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Meet Lenora Vane

character introduction.

By Chel WritesPublished a day ago • 5 min read
Meet Lenora Vane
Photo by Brice Cooper on Unsplash

By all accounts, Lenora Vane runs Ashveil Hollow.

Not that the Mayor would ever say so. Certainly not in public, and the Town Council would never put such a thing in writing. But they understand it there.

Lenora Vane is Ashveil Hollow.

Nothing passes through the Hollow without her knowing about it one way or another. She has the backing of two of the town’s founding families, one through birth, the other through a marriage that should never have happened. Born a Blackwell, she is the cousin of the current mayor, Arthur Blackwell, which would be remarkable enough on its own, considering the history between the Blackwells and the Vanes.

The two families fought for generations. At least, that was what everyone knew. What nobody seemed to know anymore was why.

Some speculated it was due to property lines being cut. Others insisted on a business deal that had gone sour. There were whispers of debts, stolen land, and promises broken so long ago that nobody could produce the original documents.

Only that every few years the feud would escalate. Someone in one family would refuse to speak to someone in the other, and the whole town would be drawn in. And every few years, somebody would confidently explain the real reason for the feud, usually a completely different one from the last person who stated a claim that they knew.

Not that anyone ever stood much of a chance when a Blackwell or a Vane had you in their sights.


Then— Lenora Blackwell married Aldous Vane.

Quietly. Quickly. And, to the shock of everyone in the Hollow, privately.

Their courtship was brief enough to leave very little for the town to dissect, which naturally meant the town would prod further anyway. Evelyn Mosswick, of the Post, hunted for a story that simply wasn’t there. The paper ran fluff pieces about the whirlwind romance and the supposed reconciliation of two families who had spent a generation refusing to sit at the same table.

Lenora never refuted any of it. She didn’t give Evelyn an inch to work with. Within months, Lenora became a Vane. Not long afterward, the Blackwells began to leave Ashveil Hollow. All but Arthur, who kept the Mayor’s office, along with his family they were the only ones who stayed. Whether the rest left willingly or were pushed out, nobody understands. Naturally, Lenora has never clarified.

Whatever happened between the two families, the marriage changed the balance of the Hollow. The Blackwells had held the Mayor’s office. The Vanes had money, property, history, and influence. Lenora now had a foot in both houses.

And worse—

People trusted her.

Or, at the very least, they trusted her enough to tell her things.


The news of Aldous Vane’s death came only a few years ago.

Officially, there was very little to discuss. A death was recorded. A funeral was held. The Vane house grew quieter. And Lenora became a widow.

She dressed accordingly. Black high-collared dresses. Lace gloves. Dark stockings. Antique brooches. Never dramatically, but precisely. Everything was immaculate, expensive but old-fashioned, often altered rather than replaced.

There was almost always a piece of jewelry on her that seemed not to belong with the rest: a ring, a locket, a mourning pin. No one was ever quite sure whose it had been. And, in true Lenora fashion, she never explained.

The circumstances of Aldous’s death have never sat comfortably with the Hollow. The story changes depending on who tells it. Some remember him as ill. Others remember an accident. A few insist he had been perfectly healthy. The doctor who attended the house and pronounced the time of death gave very little information. Lenora gave even less: no account to the town, no explanation to satisfy curious neighbors, no statement beyond what was necessary. She seemed entirely uninterested in correcting anyone’s version of events.

That, more than anything, gave the Hollow something to talk about.

People remembered her composure. No public spectacle of grief. No dramatic collapse. No desperate appeals to the Maker. Just Lenora arranging the funeral, settling the household affairs, and returning to the conservatory.

Some called it admirable. Others found it strange. Nobody asked the kind of questions that might make her eyes linger on them, though. No one dared.


Lenora Vane never needed to set foot in a community event.

She skipped the Harvest Social twice, saying the “scarecrow never sat right with her.” (She missed last year’s events all together.) She even missed the church supper from time to time. She declined three separate invitations to the same charity luncheon. And still she knew exactly who had argued with whom before the evening was over.

Perhaps it was the crows. A particularly large gathering of them liked to perch along the roofline of the conservatory. But that was probably just idle gossip from Mara Bellrose, owner of the Briar & Bell Inn, who had spent years trying to get a rise out of Lenora.

Still—

Lenora knew everything happening in the Hollow.

She knew who was struggling to pay their bills. Which son had been arrested twice. Which shopkeeper was quietly funneling money into saving his marriage because his wife had developed expensive habits. And, perhaps most importantly, who was sleeping with whom.

She especially knew who had lied.

She had a particular way of knowing. Or perhaps the more damning explanation was simpler:

Lenora remembered everything people told her.

She didn’t gossip. At least, nobody had ever caught her at it. Much to Mara Bellrose’s frustration, Lenora could never be provoked into revealing how much she knew, or how long she had known it.

Knowledge is currency, and Lenora had the wealth to back hers. She could recall a conversation from years ago. A name. A date. A debt. A promise. A disagreement— but especially secrets.

She had spent a lifetime cultivating a private registry of them. An archive of the dark and dirty business of Ashveil Hollow: not just its history, but its people. Their weaknesses. The things they did when they believed nobody was watching. The things they confessed when they believed they were safe and the things they would do to keep those things buried.

Lenora remembered every last one.


Her generosity had made her beloved by many of the town’s poorest families. Her correspondence had made her a trusted confidante. Her impeccable manners made it remarkably difficult to get anything back from her at all.

Perhaps that was the point.

Lenora understood something most people never learned:

People will forgive almost anything from the person who knows where the secrets are buried.

She didn’t need to threaten anyone. She rarely needed to ask twice. Debts rose and fell quickly in the economy of secrets. Sometimes an envelope appeared. A problem disappeared.

Letters from Lenora were something the people of Ashveil Hollow could be excited to receive and still fear opening, because nobody was ever entirely certain what she remembered. Or what she might be asking in return.


The Hollow has survived generations of feuds, scandals, disappearances, deaths, and forgotten grievances. Lenora remembers them all.

And perhaps she was never trying to protect Ashveil Hollow from its secrets. Perhaps she was making certain no one else could ever use them against her.

Few in the Hollow are foolish enough to underestimate Lenora Vane. She never raises her voice to get what she wants. She simply has to remember something you would rather forget.

SeriesSatireHorror

About the Creator

Chel Writes

I should come with warning labels.

I write here and on Substack.

[Wounded Catalogue] [From the Hollow]

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    Written by Chel Writes