Hereditary is an American horror film from 2018, written and directed by Ari Aster in his first episode. The film made a name for itself in Sundance 2018 as a horror and horror film from Hereditary and was a good feeling in theaters.
It's a supernatural horror film, a real-life drama about a family that struggles with grief and wants to make you uncomfortable for a variety of reasons and that's a scary thing. Ari Aster's first film Hereditary caused a stir when it first appeared at the Sundance Film Festival, and the fact that it is still considered one of the scariest and most disturbing films of the year speaks to its unique vibe. A glorious film that gives suspicion that it is a psychological stimulus and not a terror when supernatural forces capture and intimidate you.
The film was not shown at many other festivals this year but also appeared in the New York Film Festival, where it found Aster an agent. The first feature is a promising start for director-writer Ari Aster, who is credited with disrupting short films such as The Leading Tunnel and Underworld: A Bleak Vision. Aster began her career in the film industry as a student at the American Film Institute, where she wrote and directed two short films, Stranger Things and Johnson'Johnson before moving to A24.
Toni Collette was one of the first characters Aster was looking for in the role of Annie Graham, the youngest manager of the Graham family. As a Hereditary MVP, Collette plays the role of Annie, the mother of two artists whose intricate portraits of human history are displayed in an art gallery in the city. As for Annie, it is brave for Collette to accept the role, as she is in her late teens to recover from The Sixth Sense (1999) and when a new film enters theaters, she seems overwhelmed and frustrated by the tragedy.
The main reason why the film works like this is the immature presence and the presence of Toni Collette. The burden of being a mother weighs heavily on Collette as Annie Graham, an artist who lives in a small forest town (recorded in Utah). The film opens with the family leaving the funeral of Annie's mother, a private person, it said.
The small drawings of the chambers in his life serve as a metaphor for the family situation throughout the film: They are people without an agency, and they turn into dolls in a dollhouse that is used by outside forces. Many horror movies treat their characters as a unique fader of murder, but Asters was encouraged by his family and put a lot of work into building contact with them.
The legacy opens with a thoughtful opening image that extends from the bedroom to a small family home model, combining reality and adding a certain level of activity to the story. A thrilling opening identifies Ari Aster, who makes his film debut as a visual narrator with great promise but surpasses the best moments of the film.
Aster and his imaginary cinematographer Pawel Pogorzelski began the film with wide-angle shots of his living room, moving in such a complex way that we cannot distinguish art from reality. Aster keeps everything close, and the shock that happens in a moment all the sharpness is used for some reason threatening its closeness, and when something worse happens worse than you might think, not just because of the events themselves, but because Hereditary is a horror film that pays real attention how and trauma. In the end, it may be the same pot of demons, but Ari Aster’s approach seems to incorporate something different from that of the brother of his first film Hereditary, a terrifying feeling.
His latest non-sacred contribution, Hereditary, written and directed for the first time by film director Ari Aster, does not restore horror cinema but rather burns the dust of its antiquities, stripping them of parts and transforming them into something new and new. Like other horror supernatural movies about parents and children (Rosemary's Baby, Carrie, The Witch, and many others), she is very concerned about our ancestors, our DNA, and the things we can or cannot change about ourselves that shape our future. Somehow, Ari Aster’s directorial debut Hereditary is original, moving, and awesome as you might expect.
Stay with me, I know I can't make a single complaint about the film, but I like that Ari Aster doesn't seem to contradict the conclusion MNs should be ashamed of. Most people who love genetic films are afraid of not knowing what they will believe and how much they can trust their eyes and ears. It is an appropriate film that will find the next unshakable religion, so to avoid further confusion or frustration, it makes sense to set a few rules before allowing the curiosity to wonder and watch.
The buzz around Hereditary, as is so common in horror movies, is romantic. The film currently works on A24 Films in 2,964 movies, surpassing 2,533 reached last night.