After 60 Years, ‘Psycho’ Remains as Ingenious as Ever

This month, Alfred Hitchcock‘s Psycho celebrates 60 years since its release. You already know its legacy; it’s one of the most famous horror movies ever, if not the most. But, over time, horror has become filled with more gore and startling scares to continue to attract audiences; in comparison, Psycho remains fresh despite the lack of those elements, even if its content was considered very radical for the time. Why is Psycho the classic horror movie it is, and why has the success of Psycho hardly been reproduced?

Horror is a genre many stay away from, often for the wrong reasons. Audiences find it too frightening, they worry about their sleep or that dreaded grossness factor. Over the years, it’s become clear to horror fans that horror doesn’t always need to rely on jump scares or need to be terrifying to class as horror. Midsommar and Get Out are some of my favorite films in recent years; although often people claim these are “not real horror movies”. These movies are prime examples of horror films that fit within the genre, but tell a more interesting story that isn’t afraid of breaking a few rules. That’s not to say that Psycho isn’t scary. It definitely would have been at the time; in parts, it is scary now. More so, it succeeds by being exceedingly intelligent.

Psycho‘s Plot Twist Remains Shocking

Psycho breaks a lot of rules. The obvious example being that the main character changes halfway through. Or, does it even change the main character? Marion Crane, who we think is the obvious protagonist of the film, dies pretty much at the 45-minute mark. Does this mean she is not the main character anymore, or does she remain the main focal point of the film in some way? Or does this mean Norman Bates is both the protagonist and antagonist? What about Marion’s sister, or Sam?

The honest answer is that I am unsure. Norman Bates has no screentime for quite a while into the movie; Marion leaves the film halfway through. Perhaps Marion remains the protagonist. She is murdered, after all, then the rest of the plot focuses on solving her murder. Norman is presented as a troubled man suffering from a toxic relationship with his overbearing mother. He suffers from Marion’s death. Nevertheless, Marion is the one we as an audience are asked to empathize with, not Norman. Whether it matters who the real protagonist is — it probably doesn’t — it changing direction is the beauty of Psycho after all.

Modern horror sometimes contradicts the success Psycho had from this concept. Horror movies still put a lot of focus on having their final girl. Final girls live on until the end of movies, beyond the other characters; then, they either live or die. More often than not, they beat all the hurdles in their way. The reason Psycho has such a brilliant plot is the idea that no one is safe. After just 45 minutes, the movie has now killed off the one person we thought we could rely on to be around until the closing credits in one way or another.

Newer Films Still Don’t Ditch The Final Girl

So, why is this concept so unheard of now? Psycho is a horror classic and the change of course is often discussed as a brilliant move. Consider most horror movies that sit well with audiences these days by looking at IMDB’s current top 10 horror movies: The Hunt, The Invisible Man, Midsommar, and Ready or Not are all part of this list and all have female protagonists who we pretty much know from the start will be the person we are following until the final scene.

Despite the wide range of horror films produced, many ignore this successful device. However, even though Psycho shows what a successful change to the formula looks like, many films stay away from copying it. It’s not that audiences changed, either. Game of Thrones was hyped up the most whenever HBO would air episodes with an unlikely character murdered horrifically and, most importantly, unexpectedly. In horror films, we believe that no one’s safe, and therefore, no one should actually be safe.

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