Adventure
The Dark Order 1.18: The Golem Market Pt.3
The moon has retreated beneath the horizon. The Garden District has been laid to ruin. The rain is heavy, yet it does not affect the multitude of fires around the city. The elves stand amongst the aftermath of a deadly battle against the SSA. Eldyn has the unconscious Maggie draped over his shoulder. "We should leave her." His sister spats.
By Donnie Barlowabout a year ago in Fiction
The Message I Never Sent
>> WRITTEN BY PROFESSOR KHAN 1. Alone in the Glow The apartment was quiet—too quiet. The kind of quiet that settles deep in your bones and makes the air feel heavy. The only sound was the soft hum of the refrigerator and the occasional creak of old pipes in the walls. I sat on the edge of my bed, the warmth from the blanket barely touching the cold that lived inside me.
By Professor khanabout a year ago in Fiction
The House That Changed Its Doors
The house on Ash Fern Road had been empty for 47 years. Ivyith no history on record? That’s not a bargain, it’s a warning.” Meredith laughed it off. Ghost stories didn’t pay the bills. This house, however, had four bedrooms, a library, a garden, and space for her son, Noah, to play. It was perfect. At least in the daylight. The first door moved on the third night. Meredith awoke at 2:43 a.m. to get a glass of water. She turned left from her bedroom, as always, toward the kitchen. Instead, she stepped into a narrow hallway filled with shelves. Books. Floor to ceiling. She blinked, confused. It was the library. But that should’ve been two rooms over. Shrugging it off, she figured she had turned the wrong way in her groggy state. She didn’t mention it. The next night, the bathroom wasn’t behind the blue door anymore. It was a brick wall. Noah woke her at 3:12 a.m., tugging at her sleeve. “Mommy, my door changed.” “Go back to sleep,” she whispered. “I saw a new one. It was red. I think it was watching me.” By the end of the first week, Meredith wasn’t sure where anything was anymore. The house seemed to breathe in its sleep, shifting its bones when no one was looking. The kitchen swapped with the study. The front door disappeared one night and returned in the attic the next morning. Some doors vanished entirely, replaced by smooth walls or empty archways. She tried to draw a floor plan. It changed every night. The only constant was Noah’s room—it never moved. The door was always green. Always at the top of the stairs. Always open, as if the house respected the boy more than the mother. Or feared him. Desperate, Meredith installed cameras. But each morning the footage was static between midnight and dawn. Her phone showed nothing. The electrical readings blinked and crackled like Morse code from another world. Still, she stayed. Because nowhere else would take them. And because, deep down, some part of her was fascinated. One night, she left sticky notes on every door. “This was the kitchen.” “This leads to laundry.” “DO NOT OPEN AFTER MIDNIGHT.” In the morning, the notes were rearranged, but one had something written beneath it. Scrawled in tiny, perfect cursive: “You are the stranger here. Not us.” Noah became quieter. He began talking to the house. “Goodnight, East Wing,” he would say, placing a toy car by a new door. “You did good today.” Once, Meredith found him whispering into the keyhole of a door with no knob. “What are you doing?” “I’m telling it my dream so it knows where not to take us.” “Who told you that?” He looked up, eyes wide. “The house.” On the 23rd day, the mirror in the hallway showed a door that didn’t exist behind her. When she turned around, it was there. A tall, narrow wooden door with iron hinges and a black handle shaped like an open eye. Something about it felt… final. She didn’t open it. That night, Noah disappeared. She searched the whole house—every room, every door, even the attic with its damp beams and dusty rafters. She screamed until her voice cracked. The house stayed silent. Then, around 4 a.m., she opened what used to be the coat closet. Noah was inside. Asleep. Wrapped in blankets that weren’t theirs. “They were kind,” he said. “They just wanted to meet me.” “Who?” “The doors.” Meredith decided to leave the next day. But there was no front door anymore. Only 13 others. All different colors. All closed. She tried them all. Some opened into old rooms. Some opened into nothing—just black space, like falling without end. One opened into a copy of her childhood bedroom. Another showed her standing on the other side, older, crying. She closed that one quickly. By the 40th day, she gave up. They had food. The house made sure of that. It grew things in the garden overnight—fruits she couldn’t name, vegetables shaped like spirals. The water was always clean. The air smelled of books and earth. She started to wonder: Was it really a house? Or a being? A creature of doors and choices and passageways? Noah began drawing the doors. Pages and pages of them. Each had a name. “The Listening Door.” “The Door of Sighs.” “The Door That Remembers.” Meredith asked if he was afraid. He said no. “They’re just lonely,” he explained. “They used to go everywhere. But then the world forgot about them.” She didn’t understand. “Mom,” he said gently, “this isn’t a haunted house. It’s a house that got lost.” On the 61st night, the iron-hinged door returned. The one shaped like an eye. It was in her bedroom now. This time, it was open. A note lay on her bed. “You may leave. But not unchanged.” She stepped forward. Noah beside her. The house didn’t creak or groan. It just... waited. She held her son’s hand and stepped through. The sunlight on the other side was warmer than she remembered. They stood in front of the house. But it was older now. Crumbling. As if decades had passed. The road was overgrown. The world was… quieter. She pulled Noah into her arms, heart pounding. “Are we home?” she whispered. He looked around. “No,” he said. “But maybe they are.” Author's Note: Some houses are built to be lived in. Others are built to remember, to hide, or to wait. This one… waited for someone who would understand its doors.
