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Joker movie review

Joker movie review

By Hari LamaPublished 3 years ago 4 min read
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Joker movie review
Photo by Ryunosuke Kikuno on Unsplash

The Joker is an R-rated DC Comics sequel that led a minute Nane standing ovation at the premiere at the Venice Film Festival for a sultry-looking Harlequin-colored city rot and a tour de force performance by Joaquin Phoenix as Arthur Fleck, an unknown party clown that will be Batman's most feared mission one day. A film based on the character of DC Comics and Joaquin Phoenix as Joker, giving the story of the character's possible background. Joker Phoenix is directed by Todd Phillips (The Old School, The Hangover Trilogy) and presents a good performance, but nothing surprising and we feel like there is no effort to take action.

Joker, directed by Todd Phillips, is the foundation of one of the most bizarre and DC-like people. Clown Prince of Crime lives and breathes Gotham City in Todd Phillips's supervillain tale Joker. He paints a famous smile in his blood on the memorable moment of the Messiah's rebirth, but most notable in this film are the thrilling dramas of the main characters and the diseases that bring him and many others to the big city where social divisions that divide them have become a pit of fiery indignation.

The Joker (Todd Phillips) is a nightmare of an urban setting, a comic book in which Arthur Fleck (Joaquin Phoenix) lost his mind and a dilemma seeking to capture Batman's mess. He does not stand as a great villain but as a sad example of the green man's injury in front of us. As we drink from his twisted experiences, shock, and disappointment, there is no denying that we show him sympathy or at least understanding, in the blink of an eye. Led by a wild, wild game of Phoenix, this is a black and dark character game that talks about the problems of the real world of the Cape Crusade.

The first story is that Arthur of Phoenix was a humorous party man before he accepted the Joker. Phillips critically conveys this message, portraying the Joker world as Arthur's choice between violence and fleeing madness. The operation of S has a twisted obligation to make us feel that violence is purifying him, such as Tai Chi in the toilet after the murder, and that he is reborn.

Phillips makes it clear that he doesn't think the Joker is small enough to take it as just a comedy movie. He goes on to revive the heroic film from the beginning, throwing out the inexplicable mystery and the same stupid story we’ve seen a thousand times, but it doesn’t have to be: The Joker is the only sensible person in the crazy world. While Arthur is riddled with nude street shots and can be an independent joke, in the 1980s Gotham is a well-informed, detailed state of the fictional city, with Joaquin Phoenix throwing and dancing and laughing and putting things in his mouth, but not committing other heinous, disgusting crimes with cruel joy.

The debate surrounding the highly anticipated release of The Joker, the story of Todd Phillips in the dark of Batman's nemesis, has been the subject of much controversy, leading to discussions about the film's quality and politics and its exposure to white male genocide driven by violence. The result is a fierce and disturbing film that has all the needs of a modern taxi driver, complete with a hot-tempered main character. There is a fundamental difference between telling a story in a grubby way, misanthropic art films like Taxi Driver, and telling it in the universal language of heroic movies opened in multiplexes around the world.

Joker - The Movie, directed by Todd Phillips and Joaquin Phoenix, has always been a hot topic, but now it's over. In 2014 and 2015, Phoenix told his agent that he was interested in playing the character in a low-key research film on a comic book budget, especially the character of DC Comics Joker. The main theme of the film is that Phoenix has come a long way in becoming a Joker.

There is a scene in the film where Arthur Fleck (Joaquin Phoenix) sits in a moving elevator with his neighbor Sophie (Zazie Beetz) and their daughter. Arthur, unknown to the end of the film by Joker, fights through clowns scaring the streets and trying to get a job as a proprietor. It makes sense that when we meet Joaquin, we start talking about the Joker, and I talk about Joaquin because he is one of my people and the music is about him.

Arthur Fleck, who we don’t know is a Joker until the end of the film, fights like the others, and worst of all he’s mentally ill. When an altercation with finance owner Wayne Enterprises leads to the inevitable occurrence of horrific underground violence, Fleck (Joaquin Phoenix), a lonely and wounded man acting as an independent comedian, melts and becomes the head of the unknown Gotham City image of the deteriorating Eat Move Move.

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About the Creator

Hari Lama

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