying a baby-sized doll named Annabelle, wrapped in a white blanket, left her in Warrens after being chased by a toy and discovered that a demon had taken a doll and was trying to find someone's soul. This is a horrible religious film of people hunting for Satan himself. The movie "Annabelle" is an impressive prelude from the universe and the first sign that it appears in the second line is that Patrick Wilson and Vera Farmiga are determined to be Christian actors The Devil and Lorraine Warren who did not appear in the first two films.