The Invisible Man (2020) Movie Review

Leigh Whannell’s "The Invisible Man" is a science-fiction horror film that explores the repercussions of emotional violence and the lasting trauma it leaves. Cecilia Kass (Elisabeth Moss) is the central character who bears the brunt of the abuse, though the abuser himself is unseen. Whannell's innovative film amplifies the pain and psychological terror experienced by Cecilia, allowing the viewer to feel the visceral scars that she carries with her. The film does an exceptional job of updating the classic Universal Movie Monster, while also addressing timeless and contemporary anxieties.

Whannell's playground is set within a pre-existing property that needs to be handled with care - James Whale's 1933 pre-code classic, which was adapted from H.G. Wells' 1897 novel. However, Whannell approaches the film with sufficient visual panache, drawing inspiration from David Fincher's Bay Area-set masterpiece "Zodiac," and James Cameron's spine-tingling "Terminator 2: Judgment Day."

One of the strengths of "The Invisible Man" lies in its depiction of the emotional violence that Cecilia has experienced. Her constant isolation, which is amplified by Benjamin Wallfisch's fiendish score, is a powerful weapon in the hands of her concealed assailant. This loneliness is a recurring theme throughout the film, particularly in the sharply edited, terrifying set pieces lensed by Stefan Duscio in bedrooms, attics, restaurants, and secluded mansions.

Whannell never leaves the audience in a state of confusion when it comes to Cecilia's experiences. We believe her entirely, even when others question her sanity, portraying her as "the crazy woman no one will listen to." Whannell avoids this cliché by providing a deeply earned conclusion. From the film's taut opening to its powerful conclusion, we are by Cecilia's side as she battles against the undetectable authority that controls her life and ruins her psychological well-being.

Elisabeth Moss delivers an outstanding performance as Cecilia, the certified contemporary queen of unhinged screen heroines. Moss's portrayal of Cecilia is filled with a messy yet sturdy intricacy that many of today's thinly conceived female superheroes lack. Moss's performance is a reflection of the complexity and the weight of the trauma Cecilia experiences.

The film's premise revolves around Adrian (Oliver Jackson-Cohen), a scientist who has invented an armor of invisibility. After Cecilia leaves him, Adrian commits suicide, leaving Cecilia a healthy sum of money. However, Cecilia soon discovers that Adrian is using his armor to torment her, gaslighting her and manipulating her psychological wellbeing. Whannell keeps the audience on the edge of their seat with floating knives, pulled comforters, and eerie footprints, making them scream or jump at unexpected moments.

Whannell's screenplay and direction generously allow Moss the room to stretch her complex, varied muscles while also nodding to the empowered final girl for this side of the 21st century. Moss's ability to deliver a powerful performance elevates the film to new heights. Whannell's ability to update the classic Universal Movie Monster with a contemporary twist makes "The Invisible Man" a must-watch film that is both thrilling and thought-provoking.

In conclusion, "The Invisible Man" is a sophisticated sci-fi-horror film that turns a woman's often silenced trauma into something tangible. Whannell's unique take on the classic Universal Movie Monster is a refreshing twist on a classic story that is both timeless and timely. Moss's outstanding performance adds depth and complexity to the central character, making "The Invisible Man" a must-watch film for anyone who appreciates a well-executed, thought-provoking thriller.