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Rebel Moon – Part One: A Child of Fire Review - A Familiar Yet Enjoyable Space Opera Adventure

Snyder’s Netflix film can provide decent motion and visible spectacle, however struggles with derivative plot and pacing issues.

By Bellart StudioPublished 5 months ago 3 min read

Let’s be sincere, I didn’t hate Rebel Moon Part 1, but I didn’t like it both. It’s a mixed bag of area opera delights, leaving a curler coaster of correct and bad.

Think of it as the "rough draft" of a potentially epic saga, full of familiar tropes and pacing problems, yet sprinkled with enough charm and action to keep you entertained.

Rebel Moon: Part One - A Child of Fire, blasts onto the screen with the visual bombast and operatic action we've come to expect from Zack Snyder.

Towering spaceships pierce the heavens, laser blasts carve fiery streaks across the void, and warriors clash in balletic slow-motion sequences. But beneath the dazzling surface, cracks begin to show, revealing a narrative derivative of its inspirations and struggling to establish its own unique identity.

A familiar epic in a borrowed universe:

The story feels like a mashup of classic sci-fi and fantasy tropes, echoing Star Wars in its ragtag rebellion against a tyrannical empire, and borrowing liberally from Seven Samurai's "heroes hired to protect a village" setup. While these influences are undeniable, the film fails to inject enough freshness or originality to truly stand out.

The world-building is rushed, leaving planets and cultures unexplored and underdeveloped. We zip from a serene agrarian moon to gritty mining outposts and lunar dive bars, but never truly feel immersed in any of them.

In the narrative storm, the characters rotate:

Although the protagonists can be interesting, they are lost in the brevity of the plot. Sofia Boutella Cora, a mysterious outsider with a hidden past, is fascinating but deserves more minutiae than the heavy flashbacks she offers.

Charlie Hunnam Kai, a blonde warrior with a troubled past is fun to watch in action but lacks depth.

Even Anthony Hopkins’ scene-stealing voice performance as the handsome robot Jimmy can’t quite compensate for the underdevelopment of the entire character.

The action plays in the middle of the narrative static:

Where Rebel Moon really shines is in its action sequences. Snyder, a master of slow-motion combat, was an undeniably entertaining ballet of violence.

Laser blasts crash through flesh and metal, spaceships engage in dogfights between planetary fields, and warriors duel in hand-to-hand combat in the house These moments are undeniably exciting, providing a burst of adrenaline that it shakes the film to turn from its narrative melancholy.

Promising fireworks in need of improvement:

Despite its flaws, Rebel Moon is not without merit. The visual spectacle is undeniable, the action sequences are fun, the underdeveloped characters and worlds have flashes of potential but ultimately the film feels like a missed opportunity.

It’s a charming, derivative space opera that enjoys in spurts but fails to leave a lasting impression.

Whether Part Two can rectify these shortcomings and deliver on the film's initial promise remains to be seen. For now, Rebel Moon: Part One is a visually stunning but narratively muddled experience, best enjoyed with lowered expectations and a hankering for some popcorn-munching space opera thrills.


Visually stunning: Snyder's signature visual style shines with vivid world-building, from idyllic farming communes to gritty desert outposts and lunar dive bars.

Decent action: The fight sequences are satisfying, even if they lean a bit heavily on slow-motion shots.

Intriguing characters: Sofia Boutella shines as Kora, the mysterious outsider, and the supporting cast shows potential, particularly the charming robot Jimmy voiced by Anthony Hopkins.

Twist ending: The finale throws in a surprising turn of events, keeping you guessing for Part 2.


Derivative Plot: The story is like a hybrid of classic space operas, unoriginal and unique personality.

Pacing Issues: The film struggles to find its rhythm, rushing through character development while dragging its feet elsewhere.

Misunderstanding: Certain plot lines and character motivations raise your eyebrows, and make you scratch your head.

Generic Villain: Ed Skrein’s Admiral Noble is a pedestrian story, lacking as much depth and complexity as a truly compelling antagonist.

Forgotten Places: Unlike Star Wars, Rebel Moon fails to establish a sense of place in its worlds, leaving them feeling flimsy and interchangeable


Rebel Moon is a fast-paced space opera burger, not a dessert. It’s fun, scratches that sci-fi itch, and has enough potential to keep you interested in Part 2 while still suffering from derivative storytelling and pacing issues that leave you wanting more depth and originality.

If you’re looking for a lightweight, action-packed space adventure, Rebel Moon delivers. But if you’re craving a space opera experience on the ground, you might be a little disappointed.

Final verdict:

Watch it for some interesting visuals, action, and characters, but don’t expect it as a breakthrough film.

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About the Creator

Bellart Studio

📚 Welcome to my literary haven! Immerse in tales where imagination intertwines with emotion. I paint diverse landscapes, exploring cosmos and hearts. Join me on a journey, a crafted invitation to explore, reflect, and feel.

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