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Impact of Moore's Law

Impact of Moore's Law

By Kai SawnPublished 3 years ago 4 min read
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Impact of Moore's Law
Photo by Pawel Czerwinski on Unsplash

Music is art, but live concert is an ongoing science. the power and scope of the technology designed for live games exploded in the late 1990s and early 2000s. Credit Moore's law - predicting that hardware power will double every two years - could be a technical indicator. And don't go for less that your full potential. The players are better equipped than ever to bring an impressive experience to their audience, and their long-term ideas come in here and there.

On Alive's trip, back in 2007, the Daft Punk pyramid was thrown up and rated the bombarders' concert with the duo's beauty pageants. In 2011, electronic music producer Amon Tobin created ISAM, a structure made of white cubes where he performs visual effects, all of which are highly consistent with ever-changing music. Recently, Squarepusher built its own multimedia show for Ufabulum from scratch to ensure how far it can combine light and sound and technology. And if we'd like to go the extra mile, Beyonce's 2013 Super Bowl show didn't make sense without a lot of thought and simple technology.

A few weeks ago, I saw a Trent Reznor concert party recently held at the Barclays Center in Brooklyn. The fraud show starts out simple enough, but goes into the lighting settings and the more complex videos. Frames occasionally descend from the trees, allowing the NIN to operate during a three-dimensional arrangement. The effect is almost holographic, especially from distant places. Panoply of lamps, colors displayed, and patterns placed on all axles of the x, y and z stage. Some speculations are good psychedelic and natural, while others show extreme extremes. Sometimes, the Tension show achieves a critical weight for photography; although it is a common result of rock and roll, strobes rise to alarming levels of intellectual rhythm of NIN industrial rhythms.

Reznor, along with his trusted artistic director, Rob Sheridan, is the lead designer for the repression program. Participating vessels further assist in bringing the show to fruition. One of the participants was his father who founded a multimedia network in Montreal, Moment Factory. Originally registered by NIN lighting designer Loyoy Bennett, Moment Factory worked with Reznor five years ago. At the same time, they also worked with the costumes of Madonna, Grammys, and Reznor, a method of destroying angels. But Tension recognition can be a technological advancement for them.

"The visual cue in this play is often present, and is well defined by the music and where the artist is," said Sakchin Bessette, Co-Founder and Artistic Director at Moment Factory, referring to the company's work with NIN. "What's so different about working on the NIN process, which is basically R&D."

Some artists are less involved in the production process of Moment Factory, requesting only minor tweaks along the way. Reznor and Sheridan, however, worked hard and demanded. Although Moment Factory creates a beautiful object with a NIN inside its 20,000-square-foot laboratory, many magic acts on the site in live environments. The key to creating a feedback circuit between Trent, Sheridan, Bennett, and members of Moment Factory. From there, the whole view takes on its kaleidoscopic form.

"The visual cue in this play is often present, and is well defined by the music and where the artist is," said Sakchin Bessette, Co-Founder and Artistic Director at Moment Factory, referring to the company's work with NIN. "What's so different about working on the NIN process, which is basically R&D."

Some artists are less involved in the production process of Moment Factory, requesting only minor tweaks along the way. Reznor and Sheridan, however, worked hard and demanded. Although Moment Factory creates a beautiful object with a NIN inside its 20,000-square-foot laboratory, many magic acts on the site in live environments. The key builds a response circuit between Trent, Sheridan, Bennett, and members of Moment Factory. From there, the whole view takes on its kaleidoscopic form.

Bessette said Reznor was actually playing on people's opinions. this is often seen in the ever-changing stage, where each song is transferred to a number of visual elements. Moment Factory begins this process by preparing a whole host of active sequences and results libraries and video content, all supported songs. Once in situ, Reznor employees test the visions of Moment Factory to find out how they work within the boundaries of stage construction.

One of the fascinating features of the complex display is how it illuminates 3D architecture. Recalling the story of Jorge Luis Borges, On Exactitude in Science. Written together with his manager, Adolfo Bioy Casares, Borges' story depicts a world in which mapmakers map out the horizontal and precise maps of the sea. because the map is deteriorating, so is the sector itself. Moment Factory creates a similar effect with its simple maps; perceived as the spread of hyperreal ideas, where one does not care much about where truth begins and ends.

This is not the first time Moment Factory has discovered this type of visual alchemy. At the request of the city of Barcelona, ​​the company produced colorful, flexible, and near psychedelic displays within the framework of the Sagrada Familia, considered to be Gaudi's art. The Spanish architect initially thought that the church was a beautiful color. Fifteen minutes later, Moment Factory fulfilled Gaudí's dream.

"We rely heavily on sunlight," Bessette said. “Through Sagrada Familia, we tested the building in 3D, installed it in our software, cleaned it, edited it, and then started.

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