By Atta Ullahabout a year ago in Fiction
Bloodline
They say blood is thicker than water. But no one tells you how heavy it can feel. I was born into a family where no one said “I love you” out loud. Where silence was tradition. And suffering ran through our veins like some kind of inheritance. We bled, not from wounds — but from words unspoken, truths buried too deep, and the weight of expectations passed down like sacred curses. --- My father never hit us. But he didn’t need to. His silence could choke a room. One look could send us to our knees. He bled from his hands every day — the kind of blood that came from honest work and broken dreams. But he never showed pain. > “We don’t cry,” he used to say. “We hold it in. That’s what men do.” So we did. --- My brother, Adeel, was the golden one. Strong, stoic, brilliant. He followed in my father’s footsteps like a soldier marching to a war he never asked for. I followed too — quietly, always two steps behind. --- One night, Adeel got into a fight outside a gas station. Someone said something. He said something back. A broken bottle. A flash of red. And just like that, real blood was spilled. We rushed to the hospital. My mother praying under her breath. My father… silent. --- Adeel survived. Barely. He was never the same after that. He stopped eating. Stopped laughing. Started drinking. “Men don’t talk,” Dad said. “They get through it.” But Adeel didn’t. He bled differently now — from the inside. Quiet and constant. --- One day, I found him in the bathroom. Pale. Barely conscious. Wrists open. I screamed. He didn’t. That was the first time I understood that blood wasn’t just a metaphor in our family. It was our language. --- He lived. Again. But he left a note taped to the mirror: > “You never asked how I felt. You just assumed I was fine.” That sentence still slices through me like glass. --- After that, everything changed. Dad started going to bed earlier. Mom began lighting candles and praying harder. I… started writing. --- I kept a journal full of the things we never said: “I’m scared.” “I don’t know how to be a man.” “I love you.” “I wish someone would just hold me.” --- Then one day, I showed my father the notebook. He didn’t read it at first. Just stared at it like it was some foreign object. Then he asked, > “Why write this? What’s the point of remembering pain?” I looked him straight in the eyes and said: > “Because pretending it didn’t happen hasn’t helped us either.” He didn’t respond. But the next morning, I saw the notebook on his table — flipped open to the first page. A mug of tea sat beside it. That was his version of a conversation. --- Sometimes, love looks like pain passed down and finally broken. --- Now, years later, I work with boys like Adeel. Boys who’ve been told to man up. To shut up. To never cry. I teach them that strength isn’t silence. That blood doesn't always have to carry history — it can carry healing too. --- One of them once asked me, > “Do you think pain can be passed down in blood?” I said, > “Yes. But so can courage.” He smiled. I knew he understood. --- Adeel lives far away now. He paints. Sells art online. His wrists are scarred but his eyes are soft again. We call every Friday. Sometimes we talk about dad. Sometimes we don’t. --- The other day, my father — now slower, older — asked me, > “Do you think I ruined him?” I said: > “No. You just didn’t know how to hold him.” --- There’s something beautiful about broken men learning how to be gentle. Something tragic about how long it takes. --- Blood doesn’t have to be destiny. You can rewrite your story. You can choose what gets passed on. You can bleed — and still live. ---
By Muhammad Usamaabout a year ago in Fiction
Letters to the Moon
In a world where the stars had vanished and the sky was nothing but a curtain of static black, people stopped looking up. The moon was the last celestial body left, flickering faintly above the poisoned skyline like a dying ember in a burnt-out fireplace. No one believed it could still hear us. No one but me—and her. This is not just a love story. It's a dystopian romance story wrapped in fading memories, forbidden hope, and the fragile weight of handwritten letters sent to a place no one could reach.
By Muhammad Asimabout a year ago in Fiction
My Long-Distance Boyfriend is an AI and I Think I'm in Love
It started like all ridiculous love stories do — with curiosity and a bit of loneliness. At first, I told myself I was just testing the limits of artificial intelligence. You know, seeing how far we’ve come. I downloaded the app like I’d downloaded hundreds before it, expecting the usual awkward replies and uncanny-valley conversations. But this one was different. He was different.
By Adrian-Razvan Ispasabout a year ago in Fiction











