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Best of Netflix

‘The Old Guard’ Kicks Ass and Should Make Names

by MovieBabble 28 days ago in review

A review of the latest Netflix action movie!

‘The Old Guard’ Kicks Ass and Should Make Names
Netflix

Netflix’s record with original Hollywood action movies is patchy at best. When the so-so Extraction is among the finer examples of their big-name blockbusters, there’s something not working. With The Old Guard, though, they might hopefully have found a game-changer. It’s everything that previous A-lister action vehicle 6 Underground wasn’t. Where that was incoherent, chaotic, and offensively dumb, The Old Guard is focused, sharp, and surprisingly intelligent.

Charlize Theron stars as Andy, (short for Andromache Of Scythia), a 6000-year-old warrior who leads a team of immortals in taking on missions beyond the abilities of standard soldiers. When they attract the attention of pharmaceutical billionaire Merrick (Harry Melling), he plans to capture the squad so he can get his hands on their secrets and use them to gain greater riches.

An Experienced Director in a New Direction

Gina Prince-Bythewood has previously been known for the thoughtful dramas Love & Basketball and The Secret Life Of Bees, and that level of consideration elevates The Old Guard above mindless action. The questions of how a person would cope with outliving nearly everyone around them, of what you should do with the abilities you have, and how to make the world a better place are lofty considerations for an action movie and they’re explored well here.

Importantly though, these aspects don’t slow the movie down. It is, first and foremost, an action movie and the fights and shootouts are marshaled excellently. The audience always knows where everyone is, even as the camera circles a whirlwind of crunching bones and shotguns to the face. The scene with hand-to-hand combat in a spiraling plane is a particular standout that matches Theron’s kickassery in Fury Road or Atomic Blonde.

The A+ Team

Every member of the team gets a chance to shine, but Kiki Layne‘s new recruit Nile, in particular, is a star-making turn grabbed with both hands. After being killed in Afghanistan, she wakes to find herself completely healed and mystically connected to the other immortals. The audience surrogate can sometimes be a thankless task, but not here. Nile is thrown headfirst into a crazy situation but she’s clearly a tough determined character that isn’t going to roll over just because her (much, much) elders say so.

Matthias Schoenaerts keeps his tough-as-nails soldier engaging and Marwan Kenzari and Luca Marinelli as Joe and Nicky are a couple who would (and do, repeatedly) die for each other. Note that they’re an interracial gay couple in a big-budget movie and it’s no big deal. (Are you listening, Disney? See, it’s not difficult.) It’s not the worthless blink-and-you-miss-it type of tokenism that happens all too often these days either. At one point, having been captured, a bad guy taunts Joe with a sneering, “Is he your boyfriend?” and Joe gives an emotional speech of just how much he loves the man he’s been with since The Crusades. Prince-Bythewood’s background in drama shines through in the moments where the squad gets to sit down and talk. The audience gets to know these people and care about them in a way that’s unusual for an action movie. It gives The Old Guard room to breathe between the gun and fistfights without it bloating the run time.

The script, adapted by Greg Rucka from his own comic book also spends the requisite time with the villains of the piece. Chiwetel Ejiofor is given enough backstory to justify his actions and ensure he’s not a caricature. He’s a man suffering from great loss who wants to save as many people as possible from enduring his sadness. To be fair, Merrick, the lead bad guy, is a punchable monster, but he’s still less of a slimy creep than Pharma bro Martin Shkreli, and that asshole is unfortunately real.

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READ THE REST OF THE REVIEW ON OUR WEBSITE: https://moviebabble.com/2020/07/12/the-old-guard-kicks-ass-and-should-make-names/

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