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2026. The Year Gateway Horror Won!

OBSESSION, SCARY MOVIE '26 and BACKROOMS proved nostalgia movie IP could be beat, and that's not so bad.

By CJG Movie ManPublished 3 months ago 4 min read
Michael Johnston as Bear in Curry Barker's OBSESSION and Renate Reinsve as Dr. Mary Kline in Kane Parsons' breakaway horror hit, BACKROOMS. Both have become the most profitable horror movies in 2026.

Hello one and all.

So, let's be truthful. Many people either love or hate horror movies for one reason or another. In my personal experience, I've heard that it's either they're too jump scare heavy, too gory, too gross, demeaning content, not scary or way-to-scary, susceptible to nightmare fuel etc. etc. So, as a horror movie enthusiast who isn't a huge fan of science fiction, westerns and most musical - so, I get it.

But in 2026, after quite a bumpy start, two horror films (and a horror legacy sequel spoof) have proven that horror movies when done right and rely more on insinuation, dread, unease and the most minimal amount of gore and jump scares can still bring in box office dollars from fans of the genre and non-alike. And the fact that two that were made by YouTubers that had created a big audience prior to the big leaps, proves that times have changed, pivoting smaller films to become potential blockbuster smashes rather than established franchise IP.

They did it with shoestring budgets, ready-made fan bases and beat out two of the biggest blockbuster wannabes in Star Wars: The Mandalorian & Grogu and Masters of the Universe. But if that wasn't enough - a comedy family returned to a franchise that was initially taken away from them. The Wayans returned with Scary Movie (not the 2000 movie that spoofed Scream, but requel-ized for 2026), their first movie since Scary Movie 2 in 2001 (25 years since they were removed from the franchise).

Yes, there are horror movies that work for non-horror lovers or enthusiasts!

OBSESSION.

Poster courtesy of BH and Comcast.

Curry Barker who cut his teeth in sketch comedy like his contemporaries Zach Cregger and Jordan Peele, became the surprise dark horse this year as his under $1 million budget movie was bought by Blumhouse and Focus Features/Comcast for $15 million. While Backrooms was gaining traction based off the popular internet YouTube analog series, Obsession was making the rounds in film festivals and earning strong raves. Upon its May 15th theatrical release, it became one of the fastest rising horror movies of the year.

Raves ranged from the skilled direction by Barker, well-thought-out script and the spellbinding performance of Inde Navarrette as the girl crush that gets wished upon by a supernatural wish-granting tchotchke removing her autonomy - got audiences talking from the get-go. Instead of drops that were expected after opening week, Obsession continued to rise and take hold of the box office without being the no. 1 movie in the country. Besting movies like Passenger, Star Wars: The Mandalorian & Grogu, and Masters of the Universe.

Why does it work for non-horror fans?

Barker successfully goes slow burn, mixing comedic elements and introducing us to grounded Gen-Z characters before piling on the unease. The story, inspired by W.W. Jacobs' "The Monkey's Paw" as well as the 2nd season Halloween episode of The Simpsons, ensures us that the wish never goes the way it should. It grows effectively macabre right down to its dark ending with barely a jump scare and only one truly horrific sequence. It's a definite watch that will invite deep conversation and repeated viewings.

BACKROOMS.

Poster courtesy of A24.

The Kane Parsons ne: Pixels, became the youngest filmmaker in history at 20 to have a no. 1 movie at the box office, breaking $100 million in its first weekend. Early hype was on its side and proved profitable for A24. While liminal horror isn't the newest thing in the genre, Parsons was able to create an unnerving and tense movie using found footage style filmmaking and committed performances by Chiwetel Ejiofor and Renate Reinsve, cementing this one as the biggest breakout horror hit of 2026.

Why does it work for non-horror fans?

Slow burn can work for easily queased moviegoers especially with liminal spaces as the story arc. Parsons doesn't oppress the viewer with bombastic scenes or heavy histrionics, but simple budding dread, light gore, eerie musical score and even some minimal body horror, settling more for natural unease and an ending that's just as pretzel twisted as the labyrinthine rooms being explored. Also, the viewer is allowed to decide for themselves if the horror is real or merely existential. Finally, for those who want to laugh more than they want to scream (pun intended).

SCARY MOVIE 2026.

Poster courtesy of Paramount/Miramax

Marlon and Shawn Wayans return if not entirely to form with the sixth installment of the Scary Movie franchise, but the third to have the Wayans Brothers back after Scary Movie 2. The cast of the 2000 movie: Anna Faris, Regina Hall, Jon Abrahams, Cheri Oteri and Dave Sheridan all return spoofing a whole new crop of 2020 horror movies, most especially the recent Scream and Halloween "requels" - with very very adult humor and gags where you may want to hire a babysitter if you're planning to go to see this at the theaters.

Why this works for non-horror fans?

Simple. Why not laugh? Despite the mixed to poor reviews, Scary Movie 2026 still did bang-up business at the box office and could reach $200 million allowing for more horror movies to be rife for the spoof pickens. Even the blockbuster movie, Michael, gets a metaphorical stabbing by the Wayans crew. If you prefer to scream instead of laugh - well more power to you.

What's your favorite scary movie? The one you don't have to wake up in a cold sweat for.

All movies are rated R and are currently in theaters.

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    Written by CJG Movie Man